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    prisoner subcultures and identified three. Firstly; the criminal or thief subculture‚ the prisoner follow the norms and values that are present in the professional thief or criminal "careers"‚ such as not betraying one another and being trustworthy. Secondly; the convict subculture‚ the subject has been raised in the prison system. They seek positions of power and influence and are therefore most likely to turn to aggression or another maladaptive form of coping. and the conventional or straight subculture

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    rather‚ it is a feature of many subcultures. Members of the subculture may and often dohave different ideas about what constitutes gothic fashion thanmembers of the population at large‚ and some styles which read as"goth" to many people are seen as "outsider" by those in the scene. Inhis book Goth: Identity‚ Style and Subculture (Berg Publishers Ltd.‚Oxford‚ 2002)‚ Paul Hodkinson talks about goths using their fashionchoices to demonstrate commitment to the subculture. In particular‚he asserts that

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    Modern Subculture in China Wenzeslaus Avelino Clayton Raffles Design Institute 001GD010 Proof by Andy Lawrence 5 February 2013 Table of Content Introduction .................................................................................................................. 3 Methodology .................................................................................................................. 4 Result ..........................................................

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    There are 5 basic techniques of managing deviance. There is secrecy‚ manipulating the physical setting‚ rationalizations‚ change to non-d`eviance‚ and joining deviant subcultures. The act of secrecy is easily defined as the word itself. The deviant keeps secrets from those around them. The thought behind it being that if nobody ever knows about their deviant behavior there is no one who can place negative sanctions upon the deviant. Next‚ manipulating the physical setting‚ the deviant chooses to

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    society‚ but with many aspects in common. Subcultures come in a diversity of forms‚ associated with street gangs‚ prison inmates‚ drug addicts‚ football hooligans‚ religious cults‚ hippie communes‚ and punk rockers. On a larger societal scale‚ subcultures include working-class and underclass subcultures‚ racial/ethnic subcultures‚ immigrant subcultures‚ regional subcultures‚ and youth subcultures. Hippie Subculture The existence of many subcultures is characteristic of complex societies such

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    Zimbardo (1973) Aim/ Hypothesis | To investigate the process of Deindividuation by simulating an authentic prison environment. | Method/ Experiment | A simulation of a prison was created in the basement of Stanford University‚ 24 male participants were recruited. One group were given the role as the guards and the other group were the prisoners. Both the guards and prisoners were deindividuated and became anonymous in their group. On arrival they were put into suits with an ID number on the

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    About Hardcore-Punk

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    Hardcore punk Hardcore punk is a subgenre of punk rock which originated in the United States in the late 1970s. It emerged as the first wave of punk artists disbanded or moved onto different genres and the left behind-artists focused on music with faster tempos‚ louder beats‚ and a generally "harder" bass/decibel level - therefore resulting in many referring to the music as "Hardcore." The sound is generally thicker‚ heavier‚ and faster than 1970s-style punk rock. It is sometimes characterized

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    Chillwave: Is It a Genre?

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    Josh Edge Word Count: 1907 September 8‚ 2012 Friday:@ 3:00-4:00 Chillwave: Is it a genre? Throughout the history of music‚ there have been many trends in music that have influenced future generations. The way listeners respond to these trends allow them to categorize specific sounds with genres of music. One huge musical trend today‚ chillwave‚ is a genre of music that has received mixed emotions of its name by its artists and fans. In this paper‚ I will be presenting an intro into chillwave

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    Institutional aggression

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    recognised the importance of different prisoner subcultures and identified three different categories 1) the criminal or thief subculture: inmates follow norms and values that are inherent within professional thief - not betraying‚ trustworthy 2) the convict subculture: inmates who have been raised in the prison system‚ seek power‚ influence and information 3) the conventional or ’straightsubculture: one time offenders‚ not part of a criminal or thief subculture. Not really agg. in prison AO2 :) -

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    structure. Cloward and Ohlin maintain that the form working class delinquent subcultures take depends on access to ileegitimate opportunity structures‚ i.e. access to existing adult criminal networks who will take on younger ‘apprentice’ criminals. Criminal subcultures emerge when working class youths have access to adult riminal networks. The focus of their deviance is on material crimes such as burglary. Conflict subcultures emerge when working class youths lack access to adult criminal networks but

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