Ruth Baez AP/UCONN English Mr. Dodge February 5‚ 2009 The Mortality of Marriage Edmund Spenser’s “Sonnet 75” is an epithalamium regarding the mortality of marriage. The speaker acts upon his lust‚ flattering his lover with bribery and continuously asking her to marry him. The poem implies marriage in the third line‚ with the word “hand‚” because it is a synecdoche to marriage. His lover responds with the statement “taking a mortal thing [marriage] so to immortalize [her name]” is senseless
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talented he is. William Shakespeare shows many differences and similarities in both sonnets 116 and 130. However‚ his theory is that love is a true bond that two companions possess as rare. Even though he wasn’t a hopeless romantic‚ he does show a slight softer side in a lot of his work. Most people might feel like a lot of his work is hard to read it’s easy to pick up the similarities his work shares. In his sonnets he has some resemblances that are quite easy to point out. First‚ both these poems
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Sonnet CXXX is yet another love sonnet that’s Shakespeare has written although it’s a pleasure to read for its simplicity and frankness of expression. Its message is simple and direct which is the dark lady’s beauty cannot be compared to the beauty of a goddess or to that found in nature‚ for she is but a mortal human being This is what made the poem memorable and famous which is for its blunt but charming sincerity. "I grant I never saw a goddess go; / My mistress‚ when she walks‚ treads on the
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expectancy of who she should be. After involuntarily marrying Petruccio‚ Kate becomes a completely different person. On the other hand‚ in Sonnet 121 the poet is forced to consider his own actions against the reproof of others and refuses to submit to their judgment. Kate’s situation in William Shakespeare’s play "Taming of the Shrew" can relate to Shakespeare’s "Sonnet 121" in a way in which both the poet and Kate are socially judged and how they decide to stay true to themselves. Being judged by society
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Sonnet 71 No longer mourn for me when I’m dead. Than you shall hear the surly sullen bell. Give warning to the world that I’m fled From this vile world‚ with vilest worms to dwell Nay‚ if you read this line‚ remember not The hand that writ it; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe Oh‚ if‚ I say‚ you look upon this verse When I perhaps compounded am with clay Do not so much as my poor name rehearse
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last for eternity? I believe it can‚ and this is the concept Elizabeth Barrett Browning questions in her poem ‘Sonnet 14’. The idea that to be human is to experience the paradox of love and war is also explored in this poem. Barrett Browning delves deeply into the love side of this statement‚ although it is clear the persona is also undergoing an internal battle. The octet in ‘Sonnet 14’ describes the qualities that will fade over time‚ such as her smile‚ her looks and her voice. Her beauty and
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Shakespeare balances absence and presence in Sonnet 73 by using a metaphor inside a metaphor in each quatrain. In the first quatrain‚ he compares his age old age to the beginning of winter when there are barely any leaves left on the trees. He continues to compare the bare boughs from the first metaphor‚ with a choir loft in a church while the choir members are being compared to the “late birds” (1177). Additionally‚ he personifies the branches by saying the bare boughs are shaking from the cold
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This is a traditional sonnet comprised of fourteen rhymed lines of ten syllables. Each line has five feet consisting of an unstressed syllable followed by a stressed one‚ indicating the poem was written in iambic pentameter. The seven rhyming pairs are set out in the scheme introduced by Surrey; ABAB CDCD EFEF GG. The opening line is an example of enjambement. It is only by continuing to the second line that the reader will find out which time of year the poet refers to. The first quatrain introduces
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from a word‚ possessive‚ case‚ or the plurals of numbers‚ letters‚ and abbreviations. “Those lovers scorn whom that love doth possess? Do they call virtue there‚ ungratefulness?” Sir Philip Sidney‚ “Sonnet 31” 2. Conceit- an elaborate‚ fanciful metaphor. “Our two souls therefore‚ which are one‚ though I must go‚ endure not yet a breach‚ but an expansion‚ like gold to aery thinness beat.” John Donne‚ “A Valediction Forbidding Mourning”
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class. There has been everything from short stories‚ epics‚ and even sonnets. The stories have gone from battles with monsters to how to treat your women. There have been a lot of these reading that still apply in today’s world. Personally I think that there are some of the reading that can teach you a lot about life and how to carry yourself and treat others. Three of my favorite reading would have to be Beowulf‚ Macbeth‚ and Sonnet 116. Beowulf is one of those stories that make little boys wish they
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