Domenic DiSalvo Dayharsh EWRT1A Dawn of the Zone It isn’t zombies who want to take your brain. It’s cell phones. When you are out‚ look closely around you. It’s hard to find people without a cell phone in their hands. Ever since the creation of the smartphone‚ cell phones that can do more than just “phone” have become a must-have for everyone around the world. They are our instant gateway into the internet without needing a big ‘ol computer‚ and their perfect-for-pockets size makes them even more
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CHAPTER 11 Theatre Today MULTIPLE-CHOICE QUESTIONS Please choose the best answer for the following questions. 1. The theatre may be considered a conservative institution because it conserves or preserves a. a consistent ideology characteristic of political parties. b. the history and conventional way of working as a theatre. c. the political and economic views of the time. d. the moral attitudes of a select group of people. Answer: b 2. Postmodern playwrights and directors
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are taking away language to express those thoughts and opinions. If you have an out of the box opinion or view point‚ you are seen as crazy‚ you are supposed to think in line with what other members of society believe. Same for Galileo by Bertolt Brecht‚ he had a certain idea or belief related to outer space‚ and since it was a new idea and there was other studies done in the past‚ he was thought to be a fool for having such an idea. Society officials wanted him to stop with the non-sense and they
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Religion in Asian Theatre From 350-1350 c.e. theatre began to die off in the western countries due to Christianity and the fall of Rome. At about this time‚ the performing arts began to emerge on the Eastern hemisphere. The creators of Asian theatre new nothing of the theatre in Rome or Greece so there was no influence during the fabrication of this new form of theatre. Eastern theatre is much more stylized in that they believe in “total theatre‚” which is using every element of theatre be it
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In Louise Nowra’s COSI‚ a semi-autobiographical drama‚ Nowra reveals that there is as much madness in the outside world as exists in an asylum. COSI reveals to the reader that madness does not discriminate; lunacy is no psychological construct and that madness is the perception of normality versus abnormality whereby no boundaries exist. Through the use of COSI Nowra is able to compare the delirium of the outside word to that of the mental institutes during the 1970’s‚ drawing upon the themes of
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Hopkins‚ 1991. Pronko‚ Leonard C. Theatre: East and West. Berkeley: University of California Press‚ 1967. Read‚ Herbert. “Suzuki: Zen and Art.” In D.T Redfield‚ William. Letters to an Actor. New York: The Viking Press‚ 1966. Scott‚ A Stanislavski‚ Constantin. An Actor Prepares. Trans. Elizabeth Reynolds Hapgood. New York: Theatre Arts Books‚ 1936. ____________________. Building a Character. Trans Tuan Ismail Tuan Soh.SeniSilatMelayudengantumpuankepadaSeniSilatSekebun. Kuala Lumpur:
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Theatre 100 Final Exam Review Drake Union tour Remember the major rooms and theatres we toured Lecture #9: Sarah Ruhl & contemporary theatre Brecht- Epic theatre • Alienate audience to THINK‚ not FEEL • Use history to comment on present • Remind audience they are in theatre: open stagecraft‚ musical numbers‚ puppets‚ narrators‚ film Samuel Beckett & Absurdism • Characters in bizarre situations • Circular/static blots- things often repeat • Sparse language- talking past each other
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times‚ made from silks and linens transporting you to the 1600�s‚ recreating the Globe�s theatre original productions. Staging was used effectively during this performance and continuously broke the fourth wall but not for the same effect as Brecht would have intended‚ instead to engage the audience. The theatre had a proscenium arch‚ end-on stage but interestingly the director had chosen to use thrust staging where the audience where placed on all three sides of the stage. This was created
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Study Guide Strictly Ballroom fiieducation SYNOPSIS At the Waratah Championships ballroom dancer Scott Hastings goes against Federation rules and impulsively dances his own steps‚ causing partner Liz Holt to dump him. Then Fran‚ ugly duckling of the beginners’ class‚ offers to be Scott’s new partner. Initially sceptical‚ he is persuaded by her ideas‚ and together they plan to dance their own steps at the Pan-Pacific Grand Prix Championships. But Scott’s rebelliousness does not go
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Roland Barthes The Death of the Author In his story Sarrasine‚ Balzac‚ speaking of a castrato disguised as a woman‚ writes this sentence: "It was Woman‚ with her sudden fears‚ her irrational whims‚ her instinctive fears‚ her unprovoked bravado‚ her daring and her delicious delicacy of feeling" Who is speaking in this way? Is it the story’s hero‚ concerned to ignore the castrato concealed beneath the woman? Is it the man Balzac‚ endowed by his personal experience with a philosophy of Woman? Is it
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