of Classical music Programme Notes Sonata in C minor (‘Pathétique’)‚ Op. 13 Beethoven (1770–1827) Grave; Allegro di molto e con brio Adagio cantabile Rondo: Allegro Beethoven’s ‘Pathétique’ sonata was published in 1799 during what is referred to as his early period. At this time Beethoven was living in Vienna‚ supported by many generous patrons including Prince Karl Linchnowsky‚ to whom this sonata is dedicated. Beethoven’s early sonatas were written not only for artistic but also
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As well as this‚ the horns are marked "in D" and this shows it was in the classical period as the horns did not yet have valves‚ so would have been played a minor 7th lower than printed. In addition‚ the symphony is written in sonata form; exposition bars 1-44‚ development bars 45-79‚ and recapitulation bars 80 onwards. This structure is one of the main musical structures of the classical period. Also‚ the texture of the piece is mainly "melody-dominated-homophony" which is also
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influenced many composers. The Classical-Romantic era is recognized by its four movements. The first movement is long and is recorded in sonata-allegro form. The second movement is slow and includes lyrics and is also sonata-allegro form. The third movement is dancelike and in turn slow and is a minuet and trio. The last movement‚ the fourth‚ is spirited and is a rondo form. 1 The movie starts of in Vienna‚ Austria sometime in the early 1800’s. An old and perhaps emotionally disturbed Antonio Salieri attempts
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characteristics. Their characteristics range from their meter‚ melody‚ rhythm‚ harmony‚ texture‚ and the instruments used in each song. To start off‚ I will describe Mozart’s song into his four movements. In the first movement of Mozart’s song is in sonata-allegro form. The song opens up in an ascending rocket theme‚ which is
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powerful theme. In slowly raising the volume and intensity of the music‚ Beethoven uses this method to demonstrate “the idea of rising gradually through an enormous musical space” (Lockwood 434). While the first movement adheres to the rounded binary form‚ the unique growing nature of the opening suggests that there is a greater musical space and that the listener is slowly pulled into an
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Beethoven compositional innovations Beethoven compositional innovations all of which we will observe in his symphony no.5 are arrayed around a single Centro Beethovenian article of faith the music is that its essence a form itself expression. Beethoven attitude might have appeared too many of his contemporaries with the hindsight of the history can see at the time was right for the development of such an entirely egocentric attitude towards music‚ combine in equal parts one the enlightenment emphasis
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narrow range. There are four movements of the Classical-Romantic era. The first movement is long‚ dramatic and written in sonata-allegro form. The second movement is slow‚ lyrical and is in a modified sonata-allegro form. The third movement is dancelike‚ moderately slow and is variably a minuet and trio. The last movement‚ the fourth‚ is lively‚ spirited and is a spirited rondo form. The movie gave a great aspect of Amadeus Mozart’s life. He was a very gifted child who composed music before the age
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I chose to analyze Beethoven’s Piano Sonata number 15. Sonata number 15 is opus/work number 28. There are 4 movements in the work‚ but I chose to analyze the first movement. Beethoven was born on December 16‚ 1770 into a family of musicians ("Classical Net - Basic Repertoire List - Beethoven" pars. 1-2). Beethoven began writing music at a young age ("Classical Net - Basic Repertoire List - Beethoven" par. 4). He composed his first original Sonata in 1797 ("Classical Net - Basic Repertoire List -
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works all contain the basic elements of music; structure‚ texture‚ melody and harmony. However the ways these things come across are unique to each composer and era‚ as well as having quite a few similarities. Handel’s Messiah is an oratorio in the form of an Italian opera‚ with recitatives‚ arias and choruses. He gave great importance to the choruses‚ of which ’And the Glory of the Lord’ is one‚ and used them to comment on the action of the story at that particular point. In an opera an aria would
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