The aspects of lighting and sound in drama play a pivotal role in the progression of a play’s storyline as well as its ability to convey ideas to the audience. Arthur Miller’s‚ “All My Sons”‚ and Tennessee Williams’ “A Streetcar Named Desire” exemplify this use of visual and auditory elements for the purpose of story development particularly well‚ doing so in similar yet contrasting ways. The element of lighting plays a vital role in the interpretation of ideas in dramatic pieces‚ often occurring
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Use of Astrology and Names in SND The author’s use of Blanche and Stanley’s astrological signs and the meanings of their names helps to define their characters in “Streetcar Named Desire”. Stanley’s astrological sign is Capricorn which is the sign of the goat. Blanche’s sign is Virgo‚ the sign of the virgin. Appropriately‚ both signs are sex symbols. Virgo is the only zodiacal sign represented by a female. Virgo implies and stands for virginity. Sometimes thought of as an older woman
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A Streetcar Named Desire and Running were two of the plays I attended this semester‚ saying both plays did a fantastic job is an understatement. Each play had interesting storylines that kept me intrigued throughout the duration of the entire showing. All the characters and respective directors did an awesome job as well. Although I had not been to many plays before coming to Washington College‚ had the plays not been mandatory I feel I still would have enjoyed attending them regardless. Both plays
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‘Desire is both liberating and imprisoning’. Compare and contrast the ways in which two of your chosen writers present relationships in the light of this comment Tennessee William’s ‘A Street Named Desire’ explores and contrasts two settings‚ the more accepting‚ and open minded society and the ‘Southern Belle’ in urban New Orleans 1940‚ while Ian McEwan’s ‘Enduring Love’ is about endurance‚ or survival‚ and sets love in its different forms‚ from unconditioned‚ romantic‚ idealised and obsessive.
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of ambitious young girls but so unfortunate of them‚ sitting in four walled quarters‚ unmarried sewing clothes for their marriages waiting for that particular sunrise and married serving their husbands till their eyes get close keeping all their desires‚ passion within besides dreams and hope‚ you too find fear in their visions‚ fear of raising the voice‚ fear of society which’s kept limitations on them‚ she’s viewed as a "femme" more than as a human‚ told to cover the face or wear veil when step
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Postmodern American authors share many themes highlighting communal pressures on ill adjusted characters. This is a direct result of the collective American desire to diverge from conformity‚ a common view shared by many progressive people in the 40s and 50s‚ including Tennessee Williams and Arthur Miller. Picture white picket fences lining newly mowed green lawns‚ each house nearly identical‚ sheltering a providing husband and dainty housewife committed to one man. To break from this archetype would
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Born in Oxford Mississippi in 1897‚ Faulkner was certainly subject to the South in its transformative State. The transformation would concern the results of the civil war‚ which considers moving past the South’s old way and moving forward and rebuilding in order to improve the state. Faulkner explores the theme of old South versus a new south in “A Rose for Emily” through the main character of the short story‚ Emily. This exploration is not quite so upfront and obvious‚ seeing as the story focuses
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Within the play Streetcar Named Desire written by Tennessee Williams‚ the lives and relationship of Blanche DuBois and Stella Kowalski are plotted out in a scene of events that depicts astute betrayal and out of the ordinary family matters. Based on the time period of this play‚ that being of the Old South conservative dominated region of New Orleans with local and national aristocracy still in heavy play‚ the traditions play out in a way that involve a simple family dispute turning in to Blanche
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In the movie‚ A Street Car Named Desire‚ Blanche uses the quote‚ “I don’t want realism. I want magic! Yes‚ Yes‚ magic! I try to give that to people." to explain her desire for her fantasy life to become reality. Blanches fantasy life would restore her youth‚ forgive her past and she would be more welcomed by people like Stanley and Mitch. I do agree with her statement‚ and believe that living in a “fantasy world” for a short period of time can be beneficial‚ but I do not agree with the circumstances
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[Offended] What does that even mean!?! BLANCHE: [Tearing up] You know damn well! You refer to Stanley as this great stallion‚ a steed that you can ride into your greatest fantasy. But in reality‚ he is just a Jackass! A Jackass you can ride till your an old‚ wizened crone and kill yourself when you wander into your grave and a tombstone falls on your head. Whereas I had a harem to ride into the sunset‚ and all I get is ridiculed! [A pause is shared between the two. A standoff of wolves over a carcass and
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