_____ 3 CAS 110 Public Speaking (required for Gen. Ed.) Communication Requirements: 14 Hrs _____ 3 CAS 120 Interpersonal Communication (SP ) _____ 1 CAC 125 Introduction to Communication _____ 2 CAC 225 Dimensions of Communication _____ 2 CAC 326 Aesthetics _____ 3 CAC 425 Media and Rhetorical Criticism _____ 1 CAC 450 Directed Research _____ 2 CAC 480 Portfolio
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simple‚ an ordinary woman called Lily‚ has flashbacks of memories such as her wedding day‚ learning how to dance flamenco‚ parties she’s attended and parents’ rows. The way it is told through dance‚ puppetry‚ music‚ and simply amazing acting and stagecraft is what makes this piece such a stand out. I found the scene in which Lily and her husband are sat on the sofa‚ centre right stage‚ and are trying to be affectionate but always ending up in awkward positions particularly effective. We saw how her
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The play’s language continues to bring us into the heart of lower-class Dublin. Joxer often sings a refrain from a popular comic song to announce his arrival: "Me pipe I’ll smoke‚ as I dhrive me moke - are you there‚ Mor...eee...ar...i...teee!" (31.) Other sayings‚ too‚ reinforce the audience’s cultural identity. When Boyle tells Joxer that Father Farrell shook his hand‚ he replies "I met with Napper Tandy‚ an’ he shuk me be’ the han!" (32.) The reference‚ while little known to many of today’s readers
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Figurative language: Use of words in ways they are not normally used in order to create a distinct‚ imaginative effect or impression. For example‚ in the expression “He sang at the top of his lungs‚” the suggested meaning of the words is understood—not their literal meaning. Hyperbole: A figure of speech that deliberately exaggerates a description about something or somebody to create a desired effect. Irony: A circumstance in which there is a contra¬diction or difference between what is intended
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in Chinese Acting" [The following remarks are just a few of B.B.’s many on the "alienation effect" (Verfremdungseffekt) that he sought in the creation of his "epic theatre" and the direction of his plays. We’ll discuss it in connection with the stagecraft of Arturo Ui when we read that play. But try a thought-experiment. Do any of these remarks seem‚ uncannily‚ to apply directly to the character Richard of Gloucester / King Richard when we meet on the page? ] The following is intended to
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fine art that uses live performers to present the experience of a real or imagined event before a live audience. The performers may communicate this experience to the audience through gestures‚ speech‚ song‚ music or dance. Elements of design and stagecraft are used to enhance the physicality‚ presence and immediacy of the experience. The major elements of theater are: performers‚ audience‚ director‚ theater space‚ design aspects‚ and text. Acting is the most visible element of theater; it personifies
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Scene Three – a pivotal scene * Initially the play was to be called “The Poker Party” Why? * Scene three cements Stanley’s identity as the villain * Scene three highlights the primal nature of Stanley and Stella’s relationship * Scene three illustrates Stanley’s domination over his friends as he makes all the decisions about the game * Scene three illustrates his friends devotion as they look after him tenderly when he is drunk * Scene three is when Stella first chooses
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. .would begin with an image so startling and lovely and wondrous that you would stop riffling through the rest of the mail‚ take your jacket off‚ sit down at the table‚ adjust your spectacles‚ tell the dog to lie down‚ tell the kids to make their own sandwiches for heavenssake‚ that’s why god gave you hands‚ and read straight through the piece‚ marveling that you had indeed seen or smelled or heard exactly that‚ but never quite articulated it that way‚ or seen or heard it articulated that way‚ and
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2. “Plays often feature at least one ghost‚ either on stage or imagined in the form of haunting memories and burdens.” Discuss this statement with reference to Streetcar. (Nov 2010 HL) In the tragedy “Streetcar Named Desire” the author Tennessee Williams brings out a ghost on stage through the haunting memories of Blanche’s past. The Flaws in Blanche which are revealed to the audience by Stanley are rather shocking. It is revealed that Blanche began to take part in cheap forms of entertainment
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Newton: Butterworth-Heinemann. Sally‚ M. (ed) 1997‚ Practical Theatre. England: Stanley Thornes Publishers Ltd. Sykes‚ J. (ed) 1976. The Concise Oxford Dictionary of Current English. London: Oxford. Kenneth‚ M. and Robert‚ E. 1923. Continental Stagecraft. London: Benn Brothers Limited. Brockett‚ O. and Franklin‚ H. 2003. History of the Theatre. Ninth edition. Boston: Ally and Bacon. Toby‚ C. and Helen‚ K. (eds.) 1953. Directing the Play. London: Vision Press.
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