‘The Love Song of J. Alfred Prufrock’ (‘Prufrock’) and ‘Journey of the Magi’ (‘Magi’) are two of T. S. Eliot’s poems which continue to engage readers through Eliot’s use of modernist techniques and ideas. Eliot’s innovative use of techniques such as symbolism and fragmentation are reason enough for the lingering interest of his poems for his readers‚ almost a century after they were composed. During his context‚ early 20th century in America and England‚ Eliot’s original exploration of ideas concerning
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S. Eliot Buy PDF About Murder in the C athedral About Murder in the Cathedral In 1935‚ T.S. Eliot‚ famed poet of modernist despair and convert to the Anglican Church‚ was commissioned to write a play for Kent ’s annual Canterbury Festival. There were few explicit restrictions on subject matter. That Eliot chose to dramatize the death of Thomas Becket in his play Murder in the Cathedral was therefore both totally appropriate and yet somewhat unexpected. Considering that Eliot was
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Thomas Sterns Eliot‚ an influential poet and literary critic that caused massive change with his work in social and cultural theory. According to the article “T. S. Eliot” in Encyclopedia of Philosophy‚ Elliot had such a unique view on the social and political world that he was able to create many works of art that caused a cascading rush of new ideas that have survived well through the 20th century and into the 21st century. His superbe education and philosophical view of the world made him an ideal
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The Love Song of J. Alfred Prufrock T. S. ELIOT Questions for Discussion 1. How does the epigraph from Dante’s Inferno help Eliot comment on the modern world in“The Love Song of J. Alfred Prufrock”? What does it tell us about the setting of this poem? How is Montefeltro’s miscalculation related to the poem? Prufrock laments that the mermaids will not sing to him. Prufrock’s dilemma represents the inability to live a meaningful existence in the modern world.[24] McCoy and Harlan wrote "For many
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T S Eliot’s poem ‘To the Indians who Died in Africa’ is an interesting Eliot piece. It is not often you read a poem by Eliot which refrains from striking the grand pose. He tended to invoke the giant issues of human soul every time he penned a poem‚ except of course‚ when he wrote those cat poems. But this is a puzzlingly small-aimed poem. A bit advise not grand wisdom‚ I guess. That this poem in imbued in the war and empire atmosphere is obvious. What he has to say to the Indians is funnily passive
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’a fresh pair of legs’‚ ’No 10 announced today’‚ ’have you seen the latest Spielberg?’. • "Take thy face hence." (William Shakespeare‚ Macbeth V.iii) • "I should have been a pair of ragged claws Scuttling across the floors of silent seas." (T. S. Eliot‚ "The Love Song of J. Alfred Prufrock") • "The daily press‚ the immediate media‚ is superb at synecdoche‚ at giving us a small thing that stands for a much larger thing." (Bruce Jackson) understatement A figure of speech in which a writer
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absolute . * 3. A few dates 1909 First “Manifesto” of Italian Futurism 1910 Death of Edward VII Post-impressionist exhibition in London 1913 Russian Cubo-futurism English Verticism 1916-20 Dada 1912-17 Imagism Tradition and individual Talent by TS Eliot 1922 Ts. Eliot’s The Waste Land J. Joyce’s Ulysses Death of M.Proust * 4. Modernism as a movement Modernism as a movement can be recognized not only in literature but also in The sciences Philosophy Psychology Anthropology Painting Music Sculpture
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Affect: Eliot ’s Classicism‚ Pound ’s Symbolism‚ and the Drafts of "The Waste Land"" Journal of Modern Literature 18.1 (1992): 77-93. Web. Donoghue‚ Denis. "The Word Within a Word" in The Waste Land in Different Voices. London: A.D. Edward Arnold‚ 1974. 185-201. Print. Donoghue‚ Denis. "The Word Within a Word" in The Waste Land in Different Voices. London: A.D. Edward Arnold‚ 1974. Print. Eliot‚ T.S. "The Metaphysical Poets." Selected Prose of T.S Eliot‚ T.S Eliot (1975): 59-67. Print. Eliot‚ Valerie
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INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE Vol.2.S.1.‚2015 THE ROLE OF THE CHORUS IN T.S.ELIOT’S "MURDER IN THE CATHEDRAL" ANKITA MANUJA Research Scholar‚ Department of English and Cultural Studies‚ Panjab University‚ Chandigarh‚ India ABSTRACT In this paper‚ I analyze the role of chorus in TS Eliot’s verse drama Murder in the Cathedral(1935). The chorus‚ which acts as a mouthpiece of Eliot‚ creates a distancing effect ‚ gives the spectators a lens through which they
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In 1930‚ just three years after his baptism and confirmation into the Anglican Church‚ T. S. Eliot published his conversion story. It was his poem Ash Wednesday.[i] He had converted amid tides of intellectuals rebelling against the over-secular society of the early twentieth century. Ash Wednesday is the chronicle of this conversion‚ told in beautiful allegories and metaphors. It portrays the struggle Eliot faced in converting. “It is a poem about the difficulty of religious belief‚ about the
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