FRICK FINE ARTS LIBRARY ART HISTORY: CONTEMPORARY ART Library Guide Series‚ No. 9 “Qui scit ubi scientis sit‚ ille est proximus habenti.” -- Brunetiere* This bibliography is highly selective and is meant only as a starting place to aid the beginning art history student in his/her search for library material. The list does not include materials on individual artists. The serious student will find other relevant sources by noting citations within the encyclopedias‚ books‚ journal articles‚ and
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Altar to the Hand (Ikegobo) of Ezomo Ehenua 18th–19th century Nigeria; court of Benin Brass Here we have an interesting piece from modern day Nigeria. Press play for a formal description‚ the historical background‚ and an explanation of the meaning of various aspects of this object. Formal Description: This sculpture is truly a remarkable work in many senses. As a whole‚ it is sculpted in the round. The figures on top of the piece are also sculpted in the round. The figures surrounding
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in 1960‚ but she continued to expand her conceptual model through the years. In the following slides‚ we will visit some of the main components of Sister Roy’s Adaptation Model of Nursing Concept. We have discussed the many different conceptual nursing models that affect the way we approach how we treat our patients. As a group‚ we selected Roy’s Adaptation Model (RAM) because it is the model we all most identify with. When assessing the various conceptual models‚ we found that RAM‚ when utilized
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early-20th-century avant-garde art movement pioneered by Georges Braque and Pablo Picasso‚ and later joined by Juan Gris‚ Jean Metzinger‚ Albert Gleizes‚ Robert Delaunay‚ Henri Le Fauconnier‚ and Fernand Léger‚[1] that revolutionized European painting and sculpture‚ and inspired related movements in music‚ literature and architecture. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre
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Info Conceptual Framework — IASB-FASB joint project Background At their joint meeting in October 2004‚ the IASB and the US FASB decided to add to their respective agendas a joint project to develop a common conceptual framework‚ based on and built on both the existing IASB Framework and the FASB Conceptual Framework‚ that both Boards would use as a basis for their accounting standards. The two boards reached the following tentative decisions about the approach to the project: * The project
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People from different cultures don’t understand the world the same due to the way our brain is wired. We are seeking consistency as that is what eases our minds‚ and understanding that facts don’t have the power to change our views because we as humans hate to be wrong. Our opinions create our belief system which results in not always properly matching up with facts. We hate being in discomfort from being wrong so our brain is wired with cognitive shortcuts in order to avoid such encounters. There
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On the Very Idea of a Conceptual Scheme Author(s): Donald Davidson Source: Proceedings and Addresses of the American Philosophical Association‚ Vol. 47‚ (1973 1974)‚ pp. 5-20 Published by: American Philosophical Association Stable URL: http://www.jstor.org/stable/3129898 Accessed: 08/08/2008 15:13 Your use of the JSTOR archive indicates your acceptance of JSTOR’s Terms and Conditions of Use‚ available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR’s Terms and Conditions of Use
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Synopsis Although Pop art is now most associated with the work of New York artists of the early 1960s such as Andy Warhol‚ Roy Lichtenstein‚ James Rosenquist‚ and Claes Oldenburg‚ artists who drew on popular imagery were part of an international phenomenon that saw major developments in various cities from the mid-1950s onwards. Following the Abstract Expressionist and Neo-Dada movements‚ Pop’s reintroduction of identifiable imagery (drawn from mass media and popular culture) was a major shift for
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Interview with Art Ciasca Michael Harcek Florida Atlantic University Dr. Castro Leadership and Organizations MAN 6296 October 19‚ 2014 Introduction Art Ciasca is the CEO of Suncoast Mental Health (SMH). Mr. Ciasca is a dynamic and respected leader in the field of mental health. Art’s contributions to the community have been nothing short of extraordinary. He has served on a number of advisory boards‚ and has been instrumental in the success of several community-based social programs. Prior
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chapter 5 Space Fig. 90 Donald Sultan‚ Lemons‚ May 16‚ 1984‚ 1984. Latex‚ tar on vinyl tile over wood‚ 97 in. 971/2 in. Virginia Museum of Fine Arts‚ Richmond. Gift of the Sydney and Frances Lewis Foundation. Photo: Katherine Wetzel. © 1996 Virginia Museum of Fine Arts. W ISBN 0-558-55180-7 e live in a physical world whose properties are familiar‚ and‚ together with line‚ space is one of the most familiar. It is all around us‚ all the time. We talk about “outer” space (the space
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