Daniele Owens Dramatic Worksheet 10 Points PLAY TITLE: A Streetcar Named Desire Type your answer after the A: Take as much space as you need. 1. In a sentence or two‚ what is the premise of the play? A: The premise of the play is Blanche’s covering of reality with fantasy and deceit within herself. 2. Describe the exposition. A: The exposition is the 1940s in New Orleans‚ LA. Blanche took a streetcar named Desire from Laurel‚ MS to her sisters’‚ Stella’s apartment
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Into- 150 Arthur Miller’s Death of a Salesman reflects the numerous issues of the American post-war period of the late 1940’s when societal issues such as dishonesty and betrayal; and the loss of identity were predominantly experienced by Americans in 1949. Hence‚ Miller’s involvement of these contemporary post war era dilemmas enlightened people to quest for the ultimate truth. Thus‚ Miller’s utilisation of important ideas such as dishonesty and betrayal; and the loss of identity empower the audience
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Death of a Salesman Ar thur Mi l l e r INTRODUCTION Arthur Miller has emerged as one of the most successful and enduring playwrights of the postwar era in America‚ no doubt because his focusing on middle-class anxieties brought on by a society that emphasizes the hollow values of material success has struck such a responsive chord. The recurring theme of anxiety and insecurity reflects much of Arthur Miller’s own past. Born the son of a well-to-do Jewish manufacturer in New York City in
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virginity to have a chance to get married. A Streetcar Named Desire by Tennessee Williams is placed in the picturesque French Quarter in New Orleans. The play starts when Blanche DuBois comes in New Orleans to visit her sister Stella after she lost the family plantation Belle-Reve because of money problems. She then meets her brother-in-law Stanley Kowalski‚ a World War II veteran. As soon as they meet each other‚ a mistrustful rivalry starts between them. A Streetcar Named Desire depicts the conflict between
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"Making masculinity vulnerable and lingering within that vulnerability allows any set of assumptions about manhood and men to be challenged and allows for new possibilities of what masculinity might come to mean" (Allbritton 232). In Paternity and Pathogens‚ the author emphasizes the relationship between masculinity and death through an analysis of two of Almodóvar’s cinematic productions ‚ Todo Sobre Mi Madre and Hable Con Ella. Allbritton also argues that Almodóvar takes an active role in challenging
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1. What kind of leader is Howard? Howard Wagner is the thirty-six year old son of Frank Wagner‚ Willy’s former boss‚ Howard now occupies the same position as his late father. Although Willy was the one who named Howard‚ Howard is forced to fire Willy for his erratic behavior. He felt Willy was a good sales man in his time‚ however Willy’s desperation and decline in standard of work lead to Howard finding him embracing and a liability and so he found himself having to fire him. Howard is preoccupied
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does the play’s setting contribute to its dramatic effect? A Streetcar Named Desire shows the extent to which the American South is less a geographical expression than an entire way of life. Even today‚ the South’s distinctive culture‚ food‚ literature and music have influenced the rest of the country immensely. Tennessee Williams explored the cultural and spiritual experience of the South‚ to which he belonged and in Streetcar he dramatizes a brutal culture clash between New Orleans industrial
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1. Freud once wrote‚ "It is easy for a barbarian to be healthy; for a civilized man the task is a hard one." Apply this statement to Streetcar. -Whereas Blanche comes from an old Southern family and was raised to see herself as socially elite‚ Stanley comes from an immigrant family and is a proud member of the working class. They meet one another in the socially turbulent postwar period in New Orleans‚ one of America’s most diverse cities. Blanche and Stanley are polar opposites in several respects
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How does Williams portray the character of Stanley and his attitudes? In your answer you should consider Williams’ use of language choices and dramatic techniques Stanley is the primary male character in A Streetcar Named Desire. His dominating role encompasses the cultural values of Elysian Fields‚ where men are breadwinners and women are the homemakers. On first appearance Stanley is portrayed as a physically attractive man and dominating attitude towards his wife. He is he is a proud ‘American’
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realism. I want magic! Yes‚ yes‚ magic! (9.117). Magic‚ is often associated with the concept of circumventing reality. Individuals try to live unconstrained within their fantasy when they dislike the way that reality appears to be for the. In “A Streetcar Named Desire‚” Tennessee Williams protagonist‚ Blanche Dubois finds herself to be in a situation of living in illusion instead of reality. Williams’s addresses the importance of individuals who attempt to live unconstrained‚ through Blanche. Through
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