In the epic Sundiata dedication‚ courage‚ and motivation played a huge role in heroic character life. Hero qualities were most evident in the courage that Sundiata displayed. Part of Sundiata courage laid in the fact that he was fearless‚ and fear enters the heart of him who does not know his destiny‚ whereas Sundiata knew that he was striding towards a great destiny. He did not know what fear was. Sundiata courage was on display “when Sundiata astonished the whole army with his strength and
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In the Epic of Sundiata (also spelled Son-Jara or Sundjata): Naré Maghann Konaté (also called Maghan Kon Fatta or Maghan the Handsome) was a Mandinka king who one day received a divine hunter at his court. The hunter predicted that if Konaté married an ugly woman‚ she would give him a son who would one day be a mighty king. Naré Maghann Konaté was already married to Sassouma Bereté and had a son by her‚ Dankaran Toumani Keïta. However‚ when two Traoré hunters from the Do kingdom presented him an
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the only one whom hospitality rules. His son Telemachus also is affected by his hospitality towards others. In Niane’s Sundiata: An Epic of Old Mali‚ the theme of hospitality runs thick throughout the narrative‚ as Sundiata is greatly affected by how the other characters receive him. If it were not for the hospitable acts shown to both of the weary travelers‚ Odysseus and Sundiata may not have been able to return to their homeland. The extreme observance of hospitality in the two texts may be compared
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The Ramayana - Valmiki The Ramayana is an epic and it tells us about the life in India a long time ago (1000 BCE). The hero‚ Rama‚ lives his whole life by the rules of dharma and people believed he was heroic because of that. Rama was the perfect little son and later on in his life‚ the ideal husband to his wife Sita. Sita was the ruler of Aydohya. Prince Rama was the eldest of four sons and was to become king when his father retired. His stepmother‚ however‚ wanted to see her son Bharata‚ Rama’s
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Indeed‚ there is an earlier example of Old Javanese literature showing a reference to the shadow play; the opus magnum of kakawin literature‚ the Old Javanese Ramayana‚ supposed to be composed in the middle of the 9th century‚ mentions in canto 24.112 a widu mawayang‚ i.e. a performer who is playing wayang. Following recent findings by A. Acri‚ this canto stands in a complex religious context on a Saiva background. A widu is "a figure standing between a performer and an ascetic" (Acri‚ 2011:55).
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D.T. Niane’s book Sundiata: An Epic of Old Mali tells the history of Mali’s former ruler from the perspective of a royal griot‚ Djeli Mamoudou Kouyate of the village of Dejliba Koro (Siguiri) in Guinea. According to Niane‚ he is not trying to write a traditional history book‚ rather‚ he is trying to present the history of Sundiata’s empire through the traditional African form of memory using oral tradition as his only sources. He claims that the West has taught historians to avoid oral traditions
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The Ramayana and Sita Sings The Blues Art is a form of expression that lives on for centuries but changes in interpretation over time. What may be relevant in this time period may make no sense to the upcoming generations. Nina Paley’s film "Sita Sings the Blues" brings two cultures‚ traditions‚ values and time periods together to convey her message and bring relevance of her art across many cultures and generations. The Ramayana by Valmiki on the other hand is a very traditional epic which depicts
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women play significant roles are One Thousand and One Nights‚ the book of “Genesis" found in the Bible‚ and The Ramayana of Valmiki. The women found in these texts act as catalysts in the events occurring in each narrative‚ which ultimately progresses the text to reach its climax and resolution. The female characters in One Thousand and One Nights‚ the book of “Genesis‚” and The Ramayana of Valmiki
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are Things Fall Apart‚ written by Nigerian author Chinua Achebe‚ and Sundiata by author Djibril Tamsir Niane. At the end of Things Fall Apart‚ the District Commissioner‚ who was the British colonial administrator put in place to govern the Igbo society‚ is shown writing a book he plans to call the Pacification of the Primitive Tribes of the Lower Niger. Although the District Commissioner’s book doesn’t directly apply to Sundiata because the future book will have been based of different parts of Africa
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of the story of Ramayana‚ duty‚ or dharma‚ has a more specific interpretation. Dharma is a set of laws or principles carried out with the purpose of creating social and religious order in the society. In this story of Ramayana‚ many times this duty conflicts with other values or personal desires‚ forcing characters to compare the choices of following the dharma or fulfilling another human value. Within the context of the relationship between Rama and Sita in the story "The Ramayana of Valmiki"‚ duty
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