Sylvia Plath’s “You’re”‚ is a poem about an expectant mother and her experiences with being pregnant with her child. This poem employs lots of simile and metaphorical comparisons between things of nature that are not usually thought of in regards to pregnancy and babies. Plath’s use of similes and metaphors follows her throughout all her poetry but her use of metaphors in “You’re” shows a raw depiction of how she sees pregnancy. Sylvia Plath uses imagery and metaphors of nature to show a mother’s
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Sylvia Plath Plath’s poetry depicts her quest for poetic inspiration and vision: In her early poems‚ like ‘Black Rook’‚ Plath sees inspiration as transcendent‚ something that would announce itself to her from the external world. Plath’s language implies that she awaits a visitation of beauty‚ like the Annunciation by the angel in the Bible. Plath longs for an occasional ‘portent’ or ‘back talk from the mute sky’. She doesn’t believe in religious epiphany; but she uses Christian language as an
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Sylvia Plath was born to middle class family in Massachusetts. Plath published her first poem when she was 8.She was bright‚ sensitive‚ was a perfectionist at everything she attempted. She was a brilliant kid‚ getting A grades in school‚ winning the top prizes. She was a model daughter. By 1950 when she joined Smith College she already had an remarkable list of publication. However Sylvia’s perfection was only superficial. Under this lay personal issues some of which probably were the result of
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Comparison: Sylvia Plath’s “Tulips” and Mary Oliver’s “Poppies” Throughout time females have found it hard to achieve acceptance and accreditation in the world of poetry. However‚ two American female poets‚ who were born in the 1930’s‚ did make a name for themselves. During this era of rapidly changing gender roles‚ social values and world politics‚ these women were able to produce a rich variety of poetry. These poets are known for their driven personalities and their captivating poems about alienation
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could say I’ve a call” – Sylvia Plath. Sylvia Plath was born in Jamaica Plain‚ Massachusetts on October 27th‚ 1932 and died in London‚ United Kingdom on February 11th‚ 1963 at the age of 31 years old. Sylvia is well known for her astonishing poem such as “The Bell Jar” and “Daddy”. Her parents were Aurelia Schober‚ who was a student at Boston University and Otto Plath‚ who happened to be Aurelia Schober’s professor at the time (Academy of American Poets). “In 1940‚ when Plath was eight years old‚ her
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Plath views the world in an insightful and unusual way. She has a meticulous eye for detail which is evident in all her poems. Her poetry is confessional‚ in the sense that it is often an obsessive analysis of herself. The exploration of identity is apparent in poems that I have studied. These poems are ‘Morning Song’‚ ‘Child’‚ ‘Black Rook in Rainy Weather’ (BRR)‚ ‘Mirror’ and ‘The Arrival of the Bee Box’ (ABB). These poems are intriguing and narrate the world around Plath. As her poetry is often
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“Mirror” by Sylvia Plath is a poem narrated from the perspective of a mirror. Within this poem‚ there is a clash between truth and perception. This idea is first presented through the form of the stanzas where the mirror is “silver and exact” (Plath 1) then when the mirror is “now [...] a lake” (10). The poem then illustrates how even the truthful mirror has preconceptions. Then finally how the woman‚ who comes every morning to look in the mirror often deludes herself with “those liars‚ the candles
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Sylvia Plath’s poem "Daddy" portrays her love and hate relationship with her own father. At first glance‚ the poem almost spits vivid words of rage and hate toward her father; but even on the second reading the very structure of the poem‚ as well as a few word choices betray the love she feels for him. This creates a warring duality and she herself the views this unresolved relationship as the root of her misery. The very title of the poem Daddy contradicts the face value of the poem as a whole
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Altogether‚ based on the analysis of the decaying body metaphor we came to the conclusion that the body was in fact a metaphor for the speaker’s soul. We’ve all had an experience with death large or small‚ whether it was actually losing someone close to you‚ someone distant‚ someone you’ve never known or perhaps your experience was as distant as sitting on your couch and hearing something on the news. Whichever it is‚ death is nothing new‚ it’s something that is unavoidable and therefore something
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When first reading “Metaphors” by Sylvia Plath‚ the reader may find him or herself confused‚ or at least unsure of the meaning of this poem. The poem uses numerous images that‚ at first glance‚ don’t seem to have anything in common. However‚ the careful reader (or the luck one) will see the connection: all of these have something to do with round‚ big objects. If the reader takes into the account the “nine” syllables‚ symbolising nine months‚ and the imagery that relates to bloatedness and roundness
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