An obvious yet very effective theme in Hitchcock’s Strangers on a Train is that of “criss-cross” and doubles. The list could be endless with mentions of double crossing‚ and criss-crossing‚ however each example is very effective and important to the film. One double that truly sticks out is that of Bruno and Guy. “Doubled” together in the film‚ they constantly are double crossing each other‚ and yet are completely opposite personalities shown in the film. One could argue that this is shown in the
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as an American one should believe in bringing together the cultures in America. “We must think of American culture and nationhood as a constantly reforming‚ transmogrifying “we” (Mukherjee 438). For the author James Baldwin‚ who wrote the essay “Stranger in the Village”‚ an American is a person who is integrated with other cultures‚ and will never be a strictly “white” culture. “This world is white no longer‚ and it will never be white again.” (Baldwin 449) There are vast differences in the cultures
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Q. 2. Write a note on the World of Harold Pinter. Answer Each of Harold Pinter’s [first] four plays ends in the virtual annihilation of an individual. In Pinter’s first play‚ The Room‚ after a blind Negro is kicked into inertness‚ the heroine‚ Rose‚ is suddenly stirken with blindness. In The Dump Waiter‚ the curtain falls as Gus and his prospective murderer stare at each other. Stanley Webber‚ the hero of The Birthday Party‚ is taken from his refuge for ’special treatment’. In The Caretaker‚ the
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My understanding and appreciation of cultural and contextual considerations shown throughout stylistic choices developed throughout this discussion. When I was reading The Stranger‚ there was a notion of hotness and higher temperatures that Meursault experienced throughout the book. During this discussion‚ one of the leaders pointed out that there was a reoccurring motif of the sun. Right then it clicked for me that the idea of hotness was really a part of the much larger motif‚ the sun and its multiple
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The Stranger We All Are and Deny A human is not born with the comprehension of morals or “adequate” behaviour‚ they are programmed by their environment and social interaction on a more of a precise right and wrong. Nobel Prize winning author‚ Albert Camus brilliantly paints the definition of cold‚ logical indifference with the protagonist‚ Meursault‚ in “The Stranger”. Through the unravelling of events and Meursault’s reactions towards them‚ the author succeeds into compelling the reader to question
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The image of woman in fiction has undergone a radical change in the 21st century. The Indian woman writers have moved away from portraying a traditional self-sacrificing woman toward a self-expressive individual woman. The chaste‚ patient‚ self-denying‚ dependant woman is no longer a female lead. Instead‚ the female characters are projected to be successful in their quest for identity and individuality. A number of women writers have made their debut in 1990s‚ generating novels which revealed the
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question. That is because we know that every question has to have an answer‚ whether it is right or wrong. When Albert Camus named his novel The Stranger he was asking his audience a question that will forever go unanswered. Camus was asking his readers who they thought the title “stranger” was. Therefore‚ when a reader may wonder as to who the said stranger may be‚ they somehow come up with a response. But a response is not an answer. Responses and answers are entirely contrasting things. An answer
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Observing a Stranger I picked to do my observation of a woman at a park playing with her son. It was on Monday are last day of nice beautiful warm sunny weather we had this week. And the park was packed with lots of children and their mothers. All enjoying themselves before the rain was to return. This woman I observed was about 5ft 2in and about 130lbs. She had long brown hair with some blond and purple strips in it. She was also very tan for this time of year. She was dress in black short and
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Stranger Danger Making sure children are aware of the dangers that strangers can present without scaring them is a fine balancing act. If children are to spend anytime at all out of sight from parents/ carers teaching them about Stranger Danger may give some peace of mind. Children as young as 3/4 will begin to have some awareness of what Stranger Danger means and will understand what a stranger is and why they shouldn’t trust or go near them. Many local Police forces offer Stranger Danger courses
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Father “Anyone can be a father‚ but it takes someone special to be a dad‚” says Anne Geddes. In Master Harold and the Boys‚ Sam is that special person. Sam has been working for Hally’s family for a long time. He troubles about Hally in ways that only a father would. He has witnessed first hand how Hally needs a father figure in his life‚ somebody to be responsible‚ to help with his homework‚ to give him advice‚ somebody to tell him the difference between right and wrong. Sam and Hally discuss things
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