Claude Debussy composed the orchestral tone poem Prelude to the Afternoon of a Faun in 1894 and was originally written by French poet Stéphane Mallarmé. Born in 1862 Claude Debussy was a French composer. Debussy wasn’t from a musical family‚ but he began piano lessons at seven years old and his parents supported him. Debussy was an extremely talented piano player and by 10 years old his talents entered him in the Paris Conservatoire where he would continue to study music for 11 years. Claude Debussy
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Eliot challenges his audience to consider the state of his character’s subconscious living within a corrupted society. Thomas Stearns Eliot’s poems‚ The Love Song of J. Alfred Prufrock published in 1915‚ and Preludes published in 1917‚ resonate the decay and alienation of Eliot’s characters and civilization. Eliot employs various poetic techniques to challenge the reader to explore social fragmentation of the human psyche and the futility of an industrialization society. Eliot explores seclusion
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Eliot Spitzer‚ attorney general of New York Investment Protection Bureau‚ was the leading regulator who changed the way many Wall Street firms do business. What he accomplished was nothing short of extraordinary – he has not only stood up for the investors against Wall Street giants‚ but he did so in such an aggressive but rightful manner that required much courage and sophistication. Many criticized Spitzer for his overly aggressive indictments and actions against Wall Street firms‚ which consisted
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What are the main themes of T.S. Eliot’s ‘Preludes’? What aspects of the poem would you identify as modernist techniques? What does Eliot’s poem express about the condition of the human subject in early twentieth-century modernity? You need to substantiate your essay on a close reading and critical analysis of the poem. T.S Eliot’s ‘Preludes’ is a prominent modernist poem that vividly reflects his opinion about the impact of World War I’s traumatic experience‚ questioning at the same time the
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Modern Language Studies "Till Human Voices Wake Us and We Drown": Community in "The Love Song of J. Alfred Prufrock" Author(s): James C. Haba Reviewed work(s): Source: Modern Language Studies‚ Vol. 7‚ No. 1 (Spring‚ 1977)‚ pp. 53-61 Published by: Modern Language Studies Stable URL: http://www.jstor.org/stable/3194154 . Accessed: 18/03/2013 05:36 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms
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“Four Quartets” Thomas Stearns Eliot The Battle After the Battle "The battle is going very heavily against us. We ’re being crushed by the enemy weight...We are facing very difficult days‚ perhaps the most difficult that a man can undergo” (Erwin Rommel). During World War II‚ Field Marshal Erwin Rommel says on behalf of Germany that his army faces the most difficult days they have ever been through. This relates to all soldiers in all wars‚ as well as to people who lost their loved ones from
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Land” is a complex and fragmented poem that underwent major revisions before it was published in 1922. The published version we see and read today is actually shorter in comparison to what Eliot had originally written. According to James Torrens’s article “The Hidden Years if the Waste Land Manuscript‚” Eliot had mailed “54 pages of The Waste Land‚ including the unused parts” to John Quinn‚ a “corporation lawyer in New York City‚” which had shortly disappeared after Quinn’s death in July of 1924
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T.S. Eliot is often regarded as a poetic genius of his time and frequently‚ to this day as well. He lived a fairly‚ normal life as he grew up in St. Louis‚ Missouri then later attended Harvard University. Eventually‚ he left the United States for Sorbonne‚ England and returned to Harvard to study some more and ended up back in England where he became under the influence of Ezra Pound. Pound recognized Eliot’s poetic talent and assisted in many of his publications and influenced his work. What stood
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The clinician‚ Mrs. May‚ began with the first movement of the Holberg Suite‚ Prelude‚ composed by Edvard Grieg. In the beginning of the piece‚ there is a segment consisting of a rhythm with an eighth note followed by two sixteenth notes. Mrs. May decided to have the orchestra play the G major scale with the same rhythm. She wanted to focus on improving the group’s tempo‚ rhythm‚ and markings for the piece. After playing the scale in the ideal tempo‚ the orchestra was able to successfully incorporate
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’Oh keep the Dog far hence‚ that’s friend to men‚ ’Or with his nails he’ll dig it up again! ’You! Hypocrite lecteur! – mon semblable‚ - mon frère!’ T.S. Eliot‚ “The Burial of the Dead”‚ The Waste Land‚ lines 60-76. T.S. Eliot’s The Waste Land is a Modernist piece of literature. Combining “traditional content” and radical style‚ Eliot has captured the tension between past and present. For him‚ the past is at once nostalgic‚ yet responsible for the present shared post-war “sense of desolation
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