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    lens and with open eyes. In this case‚ I agree with Sontag in the fact that we can’t learn about the world just from what the camera has captured‚ but disagree with her idea that photography is negative in the way that it allows for us to fill our minds and makes us feel. Sontag says that "photography implies that what we know about the world if we accept it as the camera records it. (LI‚ P1)"A photographer takes a picture of a regular‚ old weapons factory; a simple picture. In reality‚ this is a

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    Don't Touch My Mama

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    the son slaps him. After slapping the man the son says‚ “Don’t touch my mama‚ and don’t touch my Doritos.” This 2010 Super Bowl Doritos commercial is an example of visual rhetoric‚ because it appeals to the audience using pathos‚ ethos‚ and what the camera focuses to not just persuade the viewers to buy Doritos‚ but also to keep Doritos on the viewer’s mind. This commercial uses pathos mostly through the son. You begin to see the use of this particular appeal when the man admires the mother’s back

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    way out‚ wandered in the city‚ and entered a shop selling cameras. There he finds a magical camera that vanquishes corrupt men. Eventually‚ politicians scamper to get hold of Juan’s power. Juan found himself resocializing because he has not seen the world for twenty years and is not aware of the changes. He has to adjust himself to the new surroundings but he did not have the chance to do that because something dreadful happened. The camera got stuck in his hand and the only way to get rid of it

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    of memory and seals it into the history of those involved in the process. Susan Sontag’s didactic text “On Photography” digs deep into the meaning of photography and claims that it has unlimited power within modern society. Her exclamation that “cameras are fantasy-machines” exerts the idea that photography brings the world closer together‚ yet seems so distant as if it were all but an illusion. Sontag starts off her text by asserting that humans are still in Plato’s cave. She argues that humans

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    photograph: When I was younger‚ my mother got me a polaroid camera for my birthday. That summer‚ I took it with me everywhere - from exploring the nooks and crannies of my old childhood house to simply taking pictures of others - I knew I had found a passion. I shied away‚ however‚ each time someone took a picture of me; I covered my face with my hands and looked the other direction. People like me weren’t meant to be taken pictures of. It wasn’t self-loathing‚ it wasn’t so extreme - but I had grown

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    HOW TO TAKE A GOOD PHOTOGRAPH * Always remember that: the most fundamental element in taking a good photograph is composition. Modern automatic cameras can sort out focusing‚ lighting and other matters for you‚ but you have to chose where to point the camera and how to compose the picture. So take a few seconds to choose a good composition taking on board the following advice. * Any lines in the pictures must be straight - unless you’re deliberately trying to be exotic. So horizons

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    used brilliant techniques in all of them. However‚ I have chosen to talk about Rear Window. This is because the fact that the whole film occurs in the same setting and still holds our interest is very hard to do but he was able to by using diverse camera angles and playing with lighting. The film Rear Window is about a man called Jeffries who breaks his leg on one of his many photographing expeditions and is confined to his bed‚ he starts observing his neighbors and suspects that the man across

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    The Photograph‚ “[m]uch of the photography of the body in the early twentieth century is an extension of nineteenth-century preoccupations and attitudes” (Clarke). The 19th century encompassed the Victorian Era‚ and although it was shortly after the camera was invented‚ according to the Museum of Sex: “Victorians took millions of photographs; an untold

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    Elvis Presley's Dream

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    no idea how to shoot a movie‚ or even load a focus a camera‚ he bought a Bolex 8mm camera. One night John ( his boyfriend) woke up and found Andy staring at him with a camera (Jan Greenberg and Sandra Jordan‚ 2004). Andy loved to watch people‚ his idea of making a movie consisted of turning on a camera and letting it run. He tried to make a movie of john sleeping‚ but when he took the film‚ he found out that he’d forgotten to rewind the camera properly. With the successful canvas of Elvis Presley

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    he waits outside of the bathroom looking up at me. When I’m stressed from studying‚ I put my head on his warm body and listen to his faint purrs. Zorro to me isn’t just a pet‚ he is my companion. In the picture‚ Zorro is looking straight into the camera lens. That’s the same look he has when he’s on my desk looking at me while I do some work on my laptop. Zorro gives me his undivided attention when I call him‚ occasionally responding with a tiny chirp. Taking the picture of Zorro will allow me to

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