During my examination of Beethoven’s 5th Symphony I discovered that he starts with a four-note motive (short-short-short-long) which becomes the driving force for the entire symphony. He continues to modulate the motive in new and exciting ways with each new movement. Sometimes it is forcefully stated in its "original" (or first) form like the 1st movement or very subtly within a running melody as in the 2nd movement. Now that I have actually listened to and analyzed the musical components of the
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long as it is not political related. Hence‚ drama are based in olden times were popular because it would not have any relation to present day politics. Another favourite genre would be drama focused on love stories. These led to TV dramas like Winter Sonata‚ depicting a love story that became a hit in Asia‚ and
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Analysis of “Allemande” from J.S. Bach’s English Suite No. 3 in G minor. I have analysed Bach’s allemande from the English suite no. 3 using the Schenkerian method‚ by reducing the score down to its basic foundations‚ in order to show how the work can be understood on the foreground‚ middle ground and background levels. In order to this‚ I have taken away unnecessary notes‚ such as the neighbour and passing notes‚ to leave the score as a basic four part chorale-like piece with two chords to
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women who lived through the war as Japanese prisoners of war. The play is a testimony‚ a memorial to their bravery and struggles for survival against all odds‚ including even the lack of recognition by the British of their existence. The Shoe Horn Sonata will only be produced by non government theatres. These theatres are usually low budget. Misto has tried to recreate the reality of the 1940’s. To do this the story is told through the dialogue and interaction of Bridie and Sheila. The use of music
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he Ghost Sonata does not take place in the real world; or at least not in a world most people would recognize as reality. Strindberg originally subtitled his play "Kama-Loka‚" the name of a mystical dream world through which some mortals have to wander before reaching the kingdom of death in the afterlife. Accordingly‚ the characters in The Ghost Sonata speak‚ move and act as if they are part of a dream—or a nightmare. One sees glimpses of the future‚ another embodies tragedies from the past. There
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Shoe horn sonata essay Distinctly visual texts through various techniques depict an environment with great clarity so that to allow the audience to picture a vivid mental image just the way the composer intended it. A couple of examples of distinctly visual texts are the famous play “the Shoe-Horn Sonata” which uses lighting‚ project images‚ music‚ and the use of Japanese language and customs. A text doesn’t have to display pictures or play pictures to paint a picture for its audience or to be
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I agree that Winter Sonata is the pioneer of Hanryu. Like the article describes‚ Winter Sonata contain different elements which catch the eyeballs of middle aged women. The ‘pure love’ plots‚ the romantic and slow-paced scenes and the choice of actors blended and created a chemistry action which provide rooms for the audience to fantasize and envision themselves in the scenes of the drama. Winter Sonata not only fulfills the sensational needs of the middle aged women‚ but also fulfills their psychological
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experiences. Explain how this is achieved in The Shoehorn Sonata and at least two other texts. Language helps us share other people’s experience. In the play the Shoe Horn Sonata by John Misto‚ the use of symbolism‚ stage directions and dialogue enables the audience to feel empathy for the character as does the language used in the film Apocolyto and in the painting “He Ain’t Heavy‚ He’s My Brother” by Holly Wong. The Shoe Horn Sonata makes references to actual historical events and places.
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Bibliography: Tolstoy‚ Leo. "The Death of Ivan Ilych." The Kreutzer Sonata and Other short Stories. Trans. Louise and Aylmer Maud. New York: Dover Publications‚ 1993.
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In the Shoe-Horn Sonata‚ John Misto uses an analysis of dramatic‚ language and visual techniques to construct powerful images of Bridie and Sheila’s experiences in the prisoner of war camp (POW). Misto explores‚ through the two friend’s testimonies‚ the untold story of hundreds and thousands of women imprisoned by the Japanese during World War II. He conveys these experiences through the use of techniques such as 1st person narration‚ symbolism and music. In the Shoe-Horn Sonata‚ Misto effectively
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