"Sock puppet" Essays and Research Papers

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    Cool Joe: A Short Story

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    He got to the track‚ and became so scared his socks blew clean off his legs. He found the sock vender and said‚ “I am going to race the Demon’s Tongue and my socks have blown off my legs.” The sock vender replied‚ “I am the sock vender and you will come to fear my marketing powers!” Cool Joe then proceeded to have a roast off against the vender. “I can’t believe the eighties haven’t come

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    Socks

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    Indian Socks runs on growth trajectory by 10-25% annually | March 29‚ 2011 (India) | | Trivial though usually looked upon‚ ‘Socks’ is definitely an important part of a person’s wardrobe. Still‚ since long the segment is not taken to be vital.  Attributing towards negligence from policy makers and business developers for the sector kept unattended or least valued‚ Mr Rohit Pal‚ MD- Renfro India speaking exclusively for News team at fibre2fashion describes “This segment within clothing has

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    "There is something in the puppet that ties its dramatic life more to the shapes of dreams and fantasy‚ the poetry of the unconscious‚ than to any realistic drama of human life." [1] The word‚ ’puppet‚’ is derived from the Latin pupa‚ meaning little girl or doll. The metaphoric extension of the word first recorded in the 1540’s is: ’person whose actions are manipulated by another.’ [2] Puppetry is the art of taking an inanimate object or representational figure‚ manipulating it and giving it life

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    Puppetry in Pakistan

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    Puppetry in Pakistan Theatre and Performing Arts In order to understand and appreciate culture‚ beauty and art one has to study theatre and performing arts. It develops ones personality and teaches you how to critically analyze things. One of the oldest and most important art forms depicting a countries culture is its theatre. The word theatre is derived from the Greek word theatron which means‚ "Place of seeing". As a performing art it focuses entirely on live performers creating a self contained

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    Mua Rồi Nước literally translates to “water puppet dance”. The origins of traditional water puppetry are contested1; the earliest reference to Water Puppetry in Vietnam was found at two inscriptions at the Long Doi Son Pagoda2 that describe the popular tale of The Legend of the Restored Sword3. Traditional performances contained twenty-thirty scenes from a possible repertoire of one hundred and thirty four. Performances today are shorter4 (Foley‚ 2001‚ p. 136). As the name implies‚ the theatre performance

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    Proposal Form

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    In this document I will explain about the types in the Southern part of India‚ including the forms of puppetry from Andhra Pradesh‚ Karnataka‚ Tamil‚ Nadu and Kerala. In Andhra Pradesh the type of shadow puppet theatre is called Tolu Bommalata. This word literally translates to “Leather Puppet Dance”. These performances are a very strong tradition in this region of the country and are not only famous for their life-size images‚ highly intricate ornamentation and brilliant colours but also for their

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    Wayang Kulit

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    with the puppet itself or the whole puppet theatre performance. History: Wayang is a general term meaning traditional theatre in Indonesia. This art was imported from India or China‚ both of which have a long tradition of shadow puppetry and theatre in general. However‚ there very well may have been ingenious storytelling traditions that had a big impact on the development of the traditional puppet theatre. Wayang Kulit is a unique form of theatre employing light and shadow. The puppets are crafted

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    Role of the Scenographer

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    CR 516- SCENOGRAPHY- UoA2 Essay Q//Write a‚ detailed‚ illustrated‚ analytical case study that explores the role of the scenographer and the scenographic outcome in a live production or productions you have personally seen. Particular attention should be paid to the overall scenic approach‚ the use of lighting‚ audio‚ visual effects‚ costumes‚ scene changes‚ and the overall interpretation of the narrative. A// This essay is going to act as a case study of live productions which I have personally

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    Bibliography: 3. Lover ’sExile." Lover ’sExile. N.p.‚ n.d. Web. 14 Sept. 2012. <http://cla.calpoly.edu/~bmori/syll/Hum310japan/Lover ’sExile.html>. 4. The Puppets ’ Heads." The Puppets ’ Heads. Japan Arts Council‚ n.d. Web. 14 Sept. 2012. <http://www2.ntj.jac.go.jp/unesco/bunraku/en/contents/dolls/kashira.html>. 5. The Puppets." The Puppets. Japan Arts Council‚ n.d. Web. 14 Sept. 2012. <http://www2.ntj.jac.go.jp/unesco/bunraku/en/contents/creaters/operator.html>. 6. Japan Arts Council

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    Bunraku

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    Introduction: Bunraku‚ the National Puppet Theater of Japan‚ mainly consists of half life-size dolls dressed in sophisticated costumes and manipulated by puppeteers. Bunraku emerged in the 17th century and soon became familiar to society in the mid eighteenth century‚ recognized as a noble form of art that Japan venerates from. The Love Suicides at Sonezaki was one of Bunraku’s most impressive and successful plays‚ written by Chikamatsu Monzaemon and was first performed 20 June 1703. Chikamatsu

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