00 Years O ndian Cine 100 Years Of D. G. Phalke Films PIFF 2013 Raja Harischandra 1913-DVD-15-Silent-India Direction: D.G. Phalke Cast: D.D.Dabke‚ Salunke‚ Babaraya Phalke Screenplay: D.G. Phalke Cinematography: D.G. Phalke Production: Phalke Films The narrative is drawn from the Indian epic Mahabharata where the King sacrifices his kingdom to uphold his ideals of truth. The king accidentally blunders into the religious ceremonies being performed by Sage Vishwamitra and incurs the
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Cinema attendance is starting to decline as Americans have only bought nearly 3.6 movie tickets per person by the end of 2017 compared to 5.1 in 2002‚ resulting in a 30% decline (The Economist‚ p. 2). The absence of people in the theaters can be clearly be seen‚ since there are so many substitutes such as streaming services now. The decline of cinema attendance is a great illustration of a change in taste and preference for consumers as substitutes‚ like Netflix‚ have caused the demand for cinemas
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The liberation of women in Japanese cinema The purpose of this work is to investigate the social position of women in Japanese cinema from its beginnings to the present. The main aspect is the link between the masculine dominance and the objectification of women‚ combined with Freudian theories of castration anxiety‚ as well as Lacanian ‘mirror stage’. These theories play a crucial role in this work as the representation of power‚ demonstrated through objectification‚ may affect the gender equilibrium
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Lane Writing II 10 October 2006 Popular Culture Should Be A Popular Course Dear Chair of the Education Department‚ Popular culture should be a course that is offered on Clarion campus for everyone. If popular culture is taught correctly‚ a course on popular culture can provide a very educational outlook on wide variety of important topics such as race and ethnicity or politics(Rise and Fall). Popular culture is very interesting‚ in that it is what is popular to people‚ and should be a class
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Humanizing Terrorism in Indian Cinema A closer look at Mani Ratnam’s Roja and Dil Se Nationalism‚ as professor Sumita Chakravarty describes it‚ is the “integrity of the nation-state and the imagined belongingness of its citizens (Chakravarty‚ 2000).” This notion of nationalism and nationwide unity has been a recurrent theme in the films explored in the course South Asian Cinema. Many of the films have been interpreted as national
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Paragraph 1 – summarize the author(s) points The author in this article talks about the betting history in the United States. According to the Wolohan‚ gambling on sport events is prohibited in every state‚ except four states while casino games and lottery are legal in every state‚ except Hawaii and Utah. The legal betting brings a lot of the money to the budget and can be collected as a tax revenue. Unfortunately‚ since the betting on sports is not yet legalized in every state a lot of betting occurs
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in American cinema‚ we are noticing that the stereotypes that we have used in the past are actually being used by their culture to break into American culture. Days of portraying Asian Americans as unintelligible and subservient are gone and are being replaced with a whole new outlook. The introduction of Martial Arts into American film has evolved the way Asians are viewed in American cinema. Quentin Tarantino introduced a whole new outlook to Asian culture with his feature films Kill Bill Vol
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Harry Potter and the class distinctions in U.K. The series of Harry Potter are best seller all over the world. Hogwarts School of Witchcraft and Wizardry ‚the stage of this story‚ is one of the most famous school. However paying attention to the school and education system in the series of Harry Potter‚ we can see the “class distinctions” by status and blood. And also there are this “class distinctions” in U.K. in particular about education. Before comparing education in U.K. and “the Harry
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THE DISTINCTION BETWEEN MAN AND MACHINE IS BEING BLURRED. TO WHAT EXTENT DO YOU AGREE? The comparison between man and machine has always been controversial‚ whether in area of work or entertainment. A common question‚ "How different are they from us?" We would used to say looks‚ movements and thoughts are what would differentiate us from them. As technology advances‚ such differences are less likely to exist‚ further blurring the distinction between them and man. However‚ no matter how machines become
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Out with the Old… Mainstream cinema is always‚ in some form‚ a reflection of the time or place it was made in. This reflection can be present within the filmic language in numerous ways; ideologically‚ technologically‚ geographically‚ culturally‚ ethically etc. It is because of this that non-contemporary films sometimes struggle to find a new audience within contemporary culture. As time passes‚ culture changes‚ and as a result films can quickly become out dated. Screen writer Charles Mortiz explains
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