Margaret Atwood’s poem The Landlady presents a depressing and frightening experience of one living in a rented room. The landlady is very much the dangerous gaoler of this prison‚ and one who specializes in oppression. The poem is striking in its use of language‚ including imagery‚ sounds‚ and rhythms‚ that vividly portray the feared landlady and the shrinking tenant. The comparison of the speaker’s living situation to that of a prison‚ a place of oppression‚ is the dominant thematic
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Paul Keating- Unknown Soldier Paul Keating’s eulogy in the Funeral Service of the Unknown Soldier aimed to commemorate all those who died in war for Australia through the symbolic Unknown soldier and examines what Australia has lost and gained in war. Keating utilises anaphora in the first paragraph “we do not know…” to establish a sombre tone. The Unknown Soldier becomes symbolic of the ANZAC spirit of mateship‚ courage and bravery as well as all Australians who serve in war‚ which is evident
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Margaret Atwood’s collection of poems‚ Morning in the Burned House‚ could just as easily have employed morning’s homonym—mourning—in the title. The overriding theme of loss and some of its sources and consequences—aging‚ grief‚ death‚ depression‚ and anger—permeate this collection and‚ in particular‚ Section IV which is a series of elegiac poems about Atwood’s father. The collection is divided into five sections. Section I opens with the poem “You Come Back.” This poem seems to look back on a life
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Rat Song Introduction ”Rat Song” is a poem written by Margaret Atwood and is part of Selected Poems from 1976. What is interesting about the poem is that it is written from the point of view of a rat. And by looking through the eyes of a rat (which many people see as a primitive and inferior animal) the poem shows how judgemental‚ hateful‚ hypocritical and “unnatural” the human race is. The poem furthermore advocates that humans are a much greater parasite than the rats they are so desperately
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Surviving the Real World (Summary of Attitude by Margaret Atwood) By Rupashri Ashok BA-VIII/H-01/2014 Deciding on what to tell a graduating class of liberal arts is a difficult thing‚ and most of Margaret Atwood’s speech‚ Attitude‚ is delivered with that as a frame. Atwood addresses Victoria College’s Class of 1983 at their convocation ceremony with a humourous tone‚ mentioning a lot that they should know or shall soon find out about the world that they are being ‘launched’ into. Her point‚ though
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Author Margaret Atwood’s writing has been shaped by one particular movement- the push for women’s rights in the 1960s and 1970s. When Atwood was a college student‚ “a woman was expected to follow one path: to marry in her early 20s‚ start a family quickly‚ and devote her life to homemaking” (“The 1960s-70s”). Employers assumed that the females who did work would soon become pregnant‚ so ladies were unlikely to advance in their careers. What money they did earn was controlled by their husbands
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treated. In Margaret Atwood’s poem‚ “The Animals in that Country” she confronts the idea of how animals are viewed from “that” country to “this” country by describing how the animals are treated in both scenarios and using a shift in her poem to show contrast between the two countries. Atwood uses specific words to describe the animals in both countries to show how they are viewed differently. The speaker begins the poem by firstly indicating that “the animals have the faces of people” (Atwood 798; lines
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I was in fact very confused by the way Atwood describes the condition of the earth to the outsider (or alien). Because when you start to explain something to someone‚ you assume that both of you must first know and agree with something together. This feeling started from Atwoods description of a funeral: When a person has achieved death a kind of PICNIC is held‚ I thought the word PICNIC quite hilarious‚ as if an alien would know what a picnic is in the first place. And then I recall having seen
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Margaret Atwood’s ‘‘Happy Endings’’ first appeared in the 1983 Canadian collection‚ Murder in the Dark‚ and it was published in 1994 for American audiences in Good Bones and Simple Murders. Subtitled ‘‘Short Fiction and Prose Poems‚’’ Murder in the Dark featured four types of works: autobiographical sketches‚ travel notes‚ experimental pieces addressing the nature of writing‚ and short pieces dealing with typical Atwood themes‚ notably the relationship between the sexes. ‘‘Happy Endings‚’’ which
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Margaret Atwood’s poem “Siren Song” is a story that has been retold for generations; a tale of beauty‚ distress‚ and the ultimate betrayal. Margaret Atwood’s allusion‚ and the title of the poem itself set the stage for a story in which the readers already know the ending. As the siren leads her victims to their death‚ she seems bored‚ unamused‚ and ultimately unhappy. However‚ the siren uses her appearance‚ and her ability to gain sympathy in the minds of her targets‚ to lead them to their demise
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