refers to the music from specifically 1730 – 1820‚ the period of time between the Baroque and Romantic era. Classical music pays careful attention to form‚ elegance and restraint‚ and it is defined by a number of forms such as sonata‚ symphony‚ concerto‚ theme and variation‚ as well as rondo‚ which become dominant during that time‚ especially sonata form. Research has revealed that with its rhythm and melody‚ it could have positive impacts to the brain and benefits the people when they are listening
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two composers under discussion here each created works that are a hybrid of other forms and sonata form. Haydn did not create sonata form‚ but he was a master of it. His grasp of form was excellent‚ and at the same time‚ he took a few liberties with his conception of it. Haydn was fond of the false recapitulation. A false recapitulation is a device that can be used near the end of the development section of a sonata form movement. Aside from a false recapitulation‚ Haydn was fond of surprising the
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also called the Unfinished Symphony‚ deviates from the typical first movement of a Classical symphony in various aspects. Similar to other Classical symphonies‚ the first movement of unfinished symphony adapted sonata form as the skeleton. Despite the use of symphonic sonata form‚ Schubert begins the piece by an 8-bar quiet solo Preface theme which is played by the cellos and double basses in unison. The low registers and softly played Preface theme creates a mysterious and mournful effect. Also
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The classical era brought about a plethora of changes which drove western music into a brand new direction. Whereas the Renaissance period brought about enlightenment and the breaking away of traditional religious music‚ and the Baroque period exploding the provisions of artistic expression‚ the Classical period came back to square one and established systemized order. Although we no longer have the same verbosity of the Baroque era‚ the Classical period combined the elements of order and grace to
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“Sensitive Style”; used by CPE Bach in his Keyboard Sonata; in this style‚ it is almost as if the phrases are one gesture after another (not really connected in any way) the composition is VERY intimate with ornamentations; the melody is fragmented and improvised‚ very emotional with embellishments everywhere Alberti Bass: A style of bass accompaniment used in piano sonatas (a style of arpeggiation‚ keeps the pieces moving) (used in Mozart’s piano sonatas!!) Opera Buffa: Comical opera‚ always in Italian
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played? • http://www.eas-musikmanagement.de/index.php/en/biolawrence • Shostakovich and Russia http://web.mit.edu/jikatz/www/Shostakovich.pdf Shostakovich’s progress • Start about his progression in traditional music – use sonata no.2 as this is the best example. • Explain the three sections it is split into: exposition‚ expansion and recapitulation. • Progress into what these three stages are. (Richards 2008) The voices of the pieces and deviation from
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CONCERTO A concerto (from the Italian: concerto‚ plural concerti or‚ often‚ the anglicised form concertos) is a musical composition usually composed in three parts or movements‚ in which (usually) one solo instrument (for instance‚ a piano‚ violin‚ cello or flute) is accompanied by an orchestra. The etymology is uncertain‚ but the word seems to have originated from the conjunction of the two Latin words conserere (meaning to tie‚ to join‚ to weave) and certamen (competition‚ fight): the idea
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mistake‚ however‚ Haydn and Beethoven were not carbon copies of one another. When comparing compositions of the two composers‚ namely Haydn’s symphony No. 95 in C minor and Beethoven’s symphony No. 5‚ the two composers differ in various areas‚ including form‚ theme‚ tonality‚ orchestral structure‚ and the overall effect their work had on the audience. The only way to truly understand the similarities of these two legendary composers is to delve into their music‚ comparing them movement-by-movement of the
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Most instrumental music of the Classical period pursued a three- or four-movement form with a first movement in sonata form‚ which expands on binary form. Some general music characteristics of a new classical style that are going to be discussed in this assignment are in terms of melody‚ harmony and also the form. Melody: The focus on melody in classical style was directed to a more linear structure‚ in contrast to the frequent sequential expansion of the early style. In addition‚ periodicity was
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were associated with vocal music‚ such as operas. 2. What is a sonata? How is it related to the sonata form? A sonata is a large-scale composition that is played. 3. What is a coda? The coda will use music from the movement‚ but it typically does not add anything to the "argument" of the piece 4. What are the three different parts of the sonata form? Describe each part. Exposition: The exposition is the first part of the sonata form‚ and it is where the composer will bring in‚ or "expose‚" all
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