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    Michael R. Hummel ENGL1302-SA01 Critical Literary Analysis of “A Streetcar Named Desire” Professor Helene King 15 March‚ 2011 Tennessee Williams’ play “A Streetcar Named Desire” brings up and discusses many topics and problems. One of the main themes of this play is the conflict that appears and gradually develops in the relationship between Stanley and Blanche. The results and consequences of this conflict are quite evident; however‚ the sources and the reasons of

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    Later that night Mitch‚ Stanley’s friend‚ wants to drop out of the poker game because his mother is sick. Stella and Blanche return from the show‚ and Blanche is introduced to the other players. When Stanley tells the ladies to disappear until the game is finished‚ Stella reminds him that it is 2:30 A.M. and time to quit. Stanley swats her rear and the sisters go into the other room‚ where Blanche meets Harold Mitchell coming from the bathroom. When he leaves‚ Blanche thinks that he looks more sensitive

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    without any reason‚ she did this on purpose to scare the government and also to make them pay for the decisions they had made. To conclude about the kind of the actions‚ which were done by Lytton‚ we can add what Janet Lyon remembers in her essay “As Temma Kaplan writes‚ “the street became the stage for this conflict”.” (Lyon‚ 1994-1995). This quotation shows that jail and streets were the places used by the Suffragettes to fight. They both had equal importance. But what is surprising about all of

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    ALIENTATEDLABOUR As the production of a company increases‚ the workers sense of worth decreases. A political economy is supported by laws‚ land‚ wages and profits of labour without demonstrating their existence or connections. A laborer works for a wage that allows companies to produce a product that is then sold for a profit. Hence the laborer is a part of the process and becomes a commodity himself. The labour is objectified‚ and the worker is a slave to his labour. This brings about alienation

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    Quote #1 Speaker & Page: Blanche (Scene 1‚ bottom of 21) Quotation: “I‚ I‚ I took the blows in my face and my body! All of those deaths! The parade to graveyard! Father‚ mother! Margaret‚ that dreadful way!” Significance: Blanch was blaming Stella for abandoning her back at the plantation home. While Stella thinks that Blanche is overreacting‚ Blanche is trying to express her true feelings of agony to Stella and how these events have affected her life for the worse. Quote #2 Speaker & Page: Blanche

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    be seen thought these two books. The play‚ A Street Car Named Desire by Tennessee Williams centers on the character Blanche Dubois‚ whose life tailspins into guilt and depression after the passing of her late husband. Similar themes can be seen in the second novel‚ Speak by Laurie Halse Anderson. The main character Melinda Sorino goes through similar emotional problems after what happens with an older boy. In the play A Street Car Named Desire by Tennessee Williams‚ Blanche moves to New Orleans after

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    Blanche makes superficially charming comments to Stanley that subtly insult his lower-class disposition. Stanley is unusually rude to Blanche. He insinuates that he has acquired knowledge of Blanche’s past and asks her if she knows a certain man named Shaw. Blanche falters immediately at the mention of Shaw’s name and answers evasively‚ replying that there are many Shaws in the world. Stanley goes on to say that the Shaw he met often travels to Blanche’s hometown of Laurel‚ Mississippi‚ and that

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    Reality Versus Fantasy In Tennessee Williams’ “A Streetcar Named Desire‚” the obsessive need to escape from reality defines the protagonist Blanche DuBois. Haunted by the fact that she incited the suicide of her young husband‚ Blanche is unable to cope with what has since become of her life. She relies on fables and illusions to reconstruct a more socially acceptable self. However‚ the antagonistic relationship between Blanche and Stanley Kowalski threatens her fantasy‚ as he continuously confronts

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    inscription ‘If God should choose I shall but love thee better after death’ can serve as significant as it holds allusions to Blanche’s affection towards Allan which seems to be more profound after his death; along with echoing this idea of death vs. desire‚ which is often times related to Blanche as she yearns to be desired‚ yet is constantly shadowed by death. This scene also incorporates dramatic irony as can be observed when Blanche assures Mitch that Stella is older than her‚ despite the stage directions

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    Such topics include the importance of theatrical contracts‚ symbolisms‚ and abstract elements. A master of such subject matter was Tennessee Williams. Williams revive of abstract elements was essential to his two plays A Glass Menagerie and A Streetcar Named Desire. A combination of lights‚ symbols‚ and music are used to pull the audience into the conflict and without these abstractions Williams’ plays would not have as much depth. Tennessee Williams

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