Nanyang Academy of Fine Arts DFA2102: Investigating Art II (History Component) "Art is a form of description. Discuss and elaborate. What is your understanding for the abovementioned statement?" Muhammad Rahimin Bin Misnam F13FA0154 [FA2C] Lecturer: Mr Chua Poh Leng 14 - 16th October 2014 Art is no doubt a form of description. In a way‚ it can describe a situation‚ an era‚ a story‚ a person ’s life and so on and so forth. If we put it as such‚ then yes‚ art
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Ruby Moon is a gothic fairytale‚ with the play repeatedly drawing on the familiar tale of ‘Little Red Riding Hood’. A parent’s worst nightmare is to have lost their child‚ especially if the neighbour is assumed to have been involved. “The child randomly taken from our midst is an all-too-common tragedy which threatens us in a deeply primal way” (Matt Cameron). In using this element of a crippled fairy-tale with the added form of heightened naturalism‚ there is the constant essence of fears of contemporary
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“The Little Green Monster” Literary Analysis Short stories are always much more difficult to review compared to novels‚ simply because the author uses so many metaphors and symbols within. Usually the audience reads it‚ and then analyzes it as a whole. In “The Little Green Monster” Haruki Murakami tells a story about a strange green monster that digs it way out from under the soil to ask the heroine to marry him. She responds in a very repulsed way stating that “It is rude and presumptuous” along
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Art and Aesthetics at Work Edited by Adrian Carr and Philip Hancock Art and Aesthetics at Work This page intentionally left blank Art and Aesthetics at Work Edited by Adrian Carr University of Western Sydney and Philip Hancock University of Warwick Editorial matter‚ selection and Chapters 1‚ 5 and 9 © Adrian Carr and Philip Hancock 2003 Other chapters (in order) © Adrian Carr; George Cairns and Tamar Jeffers; Mary-Ellen Boyle; Catrina Alferoff and David Knights; Nick
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order. I kept walking simply to see what other great works Picabia had painted‚ I was not disappointed at all. Walking through you can see Picabia’s change in form and type of art he painted‚ starting with the impressionist art to cubism and his surrealist art towards the end of the exhibit. It all showed different sides of Picabia’s talent‚ still I returned to the beginning of the exhibit and chose a painting. The painting that caught my attention was the first thing I noticed‚ it was one of his
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relates the bull to a Minotaur: a creature that has a head of a bull and a body of a man. In the ancient Greek and ancient Roman cultures‚ this hybrid creature is a symbol of violence and rage. Hartt‚ however‚ relates the Minotaur to the view of the Surrealists as a symbol to man’s irrational side and contrasts this symbol with the symbol of the horse. Hartt says‚ “If the Minotaur symbolizes the irrationality of Fascism and man ’s mistreatment of man‚ the horse represents the anguish of Spanish citizens
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Facts This piece of art was produced by Mijn Schatje is 2009. The piece is called Blu and its name can be interpreted as the name of the doll in the piece. This piece of art belonged to the pop and surrealist art movement. I think that the title of the piece‚ ‘Blu’ is the name of the doll in the work‚ but it could also represent the ‘blue-ness’ of the piece as there is a constant wash of blue‚ blue could also represent sadness and loneliness‚ which is also present in the piece through the dolls
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Growth and progression can be seen in each artist’s works. James and Mark’s growth as artists usually follows a significant event in their life or surroundings. James had created a piece titled Butoh (I.) after graduating college. This piece was one of James’ transitional works‚ moving away from his previous photorealistic style adopted in art school and moving towards his distinct comic book style achieved in the early 2000s. This piece portrays his very well-defined technique and skill in traditional
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Interview Diana Ford FAS 101 4/17/2012 Jackson Pollock (January 28‚ 1912 – August 11‚ 1956) -Many people say that artists think outside the box‚ would you say you were thinking outside the box with the drip technique? In 1947 Pollock first used the process of pouring or dripping paint onto a flat canvas in stages‚ often alternating weeks of painting with weeks of contemplating before he finished a canvas. A whole series of paintings—beginning with Full
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and it took hold. Picasso had only just begun his one-man art revolution. In the late 1920s‚ Picasso fixed himself upon an even more revolutionary art form - Surrealism. Surrealism emphasized the role of the unconscious mind in creative activity. Surrealists aimed at creating art from dream‚ visions‚ and irrational impulses. Their paintings shocked the world - particularly Picasso ’s - it was unlike anything anyone had ever seen before. He took advantage of this fact and also the fact that he was extremely
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