Could one ordinary woman be more intelligent than several highly skilled male warriors? In William Shakespeare’s Othello‚ although Emilia plays a small role‚ she makes a powerful impact. Her omnipotent bravado brings us to the conclusion that she is the reincarnation of Esther from the Bible and that she is a mirror image of today’s risk taking woman. Emilia’s insight brings perspective to not only what is righteous but also to the darkness of bestiality portrayed throughout the play. Although
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Othello: The Other Race and religion seem to be very prevalent in Shakespeare’s Othello. From the beginning of the play the reader gets the impression that the protagonist‚ Othello the Moor‚ is considered an “other” in the Venetian society. Othello’s high military ranking gives him the respect of the characters in the play‚ but his race and religion are brought up a lot throughout the play in the speech of the characters in the play. Despite the characters in the text constant dehumanization of
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character. Roderigo‚ without any fixed principle‚ but not without the moral notions and sympathies with honour‚ which his rank and connections had hung upon him‚ is already well fitted and predisposed for the purpose; for very want of character and strength of passion‚ like wind loudest in an empty house‚ constitute his character. The first three lines happily state the nature and foundation of the friendship between him and Iago‚ the purse‚as also the contrast of Roderigo’s intemperance of mind with
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Write Up On Othello: Othello as an Outsider Shakespeare’s Othello‚ written in approximately 1603‚ is a tragic play that centralises around the role of Othello‚ the Moor of Venice. Throughout the play‚ a notion that is consistently evident is that of “the outsider”. In Othello‚ many characters are in some way outsiders. Each character devises their own unique way to rid themselves of this “outsider” status‚ whether it be by marriage‚ gaining strength or through means of manipulation. As persistently
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’In Shakespeare’s Othello‚ Othello is as much of a victim of his own weakness as of Iago’s plotting Do you agree?’ Through the critical analysis of Shakespeare’s play Othello‚ we are able to see this statement as agreeable and true. Othello‚ like all humans succumbs to being vulnerable and is easily taken advantage of. The study of his pride‚ superstitions‚ confidence‚ as well as the contextual society he dwells in accounts to his weaknesses. We are able to argue that Iago’s plotting only fuels
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gift from Othello to Desdemona. It is important to Othello because it represents love. Othello is upset that Desdemona gave it to Cassio. The handkerchief is so meaningful to him and his wife‚ so it led Othello to incorrectly think that Desdemona cheated on him. If it was a random object‚ then Othello wouldn’t be suspicious of Desdemona‚ but since it means a lot for him‚ he thinks Desdemona’s action that she gave it to Cassio proves that her love towards Cassio is greater. 2. Othello has drastically
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In Shakespeares Othello the characters are as much a victim of their own weakness as they are of Iagos plotting. Do power dynamics in Othello support this? Iago‚ whos charisma and intellect make him more powerful than Othello and Desdemona‚ proves that powerplay amongst the characters supports the fact that characters‚ specifically Othello and Desdemona‚ are equally victims of their own weakness as they are of Iagos plottings. Othello and Desdemonas weaknesses are race and gender respectively which
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Downfall of Othello Humans feel the need to interact with one another‚ to fulfil this need humans build relationships. These relationships can either bring great joy or can become the very cause of human frailty. In the play ‘Othello’ by William Shakespeare we witness the downfall of the main character Othello and the underlying factors which lead to his downfall. One of the main factors is the relationships he had with others. The relationship between Othello and Iago is built on friendship
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pretence of acting to help individuals but really he is egotistical and serves only for himself. He plays on Othello’s “free and open” nature‚ on his mission to prove Desdemona’s infidelity and create the metaphor of the “green-eyed monster”‚ which both Othello and Iago will nurture. Iago’s also gives Cassio “free and honest” advice about asking Desdemona for his position back after his fall from grace‚ showing again the dramatic irony Shakespeare portrays. Iago also continues to assure Desdemona that Othello’s
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The Foils of Othello One of William Shakespeare’s many attributes as a playwright of the late 16th century was his character development. Shakespeare’s seamless use of indirect characterization sets his works apart from the other playwrights and authors of his time. In Othello‚ the Shakespearian tragedy about the newlywed Othello and Desdemona‚ Shakespeare uses character foils to emphasize the strengths and weaknesses of the characters. By making inwardly similar characters seem like polar opposites
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