Adventures of Huckleberry Finn Vocabulary Flashcards and Review Games can be found at http://www.studystack.com/flashcard-‐-‐-‐222442 1. irony 2. parody 4. innuendo a form of comic art characterized by ridiculous exaggeration. 7. victuals food 8. commenced began 9. dismal gloomy or depressing 10. ransomed freed from captivity for a price 11. lath building material
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Compare and contrast how Shakespeare and Austen present the power of love in Othello and Pride and Prejudice. In order for love to be true it must come from both sides equally. Its power will not be strong enough to overcome all obstacles if its foundation is not pure. In Pride and Prejudice‚ Austen paints a portrait of the power of love as merely unbreakable whereas Shakespeare arguably portrays it as weak and vulnerable. Both Shakespeare and Austen use dialogue as a tool for the construction
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sociological‚ and psychological function it plays. As well as it’s impact on language and literature. The basic theme of Othello is man’s struggle with his own psychological conflicts. Our antagonist‚ Iago lets us into his own demented mind using soliloquy. Shakespeare uses this method to let us know what he is thinking‚ feeling‚ and plotting. Most of us know an Iago. One of our own mortal enemies‚ our friend who all the while is stabbing us in the back. He is the portrayal of pure evil. Othello
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Shakespeare ’s plays reflect not life but art. ’ Make use of this remark in writing an essay on Shakespeare ’s use of Metadrama. Shakespeare constantly plays with metadrama and the perception of his plays as theatre and not life with the complications inherent that in life we all play roles and perceive life in different ways. The play has recognition of its existence as theatre‚ which has relevance to a contemporary world that is increasingly aware of precisely how its values and practices
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Quinci Cohen 30th April 30‚ 2010 HL English E A Commentary on Lucky’s Monologue in Waiting for Godot In Samuel Beckett’s Waiting for Godot perhaps no character is as enigmatic and perplexing as that of Lucky. His role in the narrative of the drama as he is introduced is by and large passé until he is asked to “think” by Vladimir. The ensuing logorrhea when Lucky dons his hat has spawned innumerable interpretations and attempts to decipher the crux of it. Most agree that Lucky’s speech is
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language (terms that you need to know that more or less mean the same thing are: Obloquy‚ Diatribe‚ Vituperation). 13. Myth: an anonymous traditional story that usually serves to explain a belief‚ custom‚ or mysterious natural phenomenon. 14. Parody: the
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Twenty Four: A study of time in Doctor Faustus The Tragicall History of the Life and Death of Doctor Faustus‚ referred to simply as Doctor Faustus‚ is a play by Christopher Marlowe written in the late 16th century‚ based on the Faust story‚ in which a man sells his soul to the devil for power and knowledge. The idea of an individual selling his or her soul to the devil for knowledge is an old motif in Christian folklore‚ one that had become attached to the historical persona of Johannes Faustus
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Language in Othello Elizabethan and Jacobean dramatists used language to establish and build dramatic atmosphere‚ to define time‚ place and character. But in Othello‚ language is not simply the medium by which the drama is conveyed: in this play language is action. Othello ‘falls’ because he believes a man whose every utterance is deceptive. When the hero is taken in by false words‚ tragedy is the result. The play shows us the power of words; we watch as characters construct their own and others’
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The third-person omniscient is a narrative mode in which a story is presented by a narrator with an overarching point of view‚ seeing and knowing everything that happens within the world of the story‚ including what each of the characters is thinking and feeling.[1] It is the most common narrative mode found in sprawling‚ epic stories such as George Eliot’s Middlemarch. The godlike all-knowing perspective of the third-person omniscient allows the narrator to tell the reader things that none of
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English project Equivocation Equivocation ("to call by the same name") is classified as an informal logical fallacy. It is the misleading use of a term with more than one meaning or sense (by glossing over which meaning is intended at a particular time). It generally occurs with polysemic words (words with multiple meanings). It is often confused with amphibology (amphiboly) (ambiguous sentences.); however‚ equivocation is ambiguity arising from the misleading use of a word and amphiboly is
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