the Christian chaplain ridiculed them. Narayan graduated from Maharaja’s College in Mysore in 1930. In 1934 he was married‚ but his wife‚ Rajam‚ died of typhoid in 1939. He had one daughter‚ Hema. He never remarried. Narayan wrote his first novel‚ Swami and Friends‚ in 1935‚ after short‚ uninspiring stints as a teacher‚ an editorial assistant‚ and a newspaperman. In it‚ he invented the small south Indian city of Malgudi‚ a literary microcosm that critics later compared to William Faulkner’s Yoknapatawpha
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Teri muhabbat ne jab dil dukhaya hai kyun naam phir tera aaya hai‚ tujhse shikayat kare hum phir kyun mohabbat kare hai hum ‚her pal hai jalta toh is dil mein rehta kyun tera he ek naam hai Kabir Dohas Chalti Chakki Dekh Kar‚ Diya Kabira Roye Dui Paatan Ke Beech Mein‚Sabit Bacha Na Koye Translation Looking at the grinding stones‚ Kabir laments In the duel of wheels‚ nothing stays intact. My understanding This doha picks up a situation from our daily life. Kabir watches the woman grinding
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the rising sun‚ and we need to see the brave future. On the other hand‚ the hope is limited by the darkness in the story. For instances‚ in chapter 11‚ “Chamdi lied to Anand Bhai‚ ‘You lied to me’‚ says Anand Bhai‚ ‘So hold your tongue out and slice it off.’” When I read this part‚ I am shocked by the bloody words coming out of Anand Bhai’s mouth. It is still
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The truth is out as we finally get a peek behind the curtain that veils our society. In our world are people who believe they are gods‚ dictating who or what gets to live or die. Humanity no longer values the planet that sustains us or the organisms that coexist with us. Instead‚ we poke‚ prod‚ and experiment on animals to further our technologies. Often times it comes down to the worth of one creature over another. Our actions are justified by the simple concept of “who you would rather choose to
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Dream Dare Win www.jeywin.com Modern India; Economic & Commercial Policy The British conquerors were entirely different from the previous conquerors. Through laws and administrative‚ economic and fiscal policies‚ the British government in England and Company’s administration in India used their powers to the advantage of British manufacturers and to the detriment of the Indian socio-political and economic fabric. The gradual “development of underdevelopment’ has been traced through the
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Religion under Globalisation Author(s): P. Radhakrishnan Source: Economic and Political Weekly‚ Vol. 39‚ No. 13 (Mar. 27 - Apr. 2‚ 2004)‚ pp. 1403-1411 Published by: Economic and Political Weekly Stable URL: http://www.jstor.org/stable/4414836 . Accessed: 17/10/2013 11:47 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars
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The Power of Youth in Creating “Corruption Free India” The essay is a study of role of youth to make country a corruption free nation. It is an effort to give concrete view point on the power of the integrated youth of nation who are future of the country and whose efforts are decisive for country’s progress. INTRODUCTION It is a no brainer that Corruption in India is at its rampant best. There is not one section of the society that is spared from it. Recent examples like CWG‚ 2G and
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Introduction In this review‚ our group is doing on a short story named “Husband Material” which was published in The Literary Page‚ The New Straits Times‚ Kuala Lumpur on May 1996.This short story was written by Malachi Edwin Vethamani and was taken from his personal website. After reading this short story‚ we found out that societal restrictions can cause broken relationships.In “Husband Material”‚ by putting Shanti through all the struggles‚ the author used the main element of conflict to portray
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specific to his setting and background.This novel appers to be a double autobiography in which Mr. Biswas is modelled on Seepersad Naipaul’s life and career‚and Anand‚his son‚ whose life and career run parallel to V.S.Naipaul’s.His sketching of Anand is not much different from his creator as his “fictitious progeny”.In the novel‚the portrayal of Anand as a ‘separation of man from writer” and a most poignant recreation‚evokes reations to his father-longing‚attachment‚fear‚rage and reconciliation on individual
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