with but only 3. The Sargent had told the White family that it was dangerous‚ but if they chose not to listen to him it was on them. The irony incorporated in the story is used very well and should continue to be used in the story because it shows suspense to the readers until it leads the readers with a very unexpected twist to the
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Horror is a film genre intended to receive a negative emotional response from the audience. Comedy‚ on the other hand is intended to make the audience laugh. Horror films and comedy films‚ both attract sizable audiences every year; beside the simple fact that horror films were produced to scare people‚ and comedy films were produced to make people laugh‚ both genres share plenty of differences‚ but also some similarities. Horror films are those known to create fear by depicting gore‚ ghosts‚ killers
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deep electronic beat represented the Terminator‚ played by Arnold Schwarzenegger. During moments of movement‚ and stalking his victims‚ the music played an important role to the Terminator’s character. Much like Jaws‚ the music in the Terminator provided an element of surprise‚ suspense‚ and horror. As the Terminator stalked all the women with the name Sarah Connor‚ the music added texture of pursuing a symphony of destruction. During other scenes in the movie‚ the music changes to more of a
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Riders to the sea Summary of the play Riders to the Sea by John Millington Synge Dustin Buckley‚ Yahoo Contributor Network Jul 12‚ 2010 "Share your voice on Yahoo websites. Start Here." * ------------------------------------------------- MORE: * ------------------------------------------------- Millington * ------------------------------------------------- Bundling FlagPost a comment The play begins with Maurya‚ who has fallen into a fitful sleep. She is certain that her son
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predation‚ contagion‚ and violation of person. The effect of these on movies is clear through villains like Hannibal Lecter (Silence of the Lambs)‚ who eats his victims alive; Freddy Krueger with his claws (Nightmare on Elm Street)‚ or more obviously Jaws (Jaws)‚ King Kong (King Kong)‚ zombies‚ and demonic possession. The first two evolutionary-cognitive fears are clear‚ but violation of person is not. This comes from what Freud called the ‘uncanny valley’‚ when things are similar to human‚ close enough
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slightly above the audience for the first part of the monologue‚ and then when Salieri starts talking about God I take it higher‚ as if I’m speaking to the sky. I use pauses in parts to create suspense‚ and keep very still throughout a lot of it‚ until “And then suddenly” when I jump out of my chair‚ eyes wide‚ jaw dropped‚ and use my hands to
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the most recognizable music score. Believe it or not he has not actually watched any of the Star Wars movies. He also composed the movies Jaws’ score‚ which earned him an Academy Award‚ his second win and first for Original Score‚[1] and was later ranked the sixth greatest score by the American Film Institute. The main shark theme became a classic piece of suspense music‚ it made people terrified of going into the water. He spent two months writing more than 50 minutes of music for the movie and recorded
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blood rushing. A good horror film will cause viewers to be on the edge of their seats and having their perception of reality distorted as they attempt to understand the unraveling plot of the horror film. The tone of the film aides in the amount of suspense that a horror film produces‚ since a much darker film will create a more suspenseful atmosphere than one that is more focused on campy monster makeup. But the tone of a film is determined by the sound of the film‚ or in other words‚ the score. Sound
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creativity‚ originality and complexity. This essay will argue both sides of this debate with reference to Terminator 2: Judgment Day (Cameron‚ 1991) and Jaws (Spielberg‚ 1975). James Cameron’s Terminator 2: Judgment Day (1991) is an example of a director exploring complex conceptual meaning beyond the simple high concept narrative. Whereas Steven Spielberg’s Jaws (1975) is an example whereby the simplicity of a high concept film not only limits creative exploration‚ but also breeds consecutive similar films
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In Cold Blood Analysis 1. Syntax “More markings‚ self-designed and self executed‚ ornamented his arms and torso: the head of a dragon with a human skull between its open jaws; bosomy nudes; a gremlin brandishing a pitchfork; the word PEACE accompanied by a cross radiating‚ in the form of crude strokes‚ rays of holy light; and two sentimental concoctions—one a bouquet of flowers dedicated to Mother-Dad‚ the other the celebrated the romance of Dick and Carol‚ the girl whom he had married
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