version of “Do You Hear What I Hear” Compare the style you hear and our version. The version of “Do You Hear What I Hear” arranged by Harry Simeone had pretty much the same speed‚ tone‚ and rhythm throughout‚ whereas‚ the style which we sing in our choir starts off much slower‚ and then throughout the song the rhythm is picked up. Other than the rhythmic differences‚ much of the styles are the same. Just as we do in our choir‚ the blend is pretty much the same as ours and the blend. The altos and sopranos
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This musical time of Tala can have infinite number of variations according to the various characteristics of rhythm and the number of beats in each. In a specific sense it means only the accented beats on the Matras‚ of which there are several in a rhythmic composition‚ Matra is the division of time with regular intervals either sounded or otherwise‚ while a beat is that particular part which is sounded either with claps or with one solid object struck against another. The existence of matra may
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light auxiliary percussion and drum rhythm. Also‚ the bass guitarist used walking bass and the piano and electric guitar joined in as well. The first song also consisted of two soloist Regina and Chantel who took the front stage to show off their chops. After the solo performances they fell back into the vocal sections and finished off the song as a complete band. The second performance had a piano opening which led to vocals joining in at the same time as the rhythm section. This performance consisted
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focused on the topic of “Music of Contemporary Australia.” In this assessment piece‚ two contrasting compositions by James and John Morrison‚ “Sydney by Night” and “Pinnacles”‚ will be analysed‚ compared and contrasted. Elements of music (eg. Harmony‚ rhythm‚ dynamics and texture) will be pinpointed. Explanations will also be given to describe how these elements have been used to portray the two title ideas (ie. “Sydney” and the “Pinnacles” which are the Twelve Apostles). An opinion will also be given
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also used quite frequently‚ as it gives a wider range of variety to perform syncopation. Cross- stick is a technique commonly used in Reggae music. There are three main types/ styles of Reggae drumming known worldwide. “One Drop”: Reggae drum rhythms are fairly flexible guidelines. The “Down Beat” is the most important thing of all in reggae drumming. It’s the reason why reggae is controversial. Another characteristic of reggae drumming is the common use of hi-hats (they’re the premier cymbal
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and feels like it will be soon. You will notice the use of muted brass in the accompaniment‚ a subtle jazz reference that places the piece in the mid 1900s. The verse comprises of push rhythms on “could be” and “who knows” that fall into long sustained notes over a repeated syncopated bass line. The push rhythms show Tony’s anticipation. The short‚ repeated accompaniment riffs are based on a Dmajsus♯4 chord that is another jazz reference and also implies an unsettled feeling in the character. The
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“Romeo and Juliet” It was written in 1958. The music in West Side Story reflects the styles of this age- bebop jazz and the blues‚ fused with several Latin American dance rhythms and ideas from opera. The Key of the piece is D major with modulations to C major. Blue notes are used. The metre is ¾‚ although sometimes it has cross rhythms which create irregular accents and syncopations‚ this makes it sound like the metre is 6/8. The tempo is a fast one-in-a-bar tempo of 176 crotchet beats per minute.
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"tender grace" will never again return. Structure: Cyclical nature of the poem – it begins where it starts Lyric poem – creates musicality (anapaestic foot) // the constant rhythm and musicality echoes the constancy of nature. Themes * Preciousness of Youth * Indifference of nature * Nature’s constant rhythms and tides * Time will continue – life doesn’t stop for grief or
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In some cases‚ incapacitated Parkinson patients can move only when remembering songs from their youth. Specialists say that we get accustomed to rhythm from the womb and our reaction to the rhythm might be due to the heartbeat or breathing. That’s why most people prefer a musical tempo of 70-100 beats per minute‚ exactly the heartbeat rhythm of a healthy human adult. Music combinations of harmonies and disharmonies were found to induce a fluctuation of the blood pressure‚ sometimes imperceptible
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Wilfred Owen’s "Dulce et Decorum Est" is a magnificent‚ and terrible‚ description of a gas attack suffered by a group of soldiers in World War 1. One of this group is unable to get on his helmet‚ and suffers horribly. Through his shifting rhythms‚ dramatic description‚ and rich‚ raw images‚ Owen seeks to convince us that the horror of war far outweighs the patriotic cliches of those who glamorize war. In the first of four stanzas‚ Owen presents the death-like calm before the storm of the
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