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    argument on precarity‚ I believe Butler would use the principles of “we the people”. She states that that even when all people are recognized‚ there are those who still don’t acknowledged. In fact‚ these disregarded groups of people are stripped of their rights to assemble and fall side to larger bodies of people. I think she would argue that even though people have the ability to gather and protest‚ their opinions would still be ignored. “We the people” is supposed to encompass all people of all backgrounds

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    in their lives. The simple true is we all lie. While reading the “Ways We Lie” by Ericsson’s it was very clear that lies are being told more than the truth. She explains many different types of lies being told from the smallest of lies to protect the emotional state of others‚ to the extreme lies being told and merely ignoring the plain facts of lies that cause real pain. Lying has become all most a reality and a real feeling‚ even when it is a lie. Why are we justifying are lies‚ does it make it

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    (Hello students from St Aidan’s and Corinda High‚ welcome to the poetry exchange conference today) I’m going to introduce you to two very representative Australian poems. The first poem is ‘no more boomerang’ and the second poem is ‘we are going’. These two poems were both written by a native Australian poet Oodergoo Noonuccal in around about 1985. Noonuccal was a feminist and a political activist who concentrated mostly on how to gain the rights for aboriginal Australians‚ which also gives her a

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    Are We Being Protected? According to Ken Belson of The New York Times (2014) one in three NFL players is affected by brain trauma. The New York Times has also stated that NFL players are eight times more likely to develop Alzheimer’s or dementia than the general population. The NFL has come across a rise in concussions over the past decade. Over the past three seasons there have been over 690 recorded concussions throughout the league. Not only are current players being affected‚ but so are retired

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    Film

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    them. We enjoy them in theaters‚ at home‚ in offices‚ in cars and buses‚ and on airplanes. We carry films with us in our laptops and iPods. We press the button‚ and our machines conjure up movies for our pleasure. For about 100 years‚ people have been trying to understand why this medium has so captivated us. Films communicate information and ideas‚ and they show us places and ways of life we might not otherwise know. Important as these benefits are‚ though‚ something more is at stake. Films offer

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    The lake closed over her nose and mouth as Sara sucked in a lung-full of cold‚ black water. Sarah barely managed to get in another breath‚ she glimpsed quickly‚ she saw the dreadful red light of its eyes still shining accompanied by the horrifying howls. Sara felt her body beginning to tremble out of utter fear‚ for the beast was still pursuing her. Sarah took a deep breath of living restoring air‚ and submersed herself under the water. She began to swim further and further away from it‚ being very

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    Film

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    illustrate the effects of the interplay (interference) of the state and the capitalist system on Japanese film industry. • To explain the causes and effects of such interferences: – The ways films are produced‚ distributed and exhibited – Type of films allowed‚ – Regulation and censorship‚ The Arrival of Sound Cinema in Japan • Sound cinema arrived comparatively late in Japan. WHY? • 1st sound film: Heinosuke Gosho’s My Neighbour’s Wife & Mine (1931). The Only Son (1936) The WWII and Its Effects

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    Summary of modern times Modern Times is a silent comedy film produced‚ directed and written by Charlie Chaplain in 1936. It based during the time of the industrial revolution. It is a film surrounding the life of a man‚ Charlie Chaplain‚ who started as a worker in a steel factory. Charlie is chosen by his boss to test the efficiency of the feeding machine that was brought to him to buy. In the course of testing the machine‚ it begins to malfunction and this affects the sanity of the steel worker

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    The Best We Could Do illustrates frames that focus on a fragmentary and nonlinear history of Thi Bui’s family during the Vietnam War and the French colonial exploitation that followed it. Understanding that she is the product of war‚ allows her to not only convey the past‚ but also convey how that past will always be connected to the present. Thi Bui emulates how war and resettlement shaped her family’s experience through a narrative structure of illustrated frames that flash back and forth in time

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    Compare the feature film‚ Edward Scissorhands and the plot summary film of Frankenstein’s Monster. The gothic fairytales‚ Edward Scissorhands and the plot summary film of Frankenstein’s Monster‚ were written in different times and for every different audiences but have many things in common. Both Edward Scissorhands and Frankenstein’s Monster struggle to be accepted for who they are. However‚ Edwards’s creator had love for his creation (Edward)‚ but the creator of Frankenstein did not have love

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