BASIC CONCEPTS OF NATIONAL ACCOUNTS AGGREGATES Introduction 2.1 Various concepts of national income and related aggregates used in national accounts connote a particular meaning which may not necessarily conform to the one used in common parlance. It is‚ therefore‚ necessary that these are made familiar to the users to enable them to appreciate these in right perspective. It is with this objective that it has been considered necessary to refer to these in this publication. The basic concepts and
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Critical Reception of Rashomon in the West Greg M. Smith Asian Cinema 13.2 (Fall/Winter 2002) 115-28 Most of us who write about films may as well relax and confess that we know nothing at first hand about Japanese movie production; that all we have as data has come to us from press-sheets‚ from quick consultations with the nearest Japanese bystander‚ or. . . whatever we have been able to find useful in the way of analogy and of seeing the "unaccredited" performances of Kabuki. - Vernon
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Transnational media industries National cinema is a form of art and entertainment and it signifies national identity. However‚ national cinema should be replaced with transnational cinema to help strengthen the link between national cinema and national identity. National cinema refers to films that are produced in a particular nation. National film industries should be protected due to their function in that they enable the viewer to imagine him/herself as part of the national community and its culture
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Paloma Chamarro Gonzalez. Test 2 The cinema‚ one of the largest industry of entertainment which lures masses of people around the world‚ may be loosing is magical power to gather viewers‚ though‚ favoring economic profit rather than quality. The first text makes reference to the believe that people go to the cinema to make sense of their routine lifes and in doing so movies can have a greater effect on their attitudes or behaviour. While it is true that films themes deal
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Topic: Hong Kong cinema has been characterized by a strong transnational and global nature. Chinese identity and its relationship with Hollywood. Introduction: In the 1990s of Hong Kong‚ its movies‚ styles‚ stars and filmmakers were exportable to Western market. In the essay I will focus on how Hong Kong cinema become “transnational” and “borderless” in recent years‚ and relying on Hong Kong actors analyse it’s the relationship with Hollywood. Thus Hong Kong cinema in general is a crucial
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This ’attention to detail’ would seem to support the representation of Lara Croft as a cyber bimbo as there is a strong emphasis on her being a ’sex symbol’. This view point is supported by the general media‚ despite the creator of Lara Croft (Toby Gards) intentions for her to be sexy "only because of her power". This can be seen through Robert Ashley of Official U.S. PlayStation Magazine description of Lara Croft as the first video game character openly thought of as sexy plus moreover Publications
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The necessity of water and time The dominance of power in society can be illustrated by using a pyramid. People with the possession of real power‚ we find at the very top and narrowest part. At the bottom‚ and widest part‚ we find everything and everyone else. Like the people of Dimock‚ in the documentary Gasland‚ they put their trust and faith into the hands of the controlling minority part‚ thinking that they would act in their best interest. However‚ in many cases just like theirs‚ megalomaniacal
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Bhutan’s Concept of Gross National Happiness In an increasingly industrialized and globalized world‚ it is very difficult for small developing countries such as Bhutan to stay true to their own cultural identity. Bhutan‚ a small landlocked country located between India and China uses the concept of Gross National Happiness as a tool to ensure that their country is not over influenced by globalization. Gross National Happiness ensures that the economic development of Bhutan is in harmony with
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Third Cinema Updated: Exploration of Nomadic Aesthetics & Narrative Communities The notion of Third Cinema first arose in the charged political climate of the 1960s. The original ideas of Third Cinema‚ as with all such political and aesthetic movements‚ were a product of both the social and historical conditions of the time‚ particularly those prevailing in the “Third World.” Poverty‚ government corruption‚ fraud “democracies‚” economic and cultural neo-imperialisms‚ and brutal oppression affected
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Biyaya ng Lupa The movie showed how Filipino Families lived in the past. The main charaters‚ Jose and Maria‚ got married and started a life together‚ having four children. They were extremely conservative in how they ran their family; with the couple talking about how they shouldn’t fight too much because it would cause the downfall of their marriage. I like the movie because it shows how old Filipino films were at that time. It also showed how beautiful Rosa Rosal (playing Maria) was when she
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