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    Troy vs, Iliad

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    Focus on justification premises for the atrocities and savagery that is depicted as valor and courage in the Iliad. Explore the contributions (messages) that the two works make to human culture in their own context. Iliad vs. Troy Movie Neither Athena with her matchless wisdom‚ nor Apollo with his talent of prophecy‚ could foretell that someday Prometheus’s fragile creature‚ human‚ would become rude in a scale that not only would turn his back to the gods‚ but also would distort their presence

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    Ancient Greek Influence

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    Myths are still influential today because they teach us how to behave. An example of a myth that taught us right from wrong is about Athena. Athena made the right choice and went with Hercules to defeat a bird that was called‚ Stymphalian. Because she made the right choice‚ she helped Hercules kill the bird. Hercules became a well-known character that taught people about heroes‚ and how

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    titan who over-ruled the rest was Cornus‚ also known as Saturn. He reigned until Zeus- his son dethroned him. Zeus was amongst the twelve Olympians‚ the other eleven included his two brothers: Poseidon‚ and Hades‚ their sister: Hestia‚ Hera‚ Ares‚ Athena‚ Apollo‚ Aphrodite‚ Hermes‚ Artemis‚ And Hephaestus. Much of the myths that include these characters have been set up in the "Iliad" and the "odyssey". These gods had animals and cities that they identified themselves with‚ for example‚ the goddess’

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    Greek Architecture

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    Greek Architecture: History and Mechanics Throughout history‚ there have been several significant architectural movements. The last‚ and perhaps most enduring movement is that of Classic Greece. Although for centuries‚ the architecture of ancient Greece has been admired‚ mimicked‚ and replicated‚ its beginnings are somewhat surprising to one unfamiliar with the history of the region. It is important to understand the history and mechanics of Classic Greek architecture in order to fully appreciate

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    Greek Cultural Influences

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    themselves in their art as much as they appreciated the gods. Even on the most famous temple of all time‚ the Parthenon‚ humans were portrayed. The frieze that adorned the upper face of the Parthenon depicted the human procession in honour of the god Athena. It was not just sculptures and architecture that showed Greek pride in the individual. Greek drama showed a huge appreciation for humans in all their glory. The Greeks valued human emotions; their plays covered a wide array of subjects‚ all the

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    The architecture of a civilization is a window into its values and intended legacy. Greek religious architectural feats are often tied to expressing strength and power‚ which honor the gods. The Parthenon‚ built by Iktinos and Kalikrates‚ honors the legacy of Athens through divine allegory. So too does the The Altar of Zeus‚ a hellenistic temple from the Turkish city of Pergamon‚ embellish the city’s own prowess. Understanding the basis for this architecture is informative about the ways in which

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    These Gods and Goddesses were worshiped in each of the Greek cities‚ although one God or Goddess would normally be the protector of that city. The people would pay special attention to this deity‚ for example‚ in the city of Athens; the Goddess Athena would receive the most attention because she is the protector of that city. The worship of Gods and Goddesses was a practiced ritual in Greece during this period; becoming and impact these rituals were immeasurable in regards to the process

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    History of Sculpture Prehistoric Periods Much surviving prehistoric art is small portable sculptures‚ with a small group of female Venus figurines such as the Venus of Willendorf (24‚000–22‚000 BC) found across central Europe;  the 30 cm tall Lion man of the Hohlenstein Stadel of about 30‚000 BCE has hardly any pieces that can be related to it. The Swimming Reindeer of about 11‚000 BCE is one of the finest of a number of Magdalenian carvings in bone or antler of animals in the art of the Upper

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    The Greeks sculpted a Kouro‚ a male‚ and Kore‚ a female. The figures demonstrated the Greeks’ social expectations of the sexes in their culture. The marble Kouros‚ from Attica‚ Greece‚ ca. 600 BCE‚ copies the actions of Egyptian statues. He is nude and has his hair braided. He is facing forward stepping with his left foot is in front of his right foot. Peplos Kore‚ from Acropolis‚ Athens‚ Greece‚ ca. 530 BCE is an example of a female counterpart to a Kouro. She is standing fully

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    The Odyssey is one of ancient Greece’s great Epics because of the mighty Odysseus. Likewise‚ the story of Beowulf is an example of an Epic. Epics are stories told on a grand scale‚ with armies‚ heroes‚ gods‚ and the brutal forces of nature depicted over long character arcs and sweeping landscapes. Protagonists meet with obstacles and disaster‚ action and triumph. Epics are mythological histories; they meld together famous figures from history and historical events. Some characters and events

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