A Report on "The Ballad of the Harp-Weaver" By: Kelcie Roberts Edna St. Vincent Millay (1892-1950) wrote the "Ballad of the Harp-Weaver" published by Flying Cloud Press and has a copyright date of 1922. "The Ballad of the Harp-Weaver" is known as a Narrative Poem. Millay won the Pulitzer Prize for Poetry in 1923. However‚ since Millay lived until 1950‚ her work is still under copyright in Canada and England. For "The Ballad of the Harp-Weaver" and several other works published in the early
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‘The Shoe-Horn Sonata’ The play ‘The Shoe-Horn Sonata’ composed by John Misto‚ is primarily focused on the incarceration of women and children in P.O.W (Prisoner Of War) camps located in the jungles of Japan in World War Two‚ rather than the most common factors of the male soldier wartime stories and other masculine hardships dealt with at the time. As the play unfolds Misto presents the audience with various theatrical components to convey the relationship of two women being interviewed to reminisce
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Joan of Arc was a French lady who asserted to have gotten dreams of Archangel Michael. This drove her to secure the triumph of France against the English’s endeavor to overcome France amid the Hundred Years War. Be that as it may‚ after she was caught by the English‚ she was put on trial for an assortment of charges including blasphemy. Thus she was scorched in question. Two or three years after the execution‚ the trial was reconsidered and individuals understood that she was pure. She was announced
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Distinctively visual texts use a variety of techniques to convey the experiences during the war. In John Misto’s 1996 play ‘The Shoe-Horn Sonata’ which is about women nurses enduring Japanese POW camps‚ such distinctive experiences as power and survival are shown through techniques like lighting‚ projecting image‚ sound‚ symbols‚ dialogue and body language. In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways
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women’s suffering during the war‚ allowing the responder to acknowledge the women‚ which will convince society to pay tribute to the women. He uses a variety of techniques which involve many senses of the responder in The Shoe-Horn Sonata to achieve this goal. The Shoe-Horn Sonata is based on two women who helped each other through hardships during World War II; they are reunited after fifty years to film a television documentary which unravels many secrets. The involvement of more than one sense
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The sixth passage in “On Going Home” by Joan Didion‚ gave me feeling of nostalgia. I could feel the longing and sincerity of the author’s love and want for her child. I could feel how the mother wants nothing but the best for her child but is unsure if she can offer the best due to how it is “different now”. In the passage Joan writes‚ “...would like to pledge her a picnic on a river with fried chicken and her hair uncombed…” (4) The fact that Didion is imagining things that she later understands
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as being weak. This is what the main protagonists of both the play‚ Shoe Horn Sonata by John Mistro and the movie‚ Hunger Games directed by Gary Ross endured. Together with photographs‚ cinematic techniques and symbols‚ these texts represent the devastation of war‚ the bonds of friendship forged during a war and their respective will to survive. Friendship is defined as a relationship between friends. In Shoe Horn Sonata‚ when Sheila and Bridie first meet‚ it seems unlikely that they will ever be
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Portrait of a Priestess By: Joan Breton Connelly The historical figure referred to as the “Oracle of Delphi‚” in ancient writings by Aeschylus‚ Aristotle‚ Diogenes‚ Euripides‚ Herodotus‚ Plato‚ Plutarch‚ and Sophocles‚ was the “Pythia‚” or “Priestess” of the temple of Apollo at Delphi; located in a cave on mount Parnassus‚ beneath the caspian Spring. The Pythia was a respectable position for a women among the ancient greeks. Several women were selected to succeed the position of Pythia over the
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incomprehensible to those who have never experienced it‚ a dread that strikes at the root of one’s survival – an existential fear.” Experiences suffered by women and children in WWII Japanese POW camps are reflected in John Misto’s play‚ The Shoe-Horn Sonata. This is shown through a wide range of distinctively visual techniques such as stage directions‚ language‚ lighting‚ music and sound effects that are designed to put the audience in his characters positions. The fear confronted by the women of the
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occurrence of an event. John Misto has successfully portrayed the importance of survival by using the visual and sound techniques. The sisters and nurses of Sisters of War and the nurses in The Shoe-Horn Sonata had endured many great atrocities during their times in the war. In Shoe-horn sonata‚ the mimicking technique used in the “Tap – Tap – Tap” and “[harsher] Whack – Whack – Whack” shows Bridie’s persistence in keeping Sheila awake. The powerful use of repetition and its onomatopoeic techniques
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