Similarities While comparing the film’s Strangers on a Train‚ directed by Alfred Hitchcock and The Spanish Prisoner directed by David Mamet‚ two suspenseful mysteries unfold. In this essay I will compare both directors use of themes‚ tones‚ and camera effects to convey the thrilling story of a confused and tortured protagonist. While they are different plotlines‚ both stories overlap in many ways. Perhaps Mamet may have even made an homage to Hitchcock’s Strangers on a Train by mirroring various scenes and
Premium Suspense Psycho Alfred Hitchcock
An obvious yet very effective theme in Hitchcock’s Strangers on a Train is that of “criss-cross” and doubles. The list could be endless with mentions of double crossing‚ and criss-crossing‚ however each example is very effective and important to the film. One double that truly sticks out is that of Bruno and Guy. “Doubled” together in the film‚ they constantly are double crossing each other‚ and yet are completely opposite personalities shown in the film. One could argue that this is shown in the
Premium Tennis Murder Sequence
on “strangers on a train”‚ which was directed by Alfred Hitchcock‚ which was based on the latest 1950s novel that was wrote by the famous Patricia Hitchcock. In reading the paper you are going to learn that the acting‚ featuring‚ screen playing‚ music‚ and editing. Also going to let you act knowledge about how much money was spent in making the film and how much money is earn by selling the film in stores. It is also going to tell you how long the movie is if it is choose to watch. “Stranger on
Premium Alfred Hitchcock Murder Race
costume‚ lighting‚ makeup‚ and performance– and cinematography – such as filters‚ framing‚ shot duration‚ depth of field‚ camera position‚ and focal length of lens – to convey meaning beyond the dialogue (Bordwell). In the opening sequence of Strangers on a Train‚ director Alfred Hitchcock masterfully manipulates the visual methods of costume‚ framing‚ and performance to reveal Bruno’s character and to foreshadow the plot. Costume is used in the opening scene to reveal the peculiarity of Bruno’s character
Premium Alfred Hitchcock Plot
villain.” Eventhough the the typical villains in movies are easy to pick out due to wearing black and wreaking havoc (bring/cause destruction). A good villain is considered to be intimidating‚ cause entertainment‚ antisocial‚ and mischievous. In Strangers on a Train‚ Bruno is depicted as the villain. Based on the description/ traits of what an actual villain is‚ Bruno does not meet the criteria. Bruno is considered more of a misguided hero‚ who starts doing evil things out of the belief that they are
Premium Othello William Shakespeare Iago
Based on a Patricia Highsmith novel The Strangers on a Train (1951) revolves around the inexplicable and unnatural link between Bruno Antony (Robert Walker) and Guy Haines (Farley Granger) which is established from the very first shot. Hitchcock draws parallel between the two. The opening shots introduce us to two pairs of men’s feet as their owners arrive at the station‚ the shoes characterise the two-one showy‚ vulgar‚ brown-and-white brogues and the other plain‚ unadorned walking shoes. Visual
Premium Family Mother Marriage
With I Confess‚ Hitchcock broke his professional lull after The Strangers on a Train (1951). Setting the film in Quebec‚ Canada‚ with a strong French heritage & a city steeped in Catholicsm and its striking church architecture served well for the story. Father Michael Logan (Montgomery Clift) acted as a true Catholic priest‚ friend and employer who hasn’t disclosed the confessional secret of Otto Keller (O.E. Hasse)‚ the caretaker of local catholic church and thus putting his own life in jeopardy
Premium Alfred Hitchcock Film Psycho
With reference to “Strangers On A Train” analyse the mise-en-scene. In this essay I am going to write about the film “Strangers On A Train” and look at how mise en scene and narrative structure are used to establish the film’s themes. Strangers On A Train is about two men‚ Guy Haines and Bruno Anthony‚ who meet on a train by accidentally knocking shoes. Guy is a professional tennis player and Bruno recognises him and starts talking to him. Bruno knows from the papers that Guy wishes to marry
Premium Film Film director Film theory
Hitchcock’s use of lighting and shadows in Strangers On A Train is very meaningful and cleverly masked. To add to the character development and understanding of Bruno and Guy‚ Hitchcock uses light very early on in the film‚ to help demonstrate the characters of Guy and Bruno. The window of the train compartment in the first scene‚ casts lines of shadows onto Bruno’s face‚ similar to those of jail cell bars. Because of this‚ we can infer early on that Bruno’s character isn’t to be trusted and that
Premium Film English-language films Film director
double spaced‚ 12-point font‚ and one-inch margins long black train by Simon Berghoef English 9b 5th hour darkness is like a long black train. You can hear it coming and it still frightens you. But there can be only one person to over come it and that is yourself. It takes courage to do what you know frightens you. Darkness is like a disease; it can over come you in a instant or take a long time. The long black train was following and death was driving. It has been chugging the whole
Premium Hero Light Thing