SEMINAR III STYLISTIC LEXICOLOGY OF THE ENGLISH LANGUAGE 1. Stylistic differentiation of the English Language. a) stylistic and style meaning of the word; b) types of stylistic meaning of the word: emotional evaluative expressive. Criteria for the stylistic differentiation of the English vocabulary. 2. Words which have lexico-stylistic paradigm. Words which have no lexico-stylistic paradigm. 3. Stylistic functions of literary words: poetic diction archaic words barbarisms bookish
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Exercise 1 The Things They Carried EXCERPT ① 1. How is the term common secret typical of the phrasing of this whole passage? How is run or freeze or hide also typical of the excerpt’s phrasing? In which sentences does O’Brien’s phrasing seem especially clear‚ direct‚ and simple‚ and why is such phrasing so effective? How would you describe the tone of this passage? How might the tone easily have been quite different? For instance‚ how could it have been highly emotional and melodramatic? Why
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conversion in iron form from ferrous oxide to ferric oxide. Background of the Study Juice extracted from the apple is used to make invisible ink. Since apples oxidizes when exposed to air turning the color of the juice on paper to brown‚ heating it up makes the process faster. Statement of the Problem/Objectives Problem # 1: Can we use apple juice extract as an invisible ink? Alternative Hypothesis:
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São Paulo Faculdade de Filosofia‚ Letras e Ciências Humanas Leituras do Cânon II Lucas Amorim dos Santos N° USP: 7193600 A Portrait of the Artist as a Young Man A Portrait of the Artist as a Young Man is undoubtedly Joyce’s attempt at creating a novel which could convey his ideas on a new kind of realism for prose fiction. This 1916 novel challenges some conventions of the Nineteenth century realism in Literature‚ specially by rejecting the exaggerated emphasis on external details
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Every literature text is divided in different genres. Theses genres are prose‚ drama and poetry. All genres use different key features and conventions to present characters in the text. This essay will look at how different features present identity in prose‚ drama and poetry. The drama analysed is Henrik Ibsen’s “A Doll’s House”. Nora’s identity is shown through the language and the way Torvald talks to her. He calls her pet names such as “my sweet little skylark” (A Doll’s House‚ p.7). This shows
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Stylistic Features Wuthering Heights‚ the creation of Emily Jane Bronte‚ depicts not a fantasy realm or the depths of hell. The novel focuses on two main character’s battle with the restrictions of Victorian Society. Wuthering Heights is in the same ethical and moral tradition as the other great Victorian novels. Wuthering Heights was written and published ten years after Victoria’s accession and almost at the end of a decade in which fiction for the first time in its history
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The term disability is often used to describe a physical or mental challenge. This could be a bump in life that can be managed or a mountain that creates serious changes and loss. Either way‚ this term should not be used to describe a person as weaker or lesser than anyone else! Every person has a purpose‚ special uniqueness and value‚ no matter what hurdles they may face. Political Correctness is The avoidance‚ often considered as taken to extremes‚ of forms of expression or action that are perceived
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Course Code: EEG-01/BEGE-101 Assignment Code: EEG-01/BEGE-101/TMA/2011-2012 Maximum Marks: 100 1 . Show your understanding of literary and non-literary prose by citing examples and discussing them. 450 words (You may give the source) (20) 2. Fill in the blank in the following passage with suitable prepositions: The man was playing cards ................................. some other people. He tried ...................... cheat the others ......... using an extra card. Unfortunately
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Stylistic Devices in Fahrenheit 451 Ray Bradbury ’s 1953 Fahrenheit 451 contains a number of interesting stylistic devices. Robert Reilly praises Bradbury for having a style "like a great organ. ..." (73). David Mogen comments on the novel ’s "vivid style" (110). Peter Sisario applauds the "subtle depth" of Bradbury ’s allusions (201)‚ and Donald Watt pursues Bradbury ’s bipolar "symbolic fire" (197) imagery. In recent articles I discussed Bradbury ’s use of mirror imagery and nature imagery.
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In the Prose Passage‚ Ralph Waldo Emerson’s attitude towards nature is very obvious. He illustrates to the reader that he not only enjoys nature‚ but he is charmed and connected to it. In this passage‚ he also explores the differences between how adults see nature and how children see nature. Finally‚ he reiterates his delight and connection to nature in saying‚ “Yet it is certain that the power to produce this delight does not reside in nature‚ but in man‚ or in a harmony of both.” Ralph Waldo
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