Unity is vividly observed in the great pillar of Hajj‚ which is repeated every year and for which millions of Muslims gather from all over the world. They represent the Muslim ummah with all its different races‚ countries‚ colors‚ and languages. They gather in one place‚ at the same time‚ wearing the same garment and performing the same rites. They make one stand in the same monument. They proclaim the oneness of the Lord of the worlds‚ submit themselves to His law‚ and show their unity under His
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STREET CHILDREN - BANGLADESH Children in Bangladesh have to face many challenges. In Bangladesh over 40 million people are living below the poverty line and most of these families do not have own land. They are living and farming in flood-prone areas and face yearly natural disasters‚ inefficient agricultural technologies‚ low education‚ a polluted environment. These family did not get proper health services and is in limited employment. Undernourishment is the common issue for the children. 50
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book The House on Mango Street‚ author Sandra Cisneros presents a series of vignettes that involve a young girl‚ named Esperanza‚ growing up in the Latino section of Chicago. Esperanza Cordero is searching for a release from the low expectations and restrictions that Latino society often imposes on its young women. Cisneros draws on her own background to supply the reader with accurate views of Latino society today. In particular‚ Cisneros provides the chapters "Boys and Girls" and "Beautiful and Cruel"
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The Odyssey Final Assessment: Three Symbols 1. The Curse (page 161) When Cyclops set a curse on Odysseus‚ it set the course for the rest of the story. Cyclops asked his father‚ Poseidon‚ to make Odysseus’s journey home long and torturous‚ because Odysseus put out the Cyclops’s eye. The Cyclops prayed to his father‚ Poseidon‚ “He shall see his roof again among his family in his father land‚ far be that day‚ and dark the years between. Let him lose all companions‚ and return under strange sail
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One of the book’s major points concerns the structural positioning of what she calls the Final Girl in relation to spectatorship. While most theorists label the horror film as a male-driven/male-centered genre‚ Clover points out that in most horror films‚ especially the slasher film‚ the audience‚ male and female‚ is structurally ’forced’ to identify with the resourceful young female (the Final Girl) who survives the serial attacker and usually ends the threat (until the sequel anyway). So while
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ethically incorrect sometimes‚ but they do not lead the life of a child in most cases. The ideals portrayed by GI Joe and other action figures are mainly based on human nature. They could be transformed into a more realistic and morally pleasing symbol‚ but would be missing a key element that children need: imagination. The imagination of a child is endless‚ and only grows with the use of figures and toys. Wild scenes concocted by five-year-olds for their GI Joe’s are many times more original
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Street Corner Society Community is seen as “complex system of friendship and kinship networks‚ and formal and informal associations’ ties rooted in family and ongoing socialization process” (Class notes‚ Soci. 421.15‚ Sept 23rd/2010). This paper discusses how Shaw and McKay’s social disorganization theory applies to “Street Corner Society”‚ and through this theory a strong association between social ties and crime rates will be examined. Essentially disorganization is seen as is the absence of social
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Eng305 Prompt 3 November 13‚ 2013 The Flapper Girl and the Gibson Girl At the end of the nineteenth century and into the early part of the twentieth century there were two predominant styles of dress and manner for women. The Gibson Girl was popular from about 1890 until the end of World War I which then gave rise to the Flapper Girl of the 1920’s. They were different in most things‚ except that they both promoted the sense of what the time thought the “modern woman” was. They both
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Symbols and Motifs By Amber Wang In Flowers for Algernon by Daniel Keyes‚ there are many motifs and symbols. According to Dictionary.com (2013)‚ a motif is: “a recurring subject‚ theme‚ idea‚ etc.‚ especially in a literary‚ artistic‚ or musical work.” On the other hand‚ a symbol is‚ according to the same website: “something used for or regarded as representing something else; a material object representing something‚ often something immaterial; emblem‚ token‚ or sign.” However‚ unlike motifs‚
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Peter Skrzynecki’s poem “10 Mary Street”‚ explores various aspects of belonging to a place as well as to family. A reoccurring theme of time is present throughout the poem‚ 10 Mary Street. This is shown through the constant repetition of the line “For nineteen years”. The composer purposely establishes a strong sense of time that conveys routine and steadiness in his life. Throughout the poem the responders can perceive a strong emphasis of security in Peter’s family‚ who were at the time living
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