to forget‚ but hangs on the past: however far or fast he runs that chain run with him” in light of Nietzsche’s opinion‚ compare and contrast the presentation of the past as a limiting factor to the identities of the female protagonists in A Streetcar Named Desire and Top Girls. The Southern Belle protagonist‚ Blanche Dubois‚ by the playwright Tennessee Williams is deeply haunted by her past‚ which is limiting her identity in the present and in order to cope; the protagonist creates fantasy. Blanche’s
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the theme of love become personal and understandable when coming to life in a play. Three writers made this possible in plays using the main theme of love. Three plays that show the complexity of love are “A Doll House” by Henrick Isben‚ “A Streetcar Named Desire” by Tennessee Williams‚ and “A Midsummer
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society‚ some people end up sacrificing all they have for the wrong things they value. In the play A Streetcar Named Desire by Tennessee Williams‚ the author gave his audience an insight on what it looks like for a person to give up his or her responsibilities in the quest to find passion. Blanche‚ Williams’‚ the main protagonist in this play‚ gave up absolutely everything for passion and desire. She also had no choice but to deal with internal and external conflicts as consequences for her bad decision-making
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various forms‚ such as verbal assaults‚ physical harm‚ and cognitive deception. Any form of deliberate cruelty is an unforgivable crime because it can inflict misery and harm into another individual’s life. In Tennessee Williams’ story‚ A Streetcar Named Desire‚ the concept of deliberate cruelty pertains to a majority of the characters’ relationships. Blanche Dubois cognitively decepts her love interest Mitch through the yarns of lies she deliberately weaves. This unforgivable crime ultimately comes
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1. Set after World War I‚ A Streetcar Named Desire by Tennessee Williams reflects many of the social and cultural changes that occurred after the war. 2. Immediately the time of day (“first dark of an evening”) accentuates the background of socio-economic change as it symbolically represents the death of an old value system and the birth of a new set of social values. 3. The play takes place in the French Quarter of New Orleans which is immediately depicted as an impoverished yet cosmopolitan
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irrational‚ impulsive‚ uncontrollable lust‚ but is a deliberate‚ hostile‚ violent act of degradation and possession on the part of a would-be conqueror‚ designed to intimidate and inspire fear (Susan Brownmiller). In Tennessee Williams “A Street Car Named Desire”‚ one of the main characters‚ Blanche‚ in this play goes through the experience of being raped and the effects that come from it. By Williams allowing Blanche to get rape in the play‚ it resulted in having a massive effect on the play and led to
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In the classic film‚ A Streetcar Named Desire‚ there are four main characters with four very different personalities. While Stanley is the definite dominant male‚ controlling and demanding to his wife‚ Stella‚ who has learned to tolerate his personality; Mitch is the overall average good guy‚ desiring nothing short of a normal life with a loving wife. Blanche is the main character in the story and is the sister of Stella. The two of them have been apart over the years and recently came together
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Sometimes the people in which others associate themselves with are the ones who restrict them from their dreams.In "A streetcar named Desire"‚ the two main opposing characters are Blanche and Stanely as the desires they want can’t exist with each other’s company. The fake world that Blanche has fabricated with all her compulsive lies can only subsist in her mind if it’s reassured by the belief of it all from those around her.Blanche wants the artificial reality she has created in her mind to
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be more sympathetic. To what extent do you agree or disagree with the director? When the play was staged on Broadway in New York in 1955 Elia Kazan‚ a friend of Williams who has directed many of his other plays on Broadway including ‘A Streetcar Named Desire’‚ directed it. Kazan had reservations about the original Act Three and asked Williams to rewrite it. He felt that Big Daddy should not disappear after Act Two‚ that the impact of the conversation between Big Daddy and Brick in Act Two should
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Kate Chopin’s "Desiree’s Baby" is a timeless portrayal of one woman’s startling descent into hysteria and the societal pressures that bring on rapid and uninhibited panic. Desiree unknowingly becomes the victim of her husband’s hierarchical cover-up- he puts the blame for the child’s condemned skin color on Desiree when he is in fact of black descent. This forceful allegation‚ compounded with other accusations of not being white that presumably take place outside of the home‚ in effect drive Desiree
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