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    ‘A Streetcar Named Desire’ – Exploration Notes Our exploration into ‘Streetcar’ began with a focus on vocal awareness. Through developing the opening of the play through non-naturalism‚ I discovered how the use of voice and movement was key into creating the atmosphere of a multi-cultural and rundown area of New Orleans. I found that accent was a main factor in conveying the vibrant racial mix in the Quarter. The use of crescendos allowed us to create eerie atmosphere within Blanche’s living nightmare

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    Tennessee Williams’ A Streetcar Named Desire investigates the power of externally driven and social influences upon the expectations and manifestations of relationships. Williams criticises social inequality and division between those who support the ‘old money’ and those in the ideals of the ‘American Dream’. He critiques the projected impressions that they create‚ surrounding the differing life expectations and the subsequent disconnect between members of the classes. In turn‚ his drama also examines

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    Q. What does William’s depiction of Blanche and Stanley’s lives say about desire? The playwright has managed to set the subject for this play by emphasizing desire by the means of putting the very word in the title of the this play‚ A Streetcar Named Desire. The protagonist and the antagonist both pursue desire but do so in different ways thus it leads them down separate paths. For Blanche‚ the protagonist‚ desire has been something that she has witnessed through out life‚ first learning about it

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    In Tennessee William’s play A Streetcar Named Desire‚ audiences discussed the explicit tension between reality and illusion developed by the theme of isolation. By situating at a time of transition in America where the modernism transcended the classical values‚ the isolation of Blanche due to her disparate semblances and adherence to delusions is represented as her loss of conformity. The arrival of modernist era leads to Blanche’s irreproachable deceiving of herself‚ illustrating illusions that

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    SYMBOLIC DEVICES IN TENNESSEE WILLIAMS‚ A STREETCAR NAMED DESIRE 1.     Introduction Written in 1947‚ A Streetcar Named Desire has always been considered one of Tennessee Williams’s most successful plays. One reason for this may be found in the way Williams makes extensive use of symbols as a dramatic technique. This happens in all of his plays‚ but in this instance Williams integrates symbols very effectively with ideas and thematic content. He once explained that symbolism is a way to “say a

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    Streetcar named Desire: Journal Entries Analysis: In scene three‚ while Blanche is conversing with Mitch‚ Blanche mentions her intolerance towards bright light as she is afraid it will expose every detail of her facial impurities. She is ashamed of her age so therefore she tries to conceal it by lying to make herself seem younger than she actually is. This represents her insecurity and self-consciousness. The light in this scene is a symbol of revealing the truth‚ and the lampshade is what hides

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    A Streetcar Named Desire Overall Reactions to Characters and Situations Lies‚ Violence and Hysteria As the play begins‚ the reader meets Stella‚ Stanley and Mitch. Stella and Stanley are laughing‚ joking around and being friendly towards each other. Eunice is also in this scene‚ by Stella’s side. It is clear that she is a secondary character based on the lack of her description other than “The white woman is Eunice‚ who occupies the upstairs flat”. Blanche is quickly introduced as well‚ seen in

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    journey on the streetcar called desire represents the journey of her own life. Desire is her first step‚ just as it was the first step of her life after her husband died. That is why she slept with many men after he died. Her next step of her journey is Cemeteries‚ which is a symbol for death. Elysian Fields is the name of the street where Stella and Stanley live. The play and title tells us everything like the plot and theme. Desire is the key the whole movie was about Blanche desire to be accepted

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    A Streetcar Named Desire Outline Thesis: In the play A Streetcar Named Desire Tennessee Williams ultimately portrays the struggles of a woman in the 1920s. Through the demonstration of the main character‚ Blanche‚ we depict the struggles between alcoholism‚ the conflicts in social classes and the indifferences in sexuality. I. Alcoholism a. Reality vs. Fantasy i. Alcohol was often abused by woman in the 20s‚ however it wasn’t always customary for women to be drinking

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    didn’t she care? 2. Why was there no apparent difference between blacks and whites in the play‚ given the time period? 3. Does Blanche ever heal and go on to live a normal life on her own? CRITISISM From a feminist perspective‚ A Streetcar Named Desire is a work ready to be analyzed. The differences between men and women are especially prominent in the relationship between Stanley and Stella. The language and actions that Stanley uses to address his wife are quite vulgar. He swears at her

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