Slumdog Millionaire is a successful and popular Bollywood film. Bollywood films are movies that are produced in Mumbai in India‚ and this is one of the largest film productions in the whole world. In the film‚ we get an insight in India’s culture‚ and how the industry is changing. The film is a about a boy called Jamal. He is a poor 18‐year old boy who lives in the slum in India. He joins a TV‐show called “Who wants to be a millionaire” and tries out for the big price‚ 20‚000‚000 rupees
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AN ESSAY ON – YOUTH AND CINEMA Cinema nowadays leaves a great impact (effect) on the minds of people. Its effect can be seen not only on the elders of rural and urban areas but on the children as well. Going to the pictures has now become a craze with young people‚ both boys and girls‚ and it has been noticed that they often economize (save) on other items of expenditure but they must see films every week. This fast growing habit is not only expensive (costly)‚ but also results in considerable (great)
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Shaw Cinemas‚ which has been around for close to a century‚ which started out with strong beginnings‚ was one of the biggest chains of cinema in Singapore‚ and distributor of films even across the continents (Shaw Organisation‚ 2007). However‚ in recent years‚ they have been closing down many of their cinemas and outlets in Singapore (Chua‚ 2011)‚ and seeing less of a clientele than fellow competitors‚ Golden Village and Cathay Cineplex. Yet‚ despite being the biggest distributors of films in Singapore
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The Danish “Golden Age” of cinema is owed almost wholly to Nordisk Films Compagni and the strategic decisions it made in the early 1910s to differentiate its films in order to ensure a strong exportation of its product. Likewise‚ the demise of Denmark’s film industry is owed in part to Nordisk and its inability to deviate from its profitable formula for successful film among an ever-evolving industry. This paper will examine Denmark’s quick rise to cinematic influence during its Golden Age‚ detail
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IMPACT OF CINEMA ON THE INDIAN SOCIETY Cinema has become the most powerful form of Mass Media since the day it was introduced to the world. The Lumiere Brothers who invented the ‘ Cinematograph’ ( a compact and portable device which with a few adjustments could be used as a projector ‚ camera or a printing machine) declared that the cinema is an invention without a future. The primitive form of cinema were ‘ living photographic pictures’ which attempted to produce reality. If Cinema in reality
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opposite of homosexuality. Masculinity is the culmination of many ideas ebbing and flowing within the social context that come together as an idea of the masses. The portrayal of virile‚ breadwinning‚ heterosexual‚ and until recently‚ white men in cinema‚ has clouded our perception of reality‚ a reality in which men are sometimes physically strong‚ sometimes weak‚ sometimes callous‚ sometimes passionate. “The representations of the so-called typical American male… [his] sexed identities‚ desires
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Nolan Rhey B. Saraña BMC/4th Cinema Paradiso Although the film was very old‚ the quality of the story is equivalent to fine wine‚ its aged but it’s also very delicious and flavorful. Cinema Paradiso showed me how it was back then‚ at first glance I thought that the movie was an early Italian version of the movie “Dennis the Menace” with old Mr. Wilson as Alfredo but then again it was a two hour movie so when I continued watching it. It turned out to be a love story but not your typical love story;
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Women in popular culture and cinematic representations offer what ‘Barbara Creed calls it “monstrous-feminine”’ in different guises: ‘the archaic mother‚ woman as monstrous womb‚ woman as the witch‚ for instance-while others address them matters of sexual desire-the femme castratice and the vagina dentata’. The woman and her capacity to disturb normal ontology to give birth fascinate‚ repulse and intrigue. From the psychoanalytic viewpoint‚ the monstrosity of the maternal body is ambiguous‚ a ‘man’s
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points that make new Hollywood Cinema New. One big contributor was the emergence of the ‘Movie Brats’ they led the film industry away from predictable films‚ in the studio era the directors part was not particularly relevant they would not get the chance to choose the films they made. In New Hollywood Cinema director is key‚ he chooses the film then looks for a star. Directors started to make movies they were passionate about and personal to them. New Hollywood Cinema broke the studio package; it had
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The Truth about Direct Cinema: Direct Cinema Filmmakers Are Still Humans Cinema Verité‚ or direct cinema—as it is also called—is a misnomer of sorts. “Verité” literally means “truth” in French‚ but as with other truths‚ the cinematic truth is molded and configured by those who have access to it. In this case‚ those people would be the filmmakers themselves. A direct cinema film proceeds without any formal script and is pieced together in its entirety in the editing studio. That is‚ the
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