Mariela Espinoza-Leon Propaganda and Political Undertones in the Seated Statue of Hatshepsut Karen Greenwalt AH 110 Fall 2013 Final Word Count: 2145 When one thinks of ancient Egypt‚ images of seated pharaohs like king Tutankhamun automatically come to mind‚ it seems strange to think of a female ruler as the male kings were the standard of the era‚ save for a few exceptions. One the exceptions to the standard male pharaohs‚ and the first of her kind‚ was Queen Hatshepsut- the first female
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dawn of age. Whether it be how hunt for food‚ make weapons‚ or even construct the things around us‚ we are living in a very advanced society. While all these things may be true‚ we still borrow numerous ideas from these so called archaic societies. Statues used for decoration now were used for worship then yet still hold very similar structures. Long ago relief was one of not many techniques to create art and yet is still used commonly today. Even the architecture in our homes and public buildings is
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created a statue that would last for centuries to come‚ the sculpture of King David stands at the Fidenza Cathedral in Fidenza‚ Italy. This is only one remarkable figure that Antelami has created in his lifetime‚ but it is one that will be looked upon as a useful resource and learning tool for artists to come. This essay will recount information about Benedetto Antelami’s creative contributions to the art world‚ pertinent critiques of the statue of King David‚ comparisons of the King David statue to other
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Sound: The zauerli continues-the key clinks against the statue. Dominant and Subsidiary Contrast: The statue remains the dominant. The Student and her key are the subsidiary contrasts. Movement: The Student takes a key from her pocket‚ moves right to left and places it on the statue base. Character Proxemics and Position: Social‚ personal‚ intimate as the Student moves to the statue‚ then places her key on it. Camera Movement: Stationary. Camera Angle: Eye level. Lens: Wide angle. Depth of Field:
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The piece I have chosen is entitled the Steleophorus Statue. It is from Dynasty 18‚ Reigns of Tuthmosis III and IV from around 1479 to 1390 BCE. The statue depicts a male figure that is kneeling. He is also holding part of a large stela rising to his chin while placed on his knees with hieroglyphic writing on it that has damaged and worn over time. The most prominent destruction is seen on the left side where a large chunk of the tablet has been broken off. In addition to the fragmented stela‚ much
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Katherine Mordan Art Survey Research Paper Prof. Lindt 10/23/11 The Colossal Statue of a Pharaoh The Colossal Statue of a Pharaoh is a piece of Middle Age Egyptian art and it was the piece that caught my eye at the MET. The statue was made around 1919b.c-1885b.c. to represent the reign of the 12th dynasty pharaoh Amenemhat II. It is made out of stone‚ a stone called Granodiorite. It was carved in Aswan
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The city has voted and discussed the removal of statues because they want them gone. The article shows that
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At one point in time it was believed that there were multiple equestrian statues during the time before the Christianization of Rome. The equestrian statues were created as a representation of their imperial leaders. The Equestrian Statue of Marcus Aurelius created around 173-176 C.E and located in Musei Capitolini‚ Rome‚ Italy is the only surviving equestrian statue from that era. The Equestrian Statue of General “Mad” Anthony Wayne‚ located in Freimann Square in Fort Wayne‚ Indiana and created
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Visual Analysis of the Marble Statue of Aphrodite Name Institution Visual Analysis of the Marble Statue of Aphrodite Aphrodite statues were very popular in Greece during the Hellenistic period. The marble Aphrodite of Knidos was the most renowned among the many Greek goddesses. Also written as the Aphrodite of Cnidus‚ the marble sculpture was created by an Attic sculptor known as Praxiteles during the 4th century BC. Arguably‚ it is believed to
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selected is “Statue of a Lion” and has the accession number AO 19520‚ AO 19824. "Statue of a Lion” originated from Mari; however‚ it is currently housed in The Louvre. Showcased in the piece I have chosen are characteristics that aid classifying this object as a 2nd millennium B.C. Mesopotamian art. Characteristics that support its classification are the physical features‚ purpose‚ and comparanda works. Damaged artifacts can appear to have diminutive value‚ this mind frame is obsolete. “Statue of a Lion”
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