STUDY GUIDE FOR TEST 1 (Prehistoric - Roman) FORMAT All questions will be multiple choice. Some will be accompanied by images while others will rely on your use of your knowledge without visual reference points. COVERAGE Visual Material: Selected from the works of art and architecture we have studied - see list below. These have all been discussed IN CLASS AS WELL AS IN THE TEXTBOOK or other readings. (If we do not cover all the works listed below in class‚ you will not be responsible for them on
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sculptors use the shapes found in natural materials to their advantage? (5.1) They used to the natural formation of the cave surfaces to suggest to the artist of the form depicted. 2. Why does so little remain of Sumerian architecture? (5.2) Since the Sumerians used mud bricks because building stones were not available like they were in Mesopotamia. Nothing remains of the structues except for the 3. How was the function of a ziggurat reflected in its appearance (5.2) The
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| Art History MidtermStudy online at quizlet.com/_8m0yq | 1. | A Classical colonnade around a building or courtyard is called a | | peristyle | 2. | A half-column attached to a wall is called a/an | | Engaged column | 3. | A plain or decorated slab on a Doric frieze which alternates with the triglyphs is called the | | Metopes | 4. | A series or row of columns usually spanned by lintels is called a/an: | | Colonnade
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worshipped by an entire polis. The Olympians were given dedicated visually-pleasing or large scale monumental temples‚ and often had animal sacrifices dedicated to them by communities‚ while Pan and the nymphs were honored with natural sanctuaries and votive offerings‚ usually made by individuals or smaller groups of families. Despite the different methods used in worshipping and types of dedications‚ piety was equally present throughout all of the rituals and offerings made to both the Olympians and
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01.15.2014 B.C.E. = C.E. B.C = A.D. Form - the visual aspects of art and architecture‚ line‚ shape‚ color‚ light‚ texture‚ space‚ math‚ volume‚ and composition. Style – the combination of form and composition that makes a work distinctive. Content – includes subject matter or meaning and a work of art. School of artists – a group of artist usually working at the same time and sharing similar style influences and ideas Iconography – identify and studying and subject matter and conventional
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body is represented. The Standing Figure was excavated from Sanxingdui‚ China in 1986. Art historians believe that this statue was made for decoration and to show off wealth‚ as it was buried along with other valuables such as elephant tusks and objects in gold‚ bronze‚ jade‚ and clay. It is of unknown identity‚ and it is very different in subject and style from the Shang statues. In contrast‚ the Snake Goddess was found at the Palace of Knossos. Some scholars believe that they represent mortal attendants
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Art-2 Comparative Formal Analysis The Culture Shift between the Paleolithic and Sumerian Period The Old Stone Age (Paleolithic Period) marked the birth of art. During that period‚ humankind began to acknowledge the forms of human and animals‚ thus creating many sculptures and paintings in attempt to represent the world around them. Venus of Willendorf (ca. 28‚000 BCE.) also known as Nude woman‚ from Willendorf‚ Austria‚ was one
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Chapter One Notes Before Civilization (Circa Lorraine) Culture: constituted by learned patterns of action and expression FOOD GATHERING AND STONE TECHNOLOGY Stone tool-making first appeared around 2 million years ago Stone Age Lasted from 2 million to about 4‚000 years ago Misleading label: bone‚ skin and wood just survive poorly Paleolithic = Old Stone Age Neolithic = New Stone Age Foundations of science‚ art‚ and religion begin here May have believed in afterlife In game-rich areas
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The Egyptian statue of Memi and Sabu‚ and the Sumerian statue of Gudea‚ are two sculptures that can be easily compared. Their relative geographical proximity‚ and their history age must be taken in account for any type of comparison. As shown in the below image‚ both works belong to middle east area with no more than 500 years between their realization. It’s therefore understandable that the crafting style is similar in many aspects. Even a non-expert person‚ can notice similarities in the carvings
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and an important stage in the development of bronzeworking techniques‚ such as casting and repousse hammering. Early sanctuaries‚ especially Olympia‚ yielded many hundreds of such vessels‚ deposited as votives. Terracotta figurines Clay is a material frequently used for the making of votive statuettes or idols‚ since well before Minoan civilization until the Hellenistic era and beyond. During the 8th century BCE.‚ in Boeotia‚ one finds manufactured "Bell Idols"‚ female statuettes with mobile
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