jump cuts. 10. What is editing that shifts back and forth between two or more lines of action called? [pic]a. 180 degree editing [pic]b. parallel editing [pic]c. tracking shots [pic]d. invisible editing 11. Advanced by playwright Bertold Brecht‚ formal techniques used to create a critical distance between a work of art and the social world it depicts are examples of [pic]a. classical style. [pic]b. invisible style. [pic]c. distantiation. [pic]d. existentialism. 12. What term best
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Fashion Photography has been seen as lightweight end of photography due to it`s close relationship to the fashion industry‚ which is dependent on fast turnover; transitory‚ commercial Fashion advertisement in particular is seen as denying the purity of the image → shows the typical‚ stylised instead of the unique moment/event; has nothing artistic (stylised fashion shoot‚ controlled‚ created‚ unnatural‚ uniform and monotone‚ all are essentially the same in their aim to sell clothes) captured
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“War is like love‚ it always finds a way” (Bertolt Brecht). Although one is pure and the other evil‚ the forces of both love and war influence the best stories. A more interesting topic emerges when a character must choose between loyalty to a loved one and devotion to government. In “The Sniper” and “Cranes” the main character is involved in a civil war that calls for allegiance to the government despite his feelings for a loved one who fights for the opposite cause. “The Sniper” and “Cranes” share
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The close-up images are glass‚ gun‚ bottle‚ shrimp‚ and a roasted beef. These images disturb the audience and feel uncomfortable at the screen. They also did a close-up of a taping machine in which there is a recording voice of Kurtz‚ some photographs of Kurtz‚ and a dull surface of the hotel room. These are the images that are captured in a close range to evaluate the character of Captain Willard. The close-ups of a food item in the opening scene are not by accident‚ but they had a deeper meaning
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Theatre is not just about conveying the written text; rather that through the body‚ by trying to find a simple language of gestures and sounds‚ we can communicate at a much more powerful level; that there is a universal language for the theatre‚ regardless of cultural differences. There is a recognition that if you want ‘realistic drama’‚ television and cinema are far more effective than theatre. What is unique about theatre is its relationship to its audience: the fact that actor and audience
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Problems and the structure of the play Shaws Pygmalion All the pieces show corresponds to an important claim brought Brecht contemporary theater‚ namely: the theater should strive "to depict the nature man as modifiable and depends on the class Amenities "[1]. far as Shaw was interested in us the character and social status‚ particularly evidenced by the fact that a radical restructuring of the character he made even the main theme of the play "Pygmalion". After the exceptional success
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his famous play‚ Ti-Jean and his Brothers. He himself termed it ‘My most West Indian play’. Christopher Balm in Decolonizing the stage‚ points out how the play combines African orality and local rituals‚ accepting obvious influences of Lorca‚ Brecht‚ and Noh theatre. Walcott himself acknowledges the folk tale and local festivals working their way into this drama: ‘Other Saint Lucian rituals came out too ‚ branching from the simple roots of the folk tale such as our Christmas black mass dances
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Five Ways of Looking at The Penelopiad CORAL ANN HOWELLS As the lights go down in the great church of St James‚ Piccadilly‚ a voice speaks eerily out of the darkness somewhere off to the side: ‘Now that I’m dead I know everything.’1 And then a single spotlight reveals centre stage a small grey-haired female figure robed in black sitting on a throne; she begins to speak. This is Margaret Atwood‚ doubly imaged here in performance as Penelope‚ for I am describing a staged reading of part of The Penelopiad
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The Wedding is crucial work for polish culture in the modern age for its intake of breath of revolution on the polish stages. Even though the revolution has been made by the Meiningen theatre company‚ Ludwig Chroneg‚ André Antoine‚ Konstantin S. Stanislavski in case of new theatre staging going in contrast with romanticism and naturalism. But it was Wyspianski and his Wedding‚ who pioneered the modern play connected with the great theatre reform on polish stages. Still the fact of revolutionary wasn’t
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the world changes. In order to enhance the understanding of the class‚ particularly in relation to the social and cultural context in which the play was set‚ we adjusted the thermostat in the room so that we had to perform in sweltering heat. As Stanislavski once wrote‚ “take nothing for granted. Think of your own experiences and use them truthfully.” We found that something as simple as adjusting the temperature allowed us to relate to a greater extent with the characters in question‚ as we began
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