Sophocles: Family vs. Authority In the Greek tragedy Antigone‚ Sophocles demonstrates that family takes prevalence over authority. Throughout the play each character is put into a situation where they have to choose what matters more to them: family or authority. Although the characters who choose family all die‚ the character who consistently chooses authority over all else suffers the most. The fate that each character meets depending on their choice reflects on Sophocles’ personal feelings towards
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Sophocles’ Oedipus the King was considered by Aristotle to be the faultless model of a tragedy. The reason Aristotle considered Oedipus the King to be matchless was due to the fact that it flawlessly adhered to his stringent criteria of an effective tragedy. In Aristotle’s The Poetics he describes how Oedipus the King meets his principles of dramatic composition by its use of a complex plot‚ simultaneous discovery and reversal and finally the character of Oedipus (291). Aristotle’s principles of
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Clark 1 The play Oedipus The King begins with the king and queen of Thebes‚ Laius and Jocasta. Laius was warned by an oracle that his own son would kill him and that he would marry his mother‚ Jocasta. Determined to reverse their fate‚ Laius pierced and bound his newborn sons feet and sent a servant away with him with strict instructions to leave the child to die on the mountain of Cithaeron. However‚ the servant felt badly for the infant and gave him to a shepherd who then gave the child to Polybus
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Sophocles’‚ a playwright and Greek tragedian often wrote plays that displayed moral lessons and difficult situations that shift the entire atmosphere of the setting. In his play Antigone‚ written around 422 CE‚ it is the second of The Three Theban Plays. It follows Two brothers‚ Eteocles and Polynices warring for kingship‚ who eventually end up killing each other. And the new hereditary ruler becomes their uncle‚ Creon. He declares that Eteocles should be buried honorably‚ while Polynices’ body should
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Sophocles’ The Three Theban Plays (King Oedipus‚ Oedipus at Colonus‚ and Antigone) are three tragedies depicting a shift beyond the beliefs of predetermination to the liberties of choice. Throughout the plays‚ the tragic hero‚ Oedipus unveils the truth behind the murder of his father‚ King Laius and the penalties that follow; consequently‚ Sophocles capably applies human characteristics to Oedipus to appeal at a broader spectrum. Sophocles utilizes vibrant imageries throughout these plays that uncover
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Sophocles’ Antigone is still relevant in the world today. The characters in this play are very relatable. One characteristic that often shows up is hubris‚ which is also known as pride. Because many people can relate to Creon’s hubris‚ Sophocles’ Antigone is still relevant today. In Antigone‚ Creon’s hamartia is his pride‚ which can more accurately be called hubris. For example‚ Creon says‚ “Who is the man here‚ / She or I‚ if this crime goes unpunished?” (Sophocles Scene 2‚ 82-83) In this quote
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his own decisions and actions or something the gods have meant to happen from the very beginning? According to Carel (2006)‚ the concept of free will and fate did not even exist in the Greek culture during the 5th Century BC Athens--the time when Sophocles wrote Oedipus Rex. The concept of the gods was something of a "constant" or a way of living to them. Everything that happens in their life is somehow intertwined with either the power or the
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The complexity of the character requires a shift in outlook of his or her actions‚ but also the action of others. In Oedipus Rex‚ Sophocles repeatedly uses the ideas of sight and blindness metaphorically to display the correlations of knowledge and ignorance. In the play‚ Oedipus could not see the truth‚ but the blind prophet‚ Teiresias‚ "saw" it clearly. Sophocles reveals there is more than what meets the eye through the motif of sight versus blindness and knowledge versus
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Oedipus Rex Draft The infamous Greek tragedian‚ Sophocles‚ effected a transformation in the spirit and significance of a tragedy; although problems of religion and morality still provided the themes‚ the nature of man‚ his problems‚ and his struggles became the chief interest of Greek tragedy. A sophoclean tragedy contains recurring elements to truly engage the viewers and dramatize the plot.Common elements in a sophoclean tragedy include the protagonist being a person of noble birth and stature;
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Sophocles and Euripides have provoked audiences for centuries to question what constitutes ‘justice’. Watching the various events onstage‚ spectators are led to ask if a definitive form of justice exists in these plays‚ or whether notions of justice in a world such as mankind’s are absurd. Furthermore‚ by presenting cases where ‘justice’ is claimed to be enacted by a character or force (generally the gods)‚ the playwrights encourage speculation as to whether the punishments delivered are reasonable
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