Compare and contrast the attitudes and values of the two speakers of the poems and how the poets have used language to convey these between “To His Coy Mistress†by Andrew Marvel and “My Last Duchess†by Robert Browning Both the poems have the theme of love‚ written from a man’s point of view‚ and explores the way men treat woman in relationships. The former does this by a male narrator writing a poem to a female‚ using imagery to entice her. The latter by using
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rhythm that the words establish in that line. That rhythm is measured in small groups of syllables; these small groups of syllables are called feet. The word iambic describes the type of foot that is used. Usually in English the unstressed syllable is followed by a stressed syllable. The word pentameter indicates that a line has five of these so called feet. Although strictly speaking‚ iambic pentameter refers to five iambs in a row‚ in practice‚ poets vary their
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Metaphysical poets use startling juxtapositions in their poetry to create a greater significance in their arguments and intended meanings throughout the poem. John Donne is said to be the unsurpassed metaphysical poet‚ metaphysical poetry being poetry relating to a group of 17-century English poets whose verse is typified by an intellectually arduous style‚ admitting extended metaphors and comparing very disparate things. In 17th century England new discoveries were being made and social customs
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Hersh Patel Poetry Project AP English III "When I Am Dead‚ My Dearest" Literal and Figural Meaning The poem literally illustrates the speaker’s reflection upon whether or not he or she and the "dearest" shall remember one another when the speaker dies. Yet‚ figuratively‚ the poem conveys the poet’s perception of death as a dreamy‚ intermediate existence that compares to "twilight". Structure and Meaning Christina Rossetti strategically structures her poem‚ "When I am dead‚ my dearest" to convey
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SS think because is present tense of [to be]‚ that this event is now / in the present. SS may not think it is a definite arrangement‚ more of a plan. Confusion with “meat”? Unlikely in this case | B PRONUNCIATION I’m - /aɪm/ I’m is unstressed‚ weak meeting - /ˈmiːtɪŋ/ stress on first syllable When put together‚ it is spoken quickly so the two m’s appear to join as in “mmm”. 3 syllables in total. Hence‚ /aɪˈmiːtɪŋ/ -I’m meeting | SS may overstress “I’m” - /’aɪmiːtɪŋ/ SS may
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Poetry: Tone‚ Voice‚ Meaning and Sound John Donne’s ‘The Flea’ is a metaphysical love poem that takes the usage of a hilarious erotic narrative. The main theme of the poem is seduction that is shown using a persuasive vanity of a meek flea. The extremely original symbol of the flea is utilized to show unconventionally that both lovers are already adjoined in church and God’s eyes since the flea had bite off their bodies and intermingled with their blood. The tone used in the poem is extremely dramatic
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This seminar paper will be describing connected speech phenomena‚ allophones‚ syllables and consonants according to Manual of English Phonetics and Phonology by Paul Skandera and Peter Burleigh‚ English Phonetics and Phonology by Peter Roach and Phonetics and Phonology by Višnja Josipović. The paper will also deal with the linear/non -linear analysis. In addition to terms mentioned above the paper will be dealing with few examples of phonetic transcription. Connected speech A lot of phonetic
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The Literary Roots of Hip-hop Lyricism Introduction Rap is easily heard as a play of words‚ a sampling of music rhythms and melodies‚ and for the passers-by‚ a taunt against another taunt. But for those who will listen closely‚ rap lyrics may be full of history‚ a love story‚ political critique‚ innuendo‚ sarcasm as well as wit (Rose‚ 1994‚ p 14). The past decades had hip-hop fill up a cultural lexicon of vocabulary‚ characters and culture. Accordingly‚ the lexicon has been fed by hip-hop
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Sonnet 65 (Shakespeare) 1 Since brass‚ nor stone‚ nor boundless sea‚ 2 But sad mortality o ’er-sways their power‚ 3 How with this rage shall beauty hold a plea‚ 4 Whose action is no stronger than a flower? 5 O how shall summer ’s honey breath hold out‚ 6 Against the wreckful siege of batt ’ring days 7 When rocks impregnable are not so stout‚ 8 Nor gates of steel so strong‚ but time decays? 9 O fearful meditation! Where‚ alack‚ 10 Shall time ’s best jewel from time
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STRATEGIES OF THE ENGLISH LANGUAGE IN SPEECH The first few years of people’s life are key to the development of speech‚ language and cognitive skills. For this reason it is important to create activities and strategies for helping to develop speech and language skills that give them all the stimulation‚ positive role modeling and human contact that they need. STYLE IN LANGUAGE a. Principles in Choosing Words 1. Clear In speech‚ we should use clear word to make the audience undesrtand what we
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