life. He made this painting and some of his earlier portraits in the spirit of recuperation. “Recuperation; is of the minutely descriptive‚ fully consumed and accoutrement likeness‚ and its various traditions‚ northern‚ Italian and French‚ royal‚ aristocratic‚ and bourgeois. Degas put this spirit in this painting like what has been done in Ingles’ portrait paintings. He was doing what has been done since the tradition of
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Movement and Space within “Portraits and Repetition‚” by Gertrude Stein Gertrude Steins’ “Portraits and Repetitions‚” facilitates the paradigm of linguistic displacement between subject and listener delineated by the dynamic and effectual relationship of the interrelated‚ rhythmic patterns characterized by the idea of movement as existence. This conviction denotes the essence of mobility portrayed throughout the text‚ the individual and collectives while commissioning itself through geographical
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Pablo Picasso "Portrait of Sylvette" The piece of art that was studied is "Portrait of Sylvette" by Pablo Picasso‚ of Spanish decent originating from 1881-1954. This portrait is oil on canvas and measures approximately 28 inches wide by 42 inches high. It was a gift of the estate of Tom Slick 1973.36. Picasso utilizes many classical and controlled lines for most of the art work. He uses these precise lines to express the mathematical
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With flashy gold and silver trail‚ splendid ghost will make it foretold‚ the highest gate may still it stand for its memories as strong as sun‚ It was the Intramuros‚ the splendid Intramuros‚ the old Manila. The center of trade‚ religion‚ brotherhood‚ the home for the royalties‚ the upper class‚ the rich ones. It once stood still firm like that of Great Wall of China‚ its memories will forever remain to people who felt the suffering and pain‚ this placed marks the history of our very great country
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early age in which he passed. A detail from the mummy case‚ Portrait of Artemidorus (Fig. 15-17) shows us how young Artemidorus was when he died. The portrait depicts a handsome young man with huge brown eyes and smooth skin. He wears a wreath on top of his hair which is stylized in a manner that was popular during the rule of Trajan. Another example from Hawara of painting on woods for a mummy case can be seen on Mummy portrait of young woman (Fig. 15-18). This painting is of a young woman that
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TRAVELOGUE : MUMBAI Mumbai‚ the city of Sri Mahalakshmi‚ where the goddess of fortune and abundance resides and grants favours‚ worshipped by countless devotees who have made Mumbai their home. Little boxes‚ people on people‚ concrete humanity. The only city where it all works‚ against all odds. A city within which people strive for excellence or how would they stand the pace of desperate living here. A city of crime‚ where the crime is not visible. A city where you feel safe no matter who‚ where
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social movements‚ organizations and the state. The moral boundary has a side that is normal and a side that is deviant. On the normal side‚ it is comprised of Aristotelian‚ Medieval Scholastic‚ Physiological‚ Biological‚ Economic‚ Psychological‚ and Sociological periods in time. Specific instances or circumstances cause and individual to shift from the normal to the deviant side. To elaborate‚ when it comes to Aristotelian‚ a person becomes deviant by being born and becoming deviant. For Medieval Scholastic
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Introduction: Deviance is a behavior that violates the standards of conduct or expectations of a group or society. Deviance is regularly separated into two sorts of degenerate exercises. The primary‚ wrongdoing is the infringement of formally established laws and is alluded to as formal aberrance. Illustrations of formal aberrance would include: burglary‚ robbery‚ assault‚ murder‚ and strike‚ just to give some examples. The second sort of freak conduct alludes to infringement of casual social standards
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are coffee growers in poor rural area are not paid reasonably for their crops. The private troubles are coffee growers are trapped to sell only coca because of the competitive markets and expensive expenses. 1. C. Wright Mills said that the sociological imagination comes from our ability to see the connection between “public issues” and “private troubles.” How does the narrator of this film make such a connection in his life? What are the “public issues” and the “private troubles?” The narrator
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Eliot quotes at the preface of his poem. By understanding every aspect of “The Love Song of J. Alfred Prufrock‚” from the author and the use of allusions and themes within his writings‚ to the epigraph‚ to the actual poem‚ one can see the entire portrait of the man that is Prufrock: a man struggling with homosexuality. Eliot undoubtedly is one of the greatest and most complex poets of our time. As stated by Donald Fryxell‚ all of Eliot’s poems are complex‚ never simple: oftentimes‚ they are concentrated
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