"Surprise narrative" Essays and Research Papers

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    Compare and contrast the narrators in Gulliver’s Travels and Frankenstein‚ the narrative methods‚ and the effects of these different ways of telling a story in Gulliver’s Travels and Frankenstein. Ravee Chen S2 English H Dr.Freisen 8 April 2010 Word count: 1491 Why do authors use different types of narrators? Jonathan Swift and Mary Shelly have both chosen a first-person narrator in their novels Gulliver’s Travels and Frankenstein. In Gulliver’s Travels the

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    Realism

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    The News: Realism‚ Narrative and Form ________________________________________ The questions of Realism‚ bias and representation take us back to the material we looked at in the first two weeks of the course. As I have tried to stress‚ when we look at the issue of "realism" and the "representation of reality" in the media we have to be aware of the fact that the media always presents a "mediated" version of that reality‚ on its own terms. Sociological‚ political‚ cultural and ideological

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    The writing style used slowly leads up to the event at the end of the story; this progression doesn’t happen until the latter pages. The reader is slowly immersed into the story through the first three pages. This is achieved by the descriptive narrative in the text‚ Dickens uses a highly descriptive motion of describing each action the character performs‚ putting the reader into the characters own perspective. Throughout the start of the story‚ Dickens is highly descriptive of the atmosphere around

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    Halpern’s investigation of the narrative audience results in two statements she could imagine that audience articulating: “1) Stowe describes just what it feels like when a close relative dies. 2) Religion can offer solace when someone is dying; it did for me” (59). As Halpern expects‚ these remarks “remove the distance” between the reader and narrator‚ but what they seem to surprise her with is that she has “read remarks similar to these in [her] students’

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    Bordwell

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    Naffative as a Foffnal System Principles of Narrative Construction Stories surround us. In childhood‚ we learn fairy tales and myths. As we grow up‚ we read short stories‚ novels‚ history‚ and biography. Religion‚ philosophy‚ and science often present their doctrines through parables and tales. Plays tell stories‚ &S do films‚ television shows‚ comic books‚ paintings‚ dance‚ and many other cultural phenomena. Much of our conversation is taken up with telling tales-recalling a past event or telling

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    Media Aesthetics Notes

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    attention to details and how they affect the film * Step 3: Identify the outstanding instances of technique * Understand the techniques/concepts * Note specific examples of techniques * Types of lighting‚ angle‚ shots‚ narrative‚ style‚ etc. ------------------------------------------------- September 26th ------------------------------------------------- Styles of Film * Two major directions – realistic and formalistic * Directions or “types” are defines

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    Kabuki

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    Film Art The Significance of Form in Film -in films‚ a pattern exists; an internal system governs the relations among parts and engages your interest. This system of relationships among parts we shall call form -we can analyze how a film’s parts relate to one another to create the spectator’s overall experience -our experience of artworks is patterned and structured. The human mind craves form. For this reason‚ form is of central importance in any artwork‚ regardless of its medium. This

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    http://hollywoodjesus.com/sixth_sense.htm Goodykoontz‚ B. & Jacobs‚ C. P. (2011). Film: From watching to seeing. CA. Bridgepoint Education‚ Inc. IMDb.com (2011). The Sixth Sense (1999). Retrieved from http://www.imdb.com/title/tt0167404/ Lavik‚ E. (2006). Narrative structure in The Sixth Sense: a new twist in “twist movies”. The velvet light trap‚ Number 58‚ 55-64. Totaro‚ D. (2003). Visual style in M. Night Shyamalan’s “fantastic” trilogy‚ part 1: the long take. Retrieved from http://www.horschamp.qc.ca/new_offscreen/shyamalan_pt2

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    Gatsby Chapter 4 essay How does Fitzgerald tell the story in Chapter 4? Throughout the chapter Fitzgerald uses a variety of different disciplines to tell the story of Gatsby‚ Nick and the other characters. In chapter 4‚ Fitzgerald uses narrative voice to portray Gatsby’s mysterious nature. Gatsby’s description of his background to Nick is a daunting puzzle—though he rattles off a seemingly far-fetched account of his grand upbringing and heroic exploits‚ he produces what appears to be proof

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    Oleh Lemishka Professor Patrick Randolph UCLR 100 24 March 2017 Childish Narration The quote from My Ancestor Was an Ancient Astronaut by Toba Beta‚ “Understanding is not absolutely final. What’s now right could be wrong later‚” most accurately depicts the progress of reading where you have to wait for the ending before making conclusions. Full understanding of the book comes after ending‚ so the reader would not drop into the pitfalls of the narration. It is something we see throughout both stories

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