also his regret at having to take the life of a living thing. The reader feels the weight of the predicament through contrast in diction‚ The author’s diction heightens the power and force behind the snake as it responds to the man. When the man first stumbles across the rattlesnake‚ it is “undulant” while “waiting” and holding its ground in calm “watchfulness.” The diction conveys slight tension in the otherwise still setting. The atmosphere feels tranquil‚ and while the snake is cautious‚ it is still
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both hard and difficult. First I developed their characters by thinking of a name‚ how they look‚ talk‚ and act. I also thought of a background for my character. The first character I developed turned out to be my main character whose name was Addison. After I developed Addison‚ I created her best friend names Jolene. I thought of characteristics for her too. I knew there were going to be more characters in my story‚ I just wasn’t sure how many characters I was going to need or how they would turn out
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Through the use of vibrant diction‚ syntax‚ and ever changing tone‚ the author is able to create a dramatic‚ yet sorrowful story that affects the reader on many levels. In the first paragraph‚ the author begins the piece by using strong‚ uplifting words that describe Paret as being a “champion” and comments on his “ability to take a punch.” This use of diction creates an image of a true champion; a man that is respected‚ inside the readers mind. Those words make the reader respect Paret and create
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book “The Scarlet Letter” by Nathaniel Hawthorne‚ Hawthorne attitude of Dimmesdale is of passion and nobility. Hawthorne expressed his attitude through a multitude of devices such as diction‚ syntax‚ and imagery. His dictions for Dimmesdale is that of a man who does not care and just wanted to tell the truth. The syntax that Hawthorne applied is meant to undermined Dimmesdale with irony but at the same time‚ make Dimmesdale even nobler. Imageries were used as a series of Dimmesdale actions during the
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whether it is something you had or cannot have or wish to have. You cannot let something bring you down or let yourself obsess over it. It can take control of your life and even bring you misery. In the short story “Araby” by James Joyce‚ the main character is in love with a girl he has not even met. He thinks about her all the time and always questions whether he should try to talk to her or not. He is obsessed with her for a while‚ and he’s just a child. One day she finally talks to him‚ though
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The Great Gatsby is a novel that depicts Jay Gatsby chasing his American Dream. Although Gatsby did it by illegal means‚ Fitzgerald honors Gatsby for the effort he put forth in trying to achieve his American Dream of winning Daisy back. With the use of symbolism‚ syntax to create a respectful tone towards Gatsby‚ and a mood of honor‚ Fitzgerald admires Gatsby for chasing an unattainable American Dream and almost succeeding. Symbolism is a major key to Fitzgerald’s novel and he uses it to represent
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struggles he writes about are from real stories. As we look closely at the chapters individually‚ from the syntax and diction‚ we are able to conclude the overall purpose of the novel. Steinbeck’s use of parallelism and diction‚ in chapter 5‚ supports his message that the farmers were against something they could not take down alone. In Chapter 5‚ there are a few examples of parallelism syntax within the context. One of which is‚ “ Some
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William Blake’s poem “The Tyger” relies on diction‚ syntax‚ figurative language‚ and imagery to convey a tone of violent indignation. Through these elements‚ we can conclude that the poem’s theme is about how a tyrannical government can cause negative emotions in the people under their rule. The author’s choice of words‚ or diction‚ was used in the sentence‚ “dare seize fire”. The author’s use of these words triggers a feeling of danger‚ making the tone violent indignation. The tone is also revealed
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When in voice and diction class I’ve learn a lot about the way how we as actors explore the use of the human body and how just based on the slightest body movement can change the whole intention of the line that is being delivered just as the power of breath can greatly affect the text for example anything that was from Shakespearian times or most Greek text. Considering that fact i will be talking about a Greek tragedy known as Antigone. There is a lot of that same purpose and intention in the way
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Klosterman’s use of a witty tone in addition to his commanding syntax provides a sense of urgency to highlight the dehumanizing effects of the modern world on its people. In order to fight the monotony and be mindful in contemporary society‚ Chuck Klosterman develops commanding syntax to warn the individuals of the costs associated with repetitive and mindless acts. The motion of continuously and deliberately accomplishing something without any afterthought‚ much “… like slaughtering zombies” (Klosterman
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