What different attitudes to love can be found in sonnets 116 and 130? In sonnet 116 it defines love‚ by telling both what it is and is not. In the first quatrain Shakespeare talks about what love is not. Shakespeare says that love is “the marriage of true minds” which is a metaphor for true love‚ ideal and perfect love. Shakespeare uses the word “minds” rather than words like “hearts”‚ he does this to let us know that perfect love is a partnership of the two thinking. Shakespeare then goes on
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DONNE ’S HOLY SONNET XIV Batter my heart‚ three person ’d God; for‚ you As yet but knocke‚ breathe‚ shine‚ and seeke to mend; That I may rise‚ and stand‚ o ’erthrow me‚ ’and bend Your force‚ to breake‚ blowe‚ burn and make me new. I‚ like an usurpt towne‚ t ’another due‚ Labor to ’admit you‚ but Oh‚ to no end‚ Reason your viceroy in me‚ me should defend‚ But is captiv ’d‚ and proves weake or untrue‚ Yet dearely ’I love you‚ and would be lov ’d faine‚ But am betroth ’d unto your enemy
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EARLY RENAISSANCE POETRY: THE POEMS Source Text: Ferguson‚ Margaret‚ et al (eds). The Norton Anthology of Poetry. Fifth Edition. New York: W.W. Norton‚ 2005. 1 Thomas Wyatt 1503 – 1542 The Long Love That in My Thought Doth Harbor1 The long˚ love‚ that in my thought doth harbour‚˚ enduring/lodge And in mine heart doth keep his residence‚ Into my face presseth with bold pretence‚ And therein campeth‚ spreading his banner.2 She that me learneth˚
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Elizabeth Barrett Browning Sonnet 1 Theme: Unexpectedness of love Falling in love with Robert and his returning of her love came as a great surprise to Elizabeth‚ considering past her circumstances. Analysis: Reworks the traditional sonnet sequence by transforming gender roles. She utilises the female voice instead of the traditional male voice. She assumes the role of epic hero. She adopts the petrachan sonnet style. The octet’s strict rhyming pattern reflects how she feels her life
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Title: An overview of “Sonnet 130” Author(s): Joanne Woolway Source: Poetry for Students. Detroit: Gale. From Literature Resource Center. Document Type: Critical essay [Joanne Woolway is a freelance writer who recently earned her Ph.D. from Oriel College‚ Oxford‚ England. In the following essay‚ Woolway analyzes how‚ in “Sonnet 130‚” Shakespeare “succeeds...in turning traditional poetic conventions around.” She also takes a close look at the ways Shakespeare’s versification—his skill patterning
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The excerpts from Elegiac Sonnets by Charlotte Smith come across as very sad. From the four separate readings by her it is seemed like Smith was maybe depressed. Beginning with Written as the Close of Spring the beginning is beautiful with talk about flowers blooming and spring. Then‚ begging at line 9 it gets sad. She begins talking about humanity and how frail and fair it is. She is talking about how when we age we loose our youth and don’t bud anymore‚ as flowers do. The next excerpt in Charlotte
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“Sonnet CXXX” is a spoof of the typical love sonnets written by Shakespeare’s contemporaries. It ridicules the senseless depictions that poets gave their lovers whereas in comparison the speaker in “Sonnet CXXX‚” illustrates his mistress with honest comments. These remarks declare her “true” character and show the speaker’s absolute and total adoration for her because of it. As the poem opens‚ in the first quatrain‚ we are introduced to the narrator’s‚ “I”‚ “mistress.” This term however‚ is not
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An Analysis of Sonnet 130 Rhythm Iambic Pentameter: The poem uses an iambic pentameter‚ a rhythmic scheme used in sonnets. The rhyme scheme is ABABCDCDEFEF GG‚ and is split into three quatrains and a rhyming couplet. It contains 10 syllables per line‚ with syllables alternating between unstressed and stressed when spoken aloud. This gives the sonnet the effect of sounding like a regular love poem‚ but upon closer examination of the words used we can tell that the poem and its intentions are completely
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Poems used: John Keats’ ’On the Sonnet’ 1848 If by dull rhymes our English must be chained‚ And‚ like Andromeda‚ the Sonnet sweet Fettered‚ in spite of painéd loveliness; Let us find out‚ if we must be constrained‚ Sandals more interwoven and complete To fit the naked foot of poesy; Let us inspect the lyre‚ and weigh the stress Of every chord‚ and see what may be gained By ear industrious‚ and attention meet; Misers of sound and syllable‚ no less Than Midas of his coinage‚
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Holy Sonnet XIX Oh‚ to vex me‚ contraries meet in one: Inconstancy unnaturally hath begot A constant habit; that when I would not I change in vows‚ and in devotion. As humorous is my contrition As profrane love‚ and as soon forgot: As riddingly distempered‚ cold and hot‚ As praying‚ as mute; as infinite‚ as none. I durst not view in heaven yesterday; and today In prayers and flattering speeches I court God: Tomorrow I wake with true fear of his rod. So my devout fits come and go away Like
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