B-FH103 Cultural and Contextual Studies‚ Fashion 2. Social changes had great influences in Fashion in the 1950s. Analyse two aspects of such social changes as discussed in the lectures‚ which is reflected in Fashion Design. Cite no more than two designers as case studies. Tan Xue Hui Amanda Name FMI-1B/ 14161 Class /ID No. Lucinda Law Lecturer 2012 LASALLE College of the Arts Faculty of Design Singapore Accepted by the Faculty of
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What are the Core Skills and Attributes Required to be a Successful Fashion Buyer? Craig Weighman ABSTRACT This study was carried out in order to explore the role of the fashion buyer and generate a greater understanding whilst also developing informed and insightful opinions on the key attributes required in becoming a successful fashion buyer in industry. The main findings were that the fashion industry is a highly competitive market place as much reliant on business flair and intuition as
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application of design and aesthetics or natural beauty to clothing and accessories. Fashion design is influenced by cultural and social latitudes‚ and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories such as bracelets and necklace‚ because of the time required to bring a garment onto the market‚ must at times anticipate changing consumer tastes. Fashion designers attempt to design clothes which are functional as well as aesthetically
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Running Head: Technology and Fashion The Effects of Technology in the Fashion Industry Theresa M. Donofrio Arizona State University Table of Contents 1. Title page 2. Table of Contents 3. Chapter 1: Introduction 4. Chapter 2: Literature Review 5. Chapter 3: Methodology 6. Chapter 4: Results a. Designing Overview a.i. Idea Process a.ii. Creating Process b. Marketing Overview b.i. Events b.ii. Press Releases b.iii. Print Publication c. Retailing Overview
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Karen Templer started Slow Fashion October‚ to start discussion and explore the wide range of topics related to sustainable fashion. You can read more about it on her (fabulous) blog. I have already been inspired by reading other peoples stories and am looking forward to reading even more. It makes me excited to hear I so many of you thinking about this topic and making changes to how you work and make. Here is my (late) story for week 1 of the#slowfashionoctober / @slowfashionoctober. When I
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TIMELESS TREND AKANKSHA VARSHNEY NATIONAL INSTITUTE OF FASHION TECHNOLOGY ABSTRACT: PURPOSE- The purpose of this conceptual paper to identify the impact of military camouflage print in the world of fashion. RESEARCH METHODOLOGY- This paper is based on a review of the literature and takes a case study approach. The paper talks about the origin of camouflage in fashion capital and designers take on it in today’s world. FINDINGS- Fashion uses the camouflage in completely ironical manner. Camouflage
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TOPIC: The Evolution of Fashion in the Philippines I. BACKGROUND OF THE STUDY As you know‚ the Philippines had undergone a lot in the past generations. It was conquered by the Spaniards‚ Americans and Japanese. The researcher wants to know how these invasions influenced the fashion trend of the Filipinos during those times. She also wants to know the post-effects of those periods on Filipinos’ taste about fashion. The researcher also loves fashion. For her‚ clothes are not just used to
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definition of fashion‚the meaning of fashion and the interaction of this meaning with cultural values and finally he discusses the communication of fashion. Then author emphasizes the ways fashion uses to communicate and discussion of communication models that fashion uses by examining whether fashion is the meaning of an interaction between cultural values and visual culture or fashion is a reflection of an identity‚ a way to convey messages. Author mainly asks the question that fashion by itself can
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Fashion as Art: Is fashion today considered a high art form worthy of being exhibited in museums? What is fashion? Is it art? Is it high art? In the world of fashion and art today‚ this is a contested question. Many art critics do not see fashion as an equal to the fine arts such as painting and sculpture. Critics have made remarks that fashion design should be “under the heading of vanity for its intent is of no inner value” (Miller 25-40). Edmund Burke and Immanuel Kant both
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Gabrielle ‘Coco’ Chanel Fashion Designer Gabrielle "Coco" Chanel (1883-1971) was born in Saumur‚ Southern France. She began by designing hats‚ first in Paris in 1908‚ and later in Deauville. Her fashion boutiques (one in Paris and one in Deauville) opened simultaneously in 1914. She opened an haute couture salon in Biarritz in 1916‚ and in 1920 moved to Paris in the present quarters on rue Cambon. Ready-to-wear fashions were not introduced until 1978‚ after Coco’s death. Chanel is a member of
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