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Major Themes Modern-day Mythology/Epic Storytelling In Cold Blood is crafted like a modern-day tragedy‚ on the scale of one of the Greek dramas from classical antiquity‚ and deals with many of the same universal themes: murder‚ vengeance‚ and the pursuit of justice. This‚ for Capote‚ was the power of his new literary genre‚ the nonfiction novel: to take events from the contemporary world and elevate them to epic storytelling proportions‚ enabling them to transcend their specific historical moment
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“Eye of the Beholder” by Rod Serling are both short stories that introduce two young‚ beautiful women who‚ despite their beauty‚ are castigated by positions of power for their uniqueness. While Hawthorne uses symbolism and third person omniscient storytelling to create an allegory in which perfection among the common is what’s desired by its characters‚ Serling tells of a world in which the thing that’s unacceptable by society’s standards is non uniformity. However‚ each author suggests that society’s
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What was the general hypothesis tested in this study? (i.e.‚ What is the question that researchers are trying to answer across the two experiment?) (2 pts) The general hypothesis tested in this study concerns the effectiveness of classical moral storytelling as a promoter of virtues in 3- to -7- year-old children. Specifically‚ researchers aimed at determining how this type of fiction might educate children on honesty‚ as well as warn them about the consequences of lying. For this reason‚ they conducted
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Briar Rose Essay Briar Rose is centred on one woman’s Holocaust experience intermixed with the fairy-tale‚ Sleeping Beauty. Jane Yolen creates a fractured version of the tale through the use of fairy-tale elements such as a prince and the curse of a long sleep which are used to connect the readers to the horrors of the extermination camp Chelmno. The main themes concerning this novel are identity which is reflected through Gemma. Family love and loyalty‚ regards Becca and her family. Journey/Quest
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Day and 500 days of Summer are my favorite movies. There are many differences between them. In this essay‚ I will present about the main differences between two these movies. 500 days of Summer is a movie appreciated about the content and the storytelling. It provides a story about love of Tom Hansen who was in love with a girl called Summer. One of main characters is Summer Finn. After a distressing shock of family‚ she no longer believes in love. Another main character is Tom Hansen.
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Frodo‚ the hobbit‚ did not have any mystic powers; he was gifted to endure the power of the ring better than others. Frodo takes up the initiative and volunteers for the quest that forms the fellowship of the ring. Frodo and the fellowship of heroes encountered many deaths threatening obstacles during their quest to Mordor. Frodo shows his patience and willingness to face all problems as he is determined to do away with the ring. As Fordo understands that the negative power of the ring is increasing
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Passover or Pesach is a Jewish celebration that has been celebrated for hundreds of years. During the spring‚ Jews celebrate Passover over the courses of eight days and it is divided into two parts which consist of Chol hamoed‚ a semi-festive “intermediate days‚” and the days that occur during the first and last two days (“What Is Passover?”). During this time‚ celebrators partake in feasting on traditional Jewish foods‚ cleaning‚ and praying. Passover ultimately represents the history and suffrage
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Two main elements that Orson Welles brings together to give the story of Citizen Kane‚ are flashback storytelling and deep focus lighting. The narrative form of Citizen Kane is flashback storytelling‚ which basically means the film starts with Kane’s death and from there the audience goes back in time to explore Kane’s life. How the film does this however‚ is through the testimonies through Kane’s peers. The entire story is about this group of Journalists led by Mr. Thompson (William Alland) who
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Paradigm is a concept in communication theory and was developed by Walter Fisher in 1984. It is more interpretive than objective and is under the rhetorical tradition. The concept of this theory was adopted from the earliest form of communication- storytelling. In narrative paradigm‚ narrative rationality is a way to evaluate the worth of stories based on the twin standards of narrative coherence and narrative fidelity and how humans judge a story. Together‚ narrative coherence and fidelity measure a
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