BOOK REVIEW Novel : The Shadow Lines AUTHOR : Amitav Ghosh Awards : winner of the Sahitya Akademi Award (1989). Bibliography : The Shadow Lines(novel)‚ Wikipedia(Internet). Main Characters : Mayadebi‚ Tridib‚ Ila‚ May‚ Narrator‚ Nick‚ grandmother. POLITICAL SCENERIO : The novel is set against the backdrop of historical events: 1.Swadeshi movement 2.Second World War 3.Partition of Country 4.Communal riots of 1963-64 in Dhaka and Calcutta CHARACTERS ANALYSIS : The characters in this
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The Shadow Lines by Amitav Ghosh Such moments are rare indeed these days when one takes a book in the hand and is completely captivated by it after reading the first few pages. That happened to me recently when I started reading "The Shadow Lines" by Amitav Ghosh. "The Shadow Lines‚" Ghosh’s second novel‚ was published in 1988‚ four years after the sectarian violence that shook New Delhi in the aftermath of the Prime minister‚ Indira Gandhi’s assassination. Written when the homes of the Sikhs were
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After reading many novels throughout my life I would place‚ The Shadow Lines‚ by Amitav Ghosh‚ in my top 10 list. The novel is based on the narrator who was English educated but Indian born. The narrator illustrates and shares his views of foreign countries which he has never been to with other characters in the novel. Even though the narrator is English educated his values‚ ethics‚ and culture is more Indian than an American. Many of us now notice that when a person migrates from one country
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may not be someone else’s reality. Amitav Ghosh in his book The Shadow Lines (1988) dwells on reality as a construction‚ that is‚ reality as an individual creates it for him/herself. This paper will look at the construction of reality for us by the Author‚ narrator and the various other characters in the story and thus giving the reader the reality effect or realism. One of the ways in which reality is constructed in The Shadow Lines (1988) is by the use of detail. For one Amitav Ghosh naturalizes
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Difference in Memory MAHUA SARKAR Sociology‚ Binghamton University‚ SUNY Everyone lives in a story . . . because stories are all there is to live in‚ it was just a question of which one you chose . . . (Amitav Ghosh‚ The Shadow Lines)1 INTRODUCTION The study of popular memory is necessarily relational. It involves the exploration of two sets of relations: (1) that between dominant memory and oppositional forms across the public field‚ including academic productions; and (2) the relation between
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In The Shadow Lines and The Hungry Ghosts‚ both Amitav Ghosh and Shyam Selvadurai‚ critique the emphasis that society puts on geo-political borders by acknowledging that we live in a world that is deeply inter-connected. Spanning different countries and continents‚ both of the novels explore issues of identity and belonging that are unique to the diaspora. This is accomplished through the characterization of a grandmother who is displaced from her homeland due to the Bengal Partition and the struggles
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After seeing this house‚ Ila and the narrator qurrel about the importance of radical politics. Ila considers the death of Alan‚ Mike and Dan who raised their voices against war-mongering as sad because they were casualties of a ruthless nationalism. She also thought that Alan and his friends‚ who were witness to the war and the fight against fascism‚ must have been happy as she was in her political activism. The quarrel about courage and political activism continues between Ila and the narrator
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Why does Jun’ichirō Tanizaki label his compilation of essays as an appraisal of shadows? What influenced his writing choices and inspired his word choice? The title is originally 陰翳礼讃 which in Japanese translates to Shadow of Praise and in Chinese translates to Shine. However‚ when one explores into the anatomy of those original words in Chinese; 陰 translates to Yin which is a Chinese philosophy characterized as feminine‚ sustaining‚ earthly‚ dark‚ cold‚ and opposite to the Yang philosophy; 翳 translates
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The Shadow Throne The Shadow Throne‚ by Jennifer A. Nielsen‚ is the third and final book in the Ascendance trilogy. It is an action and adventure fantasy story about a young King. The story mainly takes place in a country called Carthya‚ in the middle ages when Kings and Queens ruled the land. King Jargon has many adventures while trying to protect his country‚ his people‚ and his friends in the fight for Carthya’s future. King Jargon is a young King‚ who has brown‚ rough-looking hair‚ green eyes
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is lost in the name of partition‚ nation and borders. Ghosh attempts a revival for humanism in his The Shadow Lines. The novel portrays the futility of war‚ riots‚ violence and partition and also re-searches the lost humanism that has been thrown into the recesses of modern busy life. This paper attempts to prove that the concept of borders and boundaries are illusions. These illusionary lines blur human sight and shrouds humanism in the name of nation and patriotism. It concludes that these illusions
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