Film Genres BY AEISHNA.R 2nd Year B.Sc. Visual Communication Ethiraj College For Women Chennai-08 Film Genres Film genres are identifiable types‚ categories‚ classifications or groups of films that have similar techniques or conventions such as: content recurring icons subject matter stock characters structures narrative events themes situations mood motifs period styles plot props settings stars Film Genres Primary film genres include the following:
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Significance of Film Film is a series of still pictures that tells a story. Film incorporates a lot of elements such as drama‚ movement‚ visual art‚ and etc. A lot of things could be seen in a film but one of the best points of film is that it tells a story. But making a film is not just storytelling. You have to mind other elements such as cinematography‚ lighting‚ editing‚ location and etc. to make a film. Every single detail in the film should be well thought of. It is one way of letting the
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James Cha Professor Coulter American Myth in the Western Film 22 February 2011 “Ethan?” With a cold and steady gaze‚ Ethan peers off into the snowy distance. He firmly holds his most trusted companion. Without warning and hesitation‚ Ethan raises the deadly steel rifle and begins wildly firing upon a herd of buffalo. After a short while‚ Martin stops shooting‚ having already shot one down. Ethan in a maddened frenzy continues to shoot the buffalo while Martin tries to stop him to no avail
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Non-Traditional Marketing Bavarian Motor Work created its BMW Films campaign to be unconventional with its non-traditional marketing. BMW sought out to change its frame of reference‚ for its target market segment; to do this BMW did not rely on deception in its advertising execution. Throughout each of the BMW films the viewer knew that the plot revolved around a BMW vehicle and what the car could do for the actors. BMW has three market segments that create the 7 Series‚ the 5 Series and the
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The Blue Film An old proverb goes “The past will always come back to haunt you”. Which means‚ that no matter how much you try to hide something from your past it will somehow surface again. It is only a matter of time. This is a very fitting proverb when talking about the short story “The Blue Film”. “The blue film” is a short story about a single evening in the life of a middle aged Europe-an couple. It is a simple chronological story. The novel has a strong marriage and divorcement theme
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Film adaptations are a common way that we exchange film and literature. When adapting a book to a film three important considerations or must to look for is fidelity‚ a more creative way between the original text and the adaptation and how the audience implied the original work and if they understood the adaptations. The signs and symbols show that the meaning is constructed well and is understood. One film adaptation that is a must is fidelity. Fidelity is what extent and adaption is true
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Film Language The Semiotics of Cinema What is Film Language? Ways in which films tell stories and affect the viewer; the elements of filmmaking employed to tell the story in a particular way Christian Mertz’s theory: film was not a language system but a language. French film theorist Conventions Customary ways of doing things‚ rather than grammatical rules A way in which something is usually done‚ especially within a particular area or activity Example: Canadian tire money‚ where it
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objective was to tell a story cinematically. For the film‚ I chose the role of the director because I knew a numerous amount of different camera shots in which I could choose to use. The editor was given her role because she knew how to incorporate my ideas into the film. The cinematographer‚ on the other hand‚ was given his role because he had prior knowledge about cameras and could capture my vision for this film. In order to create the desired film‚ a genre was established; therefore‚ I made the executive
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Introduction to Film Art Fall 2013 Malcolm Turvey Office: Heimbold 304F Extension: 2644 E-mail: mturvey@slc.edu Syllabus Required Textbook: David Bordwell and Kristin Thompson‚ Film Art: An Introduction (New York: McGraw Hill‚ 2012; 10th edition) Class Schedule: NB: Readings marked (X) must be downloaded from MySLC Week 1 Conferences 9/10: NO CONFERENCES Screening 9/10: Collateral (Michael Mann‚ 2004‚ 120 min.) 9/11: Read: Introduction: Film as Art Film Art‚ Chapter 1
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The Power of Film Living in a society where media permeates every realm of our lives‚ one can see the importance of film in the modern world. Often times‚ we only see films as source of entertainment‚ or an escape from reality. But sometimes‚ films can tell a story of reality in a way that makes you open your eyes to a world unbeknownst to you prior watching the film. A film can disseminate information faster and broader‚ thus‚ a wider audience is able to be educated about certain issues and
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