Brianna Smith March 8‚ 2012 Honors English II Southern Gothic Literature Southern Gothic Literature is a genre that focuses on events occurring in the American South after the Civil War. It involves supernatural events‚ monsters‚ heroes‚ and must reveal social and cultural issues. Boo Radley‚ a character who lives in Maycomb‚ fits the supernatural role in Southern Gothic Literature. To fit this role‚ ironic and unusual events should occur involving that person. Boo does a lot of unusual things
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Look at scene IV of ’Streetcar ’ What does the scene tell us about the relationship between Stella and Stanley‚ and how does Williams portray this? In order to analyse this scene‚ there needs to be a clear understanding of what has happened prier to it. Scene three is set at Stanley ’s poker game‚ when Mitch leaves the game‚ to chat to Blanche‚ Stanley becomes more and more annoyed‚ and smashes a radio. Stella yells at him‚ and he starts to beat her. The men pull him off. Blanche takes Stella
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A streetcar named desire Our identity is shaped by our relationships As we grow up it’s not only our age and experiences that make us who we are‚ relationships also shape our identity. All relationships will change our identity no matter who they are or what kind of relationship they have with us. Our friends shape our identity just as much as our family‚ if not more. This statement is very well depicted in the play “A street car named Desire by Tennessee Williams”. Throughout the play you see
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STANLEY. Hey‚ there! Stella‚ Baby! [Stella comes out on the first floor landing‚ a gentle young woman about twenty-five‚ and of a background obviously quite different from her husband’s.] (13) This is the opening line from A Streetcar Named Desire‚ by Tennesee Williams‚ one of many differences in the first scene of the play compared to the film directed by Elia Kazan. The film was based off of the original play by Williams‚ which Kazan directed as well. This fact is most likely why the majority
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To what extent does Williams present desire as a tragic flaw in scene six of ‘A Streetcar Named Desire’ In A Streetcar Named Desire Blanche’s flaws that lead to her downfall are abundant. If we are to view Blanche Dubois as a tragic heroine‚ then it is in scene six that her tragic flaws are especially evident‚ and in particular desire. They are so prevalent here as it is arguably the beginning of Blanche’s demise and as in Shakespearean tragedy; it is in the centre of the play that we see
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A Streetcar named Desire I can’t stand a naked light bulb‚ any more than I can a rude remark or a vulgar action. This line clearly sets up the key theme of illusion vs reality. Blanche takes the naked truth - the stark bare lightbulb‚ the rude remark - and dresses it up prettily to make everyone happier and everything easier. That she speaks of talk and action as analogous to a lightbulb shows that she considers the remedy for uncouth behavior and appearance to be a paper lantern‚ an external
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are perfect examples of Southern Gothic literature. Southern Gothic literature has points that must be satisfied in order to be classified in this genre. “A Rose for Emily” and “A Good Man is Hard to Find” satisfy all of these requirements. These requirements include setting in the south‚ puzzling characters‚ and exposing the deeper issue behind the face value of problems. These two short stories combine these three elements to produce two pieces of Southern Gothic literature. “A Rose for Emily”
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Genres of Philippine Literature Non-Fiction Narrative Non-fiction Is based on facts Presented in a format that tells a story Essays A short literary composition about a particular topic Written in prose and analyzes or interprets the topic it discusses Biography A written account of another person’s life Autobiography The history of a person‚ presumably the author Often written in a first-person view Speech The power of speaking Expression through gestures and pronunciation Delivered in the form
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chain runs with him.”- Friedrich Nietzsche (German-Swiss philosopher and writer). In the light of Nietzsche’s opinion‚ compare and contrast the presentation of the past as a limiting factor to the identities of the female protagonists in ‘A Streetcar named Desire’ and ‘Top Girls’ Williams and Churchill present the past as a haunting spectre that threatens the characters progress in their future life. Both playwrights construct the past as an emerging chain that‚ parasitic like‚ has clinged onto the
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How does Williams present the themes of illusion and fantasy in A Streetcar Named Desire? The theme of reality vs. fantasy is one that the play centres around. Blanche dwells in illusion; fantasy is her primary means of self-defence‚ both against outside threats and against her own demons. Throughout the play‚ Blanche’s dependence on illusion is contrasted with Stanley’s steadfast realism‚ and in the end it is Stanley and his worldview that win. To survive‚ Stella must also resort to a kind of
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